O Pagador de Promessas
- 1962
- 1h 38min
VALUTAZIONE IMDb
8,3/10
4370
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA simple yet devout Christian makes a vow to Saint Barbara after she saves his donkey, but everyone he meets seems determined to misunderstand his intentions. Will he be able to keep his pro... Leggi tuttoA simple yet devout Christian makes a vow to Saint Barbara after she saves his donkey, but everyone he meets seems determined to misunderstand his intentions. Will he be able to keep his promise in the end?A simple yet devout Christian makes a vow to Saint Barbara after she saves his donkey, but everyone he meets seems determined to misunderstand his intentions. Will he be able to keep his promise in the end?
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 4 vittorie e 1 candidatura in totale
Leonardo Villar
- Zé do Burro
- (as Leonardo Vilar)
Antonio Pitanga
- Coca
- (as Antonio L. Sampaio)
João Di Sordi
- Police Detective
- (as João Desordi)
Veveldo Diniz
- Sacristão
- (as Velvedo Diniz)
Napoleao Lopes Filho
- Bispo
- (as Napoleão L. Filho)
Recensioni in evidenza
It is not a surprise that this movie won the golden palm in Cannes. The story of the man that carry a big and heavy cross as a promise for the healing of his donkey is the simpliest and the most beautiful. The poetic way as it is shown became the film an unforgettable classic, with Zé as the protagonist. For sure, technically it is a pre-historic film, the sound quality and editing is really bad, but it even help the audience to focus what really cares. That is not only about poverty, but about humanity. If you liked Central Station, you can't miss.
This great film, received the principal prize in Cannes and it is one of the best Brazilian films of all the times. A simple man, whose donkey was sick, gets its cure and he decides like this to pay a promise Saint Barbra, to who attributed the salvation of the animal.
Main representative of the brazilian "Cinema Novo" , the film is based on an exceptional play, and it is a realistic film, very well interpreted and driven, and it shows one on the most dramatic sides of the Brazilian people: the fidelity in paying a promise, cost what to cost!
Main representative of the brazilian "Cinema Novo" , the film is based on an exceptional play, and it is a realistic film, very well interpreted and driven, and it shows one on the most dramatic sides of the Brazilian people: the fidelity in paying a promise, cost what to cost!
It's really a shame that this masterpiece is constantly overlooked by All-Time Greatest Lists, even though it won the prestigious Palm d'Or at Cannes.
"The Bicycle Thieves" is frequently cited as the greatest entry into Social Cinema, yet unfortunately the public and the critics seem to forget the sheer beauty that "The Payer of Promises" is. While "Bicycle"'s influence is undeniable, "Payer" goes beyond that.
Honest, multi-layered and amazingly contemporary, this is one of those movies that have admirably stood the test of time - specially if one considers the difficulty it is making Films in Brazil.
Featuring incredibly believable and dramatic performances, a rich, vivid setting and neo-realist technique employed in an elegant and sincere manner, this movie should not be missed. I found impressive how well the film flows - nothing is there gratuitously and the pacing is pitch perfect.
The amazing strength, courage and valor of Brazilian Cinema is a force to be reckoned with, as we take a look at the works of Film Makers such as Peixoto, Duarte, Rocha, Candeias, Bressane, Khouri, Salles and most recently, Meirelles. To list a very short list.
In fact, I can say without fear that it is a better Film than The Bicycle Thieves. It is easily one of the Best Brazilian Films in History - if not one of the Best in Film History. Period.
"The Bicycle Thieves" is frequently cited as the greatest entry into Social Cinema, yet unfortunately the public and the critics seem to forget the sheer beauty that "The Payer of Promises" is. While "Bicycle"'s influence is undeniable, "Payer" goes beyond that.
Honest, multi-layered and amazingly contemporary, this is one of those movies that have admirably stood the test of time - specially if one considers the difficulty it is making Films in Brazil.
Featuring incredibly believable and dramatic performances, a rich, vivid setting and neo-realist technique employed in an elegant and sincere manner, this movie should not be missed. I found impressive how well the film flows - nothing is there gratuitously and the pacing is pitch perfect.
The amazing strength, courage and valor of Brazilian Cinema is a force to be reckoned with, as we take a look at the works of Film Makers such as Peixoto, Duarte, Rocha, Candeias, Bressane, Khouri, Salles and most recently, Meirelles. To list a very short list.
In fact, I can say without fear that it is a better Film than The Bicycle Thieves. It is easily one of the Best Brazilian Films in History - if not one of the Best in Film History. Period.
The only old thing about this movie is its release date. It's very contemporary and universal. O Pagador de Promessas (1962) is based on a play written by Dias Gomes and performed for the first time in 1960.
(About the first scene so not really a spoiler) Zé and his wife, Rosa, left their land, in the country, and went to the city so Zé could pay a promise he made for a saint called Santa Bárbara. He promised to carry a wooden cross all the way to the city and enter Santa Bárbara church with it if his best friend was healed by the saint. (Paying promisses is still common in Brazil ).
I won't say why exactly but the priest doesn't let he enters the church.
It might seem a minor conflict, but it's not and it escalates through the narrative in a chocking way to Zé, Rosa and audience.
Through the obstacles, Gomes criticizes many social institutions and Brazilian society as a whole in a brilliant way, mixing comedy with drama, what was totally brought to light in Anselmo's adaptation.
In this path, the acting is really important and it's fantastic.
Leonardo Villar portrays perfectly Zé certainty and naivety; Glória Menezes thought of everything, from the accent to the way of moving and the confusion Rosa shows; Dionísio Azevedo made a perfect traditional priest and everybody else were great in their respective roles, an awesome cast.
The technical features are amazing, the sets, the costume design, Duarte's shots, Chock Fowle cinematography and Gabriel Migliori scores.
What stands out in the movie is the representation of Brazilian Culture, which is what the film defends, the beautiful mix Brazil is, of European, Indian, African and many other cultures.
(About the first scene so not really a spoiler) Zé and his wife, Rosa, left their land, in the country, and went to the city so Zé could pay a promise he made for a saint called Santa Bárbara. He promised to carry a wooden cross all the way to the city and enter Santa Bárbara church with it if his best friend was healed by the saint. (Paying promisses is still common in Brazil ).
I won't say why exactly but the priest doesn't let he enters the church.
It might seem a minor conflict, but it's not and it escalates through the narrative in a chocking way to Zé, Rosa and audience.
Through the obstacles, Gomes criticizes many social institutions and Brazilian society as a whole in a brilliant way, mixing comedy with drama, what was totally brought to light in Anselmo's adaptation.
In this path, the acting is really important and it's fantastic.
Leonardo Villar portrays perfectly Zé certainty and naivety; Glória Menezes thought of everything, from the accent to the way of moving and the confusion Rosa shows; Dionísio Azevedo made a perfect traditional priest and everybody else were great in their respective roles, an awesome cast.
The technical features are amazing, the sets, the costume design, Duarte's shots, Chock Fowle cinematography and Gabriel Migliori scores.
What stands out in the movie is the representation of Brazilian Culture, which is what the film defends, the beautiful mix Brazil is, of European, Indian, African and many other cultures.
In my opinion this is one of the best Brazilian movie ever made and also the best movie about religion and its implications to a society in general.
It is a mix of religion, politic, culture, beliefs, prejudices, intolerance. It starts as a simple and innocence gesture from a poor man to pay homage to a Saint after his donkey gets miraculous healed, but instead it becomes a bizarre show of enormous proportions. The authority of the church, the misleading politicians, the media and the crowd use the cause for their own gain. It's a battle between the bureaucracy of norms and the innocence of simple causes. Amazing performances by the main cast.
This movie was awarded with Palme D'Or and the Oscar candidate for Brazil.
THIS IS A MUST SEE MOVIE, it worth every minute of it.
It is a mix of religion, politic, culture, beliefs, prejudices, intolerance. It starts as a simple and innocence gesture from a poor man to pay homage to a Saint after his donkey gets miraculous healed, but instead it becomes a bizarre show of enormous proportions. The authority of the church, the misleading politicians, the media and the crowd use the cause for their own gain. It's a battle between the bureaucracy of norms and the innocence of simple causes. Amazing performances by the main cast.
This movie was awarded with Palme D'Or and the Oscar candidate for Brazil.
THIS IS A MUST SEE MOVIE, it worth every minute of it.
Lo sapevi?
- QuizFirst Brazilian film to be nominated for an Oscar.
- ConnessioniEdited into A Edição do Nordeste (2023)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Given Word?Powered by Alexa
- Where can I watch this film?
Dettagli
Botteghino
- Lordo in tutto il mondo
- 8229 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was O Pagador de Promessas (1962) officially released in India in English?
Rispondi