Helen è una bambina cieca e sordomuta che, all'età di 10 anni, viene affidata dai genitori alle cure di Anna, un'insegnante che adotta metodi inconsueti per aiutare la piccola a comunicare c... Leggi tuttoHelen è una bambina cieca e sordomuta che, all'età di 10 anni, viene affidata dai genitori alle cure di Anna, un'insegnante che adotta metodi inconsueti per aiutare la piccola a comunicare con l'esterno.Helen è una bambina cieca e sordomuta che, all'età di 10 anni, viene affidata dai genitori alle cure di Anna, un'insegnante che adotta metodi inconsueti per aiutare la piccola a comunicare con l'esterno.
- Vincitore di 2 Oscar
- 13 vittorie e 13 candidature totali
- Undetermined Role
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- Martha at Age 10
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- Admissions Officer
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- Doctor
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- Percy at Age 10
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- Annie at Age 10
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- 2nd Crone
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- Mr. Anagnos of Perkins School in Boston
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- Jimmie at Age 8
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- 1st Crone
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- 3rd Crone
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- Viney - Keller Maid
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Recensioni in evidenza
The film, based on the play by William Gibson, is an extremely well-acted film, brilliantly opened up on the big screen. Anne Bancroft as teacher Annie Sullivan and Patty Duke as young Helen Keller are outstanding. Sullivan's determination to communicate to the deaf and blind Helen made for a compelling story on stage as well as on screen.
I understand that when Hollywood wanted to make this movie, the powers-that-be did not want Bancroft or Duke. After finally seeing the movie, I'm glad that director Arthur Penn and producer Fred Coe chose to make this movie outside the so-called Hollywood establishment.
One scene that was discussed in some other posts was the dining room in which Sullivan forces Helen to eat food from a spoon and not her hands. It almost felt like I was watching a fierce wrestling match. It was a physical, as well as an emotionally draining, sequence. A battle of wills between teacher and the unwilling student. It was brilliantly edited and directed.
The film was not without faults. According to the IMDb, a number of flashback scenes were filmed in their entirety but did not work out very well. Those scenes were incorporated within the movie and it looked rather clumsy. The scenes could have been easily edited out completely.
As with all plays adapted to the big screen, some scenes were a little bit stagy. But that involved just a few scenes and, overall, it did not ruin the movie.
What I really liked about the movie was that the filmmakers were very successful at not succumbing to sentiment. This movie could have easily been very corny and sappy. Perhaps Bancroft and Duke and their performances had something to do with that.
I've been a fan of Anne Bancroft for many years and I'm very glad that I had the chance to see her well-deserved Oscar-winning performance.
RIP Ms. Bancroft.
The other supporting roles were, of course, a bit stilted in the traditional Southern way, but added to the drama nonetheless. I still gave this movie a "10" despite having issues with the way director Penn handled the flashback scenes...a bit cheesy and not quite in keeping with the underlying plot in all cases. That said, the dinner scene with Patty Duke and Anne Bancroft is 100%+ riveting in a way seldom seen and the movie deserves its accolades just for that scene alone.
The most intense acting is done without any dialogue, especially where Anne Sullivan insists that Helen learn how to eat properly.
Such incredible performances (very Oscarly deserved!) and even more incredible story to boot!
Lo sapevi?
- QuizMark Twain was the first person to refer to Anne Sullivan as "the miracle worker". Twain was a friend of Helen Keller.
- BlooperAnnie Sullivan has to look up the word discipline in a dictionary later in the film even though she's used it in a letter near the beginning; however, she remarks that she must know how to spell it before teaching it to Helen, and may have simply used her best guess in the letter since nothing was at stake.
- Citazioni
Annie Sullivan: Pity? For this tyrant? The whole house turns on her whims! Is there anything she wants she doesn't get? I'll tell you what I pity: that the sun won't rise and set for her all her life, and every day you're telling her it will! What good will your pity do when you're under the strawberries, Captain Keller?
- ConnessioniEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- Colonne sonoreHush, Little Baby
(uncredited)
Traditional Southern lullaby
Music adapted by Don Costa
Lyrics by Arthur Siegel
Sung by Anne Bancroft
Also played in the score
I più visti
Dettagli
Botteghino
- Budget
- 500.000 USD (previsto)
- Lordo in tutto il mondo
- 4139 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1