La grande attrazione

The official story is this was an attempt to allow Pat Boone to portray a grittier side in order to prepare him for meatier roles. However, watching it, I got the impression this was intended for Elvis Presley, but he, or rather Col. Parker, turned it down. This feeling was reinforced by the fact that the opening scene was practically duplicated, with minor variations, a few years later in Elvis' Roustabout. The film's failure is due to the fact that Boone doesn't have the acting talent to portray a less than savory character. This also affects the performances of the rest of the cast, all who have proved themselves elsewhere, because they have nothing, and no one, to play against. Only Kieron Moore, playing leading lady Nancy Kwan's brother-in-law, manages to accomplish a fully fleshed-out performance.

In Italy, handsome singer Pat Boone (as Eddie) attracts the attention of ventriloquist Mai Zetterling (as Gina), a sexy older woman scouting a new partner for both her act and the sack. After some liquor, Mr. Boone dons his leather jacket and goes to live with Ms. Zetterling. They decide to flaunt their affair, which comes as no surprise to the circus veterans in the troupe as Zetterling has had a string of young lovers. Zetterling runs her eyes over Boone's body and purrs, "I like everything about you!" Apparently more than satisfied, the older woman lets out a primal scream when she loses her mate...

On arrival, Boone meets Italian bareback rider Nancy Kwan (as Tessa), and runs his eyes over her body. The movie's tag-line declares Pat Boone gets "in trouble with that 'Suzie Wong' girl," but he thinks Kwan is just his style. The two become mutually attracted, but Kwan is harder to get. Meanwhile, Zetterling notices Boone's "lusty" wandering eye and threatens him with their ventriloquist doll "Lady Godiva". Boone can hardly see his guitar strings over her protruding bust when singing, "Si, Si, Si!"

Watch for a circus mishap to change everyone's lives...

This strange film can perhaps be described as an Elvis Presley-type vehicle with the sexual content turned up (for a mainstream 1962 movie, at least). It must have been startling to see Boone drinking alcohol, smoking cigarettes, and characterized as sexually active. Release in the US was put off, and likely limited. In the UK, Boone's accompanying single "The Main Attraction" became his final hit, topping "Love Me Do" for awhile, before succumbing to The Beatles' first hit.

** The Main Attraction (11/62) Daniel Petrie ~ Pat Boone, Nancy Kwan, Mai Zetterling, Yvonne Mitchell

The movie begins with a scene where Boone is crooning a syrupy tune with the audience paying no attention,till one of the guests tries to teach him his own song.There's a similar scene in one of Presley's early movies.

Pat Boone was a safe alternative to the fifties Elvis and his only good movie was the tremendous "Journey to the center of the earth" (1959). This one is pleasant ,mainly in its first part ,more boring afterwards even though it features a relatively smart "unexpected end" .

The main attraction of the circus is a lovely girl, Tessa ,who does very dangerous things.But pretty boy Eddie is aging alcoholic ventriloquist Gina 's partner and gigolo and she is not prepared to accept a rival.And ,to make the matters worse,Tessa's brother -in -law propositions her.

The second part takes place -we did not notice it in the circus scenes- in a chocolate box Austria where everybody speaks English ;it even includes the Bundesheer (two soldiers) and an avalanche,which makes the movie a disaster flick as well as a musical or a sentimental story.

Pat Boone attempts a serious performance in this otherwise insipid circus melodrama with romantic underpinnings, its story culminating in a silly avalanche sequence which adds not excitement but only melodrama to the mix. Surly American troubadour, traveling the world with his guitar after getting fired from every job he's ever had, winds up singing in Italy where he's discovered by a female ventriloquist employed by the circus. Big Top nonsense (with a scenario oddly similar to Elvis Presley's later "Roustabout" from 1964) quickly gives way to a heightened ridiculousness as Boone thinks he's killed a man and hightails into the Italian Alps with smitten Nancy Kwan in tow. British production has good color photography but no discernible style, not to mention some of the laziest circus acts of all time. Kwan, struggling to mount a running horse, gets one of many unintentional laughs; Boone is in fine, clear voice and lends the movie any vitality it possesses. *1/2 from ****

TMA is stupid film about stupid people living stupid lives for stupid sake.