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One of the big surprises about "The Manchurian Candidate" is Angela Lansbury in a villainous role. Between "Murder, She Wrote" and her work for Disney, you can't help but entertain a kindly image of the actor.

The other surprise is how potent this still is, even at the 55 year mark. Maybe that's because I lobe '70s movies of the genre, but even still, this is a highly effective political thriller. And that's due in large part to Frankenheimer's skilled direction and a script full of inventive deceit. It even has plenty of time to skewer McCarthyism. Almost everything seen here has been done since, but you're still left unprepared for that one last plot twist. Well-executed, to say the least.

The cast is star-studded, the story's engrossing and there's almost a playful sense of humor to it.

Great movie.

8/10

As a long time fan of this film I note there is little that has gone unmentioned in the positive reviews - except this. I would like to put in a word of praise for the academy award winning editor Ferris Webster. Webster's crowning achievement was the famed 'garden party' sequence in which the malevolent communist agents are transformed into ladies at a garden club and back again, the vertigo of the circling camera draws us into the actual mental state of the brainwashed captives. Each camera movement, each shot was so exquisitely timed and placed that this is almost equal to the shower-bath scene in Psycho as a classic of modern editing. This scene is still studied in film schools by future editors. Also, the cutting in the finale scene at the convention expertly creates a Hitchcockian suspense totally dependent on the editing.

Another aside, Angela Lansbury 'cut her teeth' for this role playing the ruthless newspaper owner in the Tracy-Hepburn film State of the Union. In that film she managed to upstage Hepburn herself! And it was obvious that she should play the 'biggest, baddest mother of all'.

To know that the human mind can be manipulated so easily is indeed a scary thing.The Manchurian Candidate is a thriller so intense it can almost be considered a horror film.If,in fact,things such as those depicted here really did occur,I imagine it did step on some pretty sensitive toes.Bravo to all of those involved in front of the camera and behind it.In particular,Angela Lansbury,whose versatility as an actress is proved here as she plays against the nice lady type roles that we know her for.Among all the film's from the era of the 1960's that I have viewed,I would definitely place this in my top 5.One of the best thrillers ever.

While many cast members did an outstanding job in this disturbing and often violent political thriller, it is Angela Lansbury who stands out in her superb portrayal of a woman who not only dominates her son and husband but who wants to take over the entire country, if not the world! In the end, this is Angela's triumph, and I don't understand why she took second billing behind any of the other actors.

As much as I love Janet Leigh, she was handed a bizarre and somewhat minor role here which I believe only served as a deliberate distraction in that she never influenced Major Marco (Sinatra) as an agent working on either side. And don't get sidetracked by the fact that "Pinocchio" was playing at the Manhattan movie theater that she and Major Marco passed in the cab because that was probably a deliberate "red herring" too. Granted that Leigh and Tony Curtis, including their sensational divorce, were quite the rage at the time, but Angela deserved top billing here.

When I read that Lansbury has only appeared in 54 full length movies to date, it seemed like a number too small only because she leaves such a strong impression in so many of her performances dating back to Nancy, the maid, in "Gaslight" and Sybil in "The Picture of Dorian Grey". To this day, I am haunted by the memory of poor Sybil singing "Goodbye, Little Yellow Bird" in the latter. Lansbury masters a wide range of effective acting from the kindly, unassuming Miss Marple to the powerful, detestable Eleanor Shaw Iselin here.

In addition to a towering Lansbury, the excellent portrayals by Frank Sinatra, Laurence Harvey, Janet Leigh, John McIver, Henry Silva, and James Gregory as the annoying buffoon of a step-father contribute to the success of this political thriller. I think that director John Frankenheimer and screenplay writer George Axelrod should be commended for staying close to Richard Condon's original novel, and the stark black and white photography enhanced the gloomy and ominous atmosphere. The filming of the three separate interpretations of the brainwashing sequence alone was a unique and unforgettable cinematic experience.

What a dish like Jocelyn Jordan (Leslie Parrish) ever saw in Raymond Shaw is beyond me, and we have surely witnessed Harvey as the dark, brooding character before ("Room at the Top", "Butterfield Eight", etc.), but who else could play this morose character more accurately?

As to that newspaper headline "Violent Hurricane Sweeps Midwest", did you folks in the Midwest ever experience a direct hurricane? I know about the tornadoes and the floods, but a direct hurricane? Was that another subtle attempt at humor by the director? Anyway, I'll never look at another hydrangea without much trepidation and dread.

I went into "The Manchurian Candidate" without knowing too much about the movie itself. I knew about its critical acclaim, but I was unfamiliar with the plot. Regardless, when I rented and watched the film, I had high expectations. I was not disappointed either.

The plot revolves around the strange case of Raymond Shaw, a sergeant who wins the Congressional Medal of Honor for his bravery in the cold war. Two of the men in his company, however, have strange nightmares that suggest Raymond is not as deserving of the award as he seems. One of these men, Major Bennet Marco, led on by these recurring nightmares, unravels a sinister Communist plot. Set against the cold war paranoia of the sixties and McCarthyism, "The Manchurian Candidate" does an excellent job of recreating the intense suspense and tension of the time.

The acting in this film is superb. A great script is heightened by excellent acting in this movie. It's hard not to like Frank Sinatra in his role as Marco, who is the protagonist. Laurence Harvey as Raymond does a good job showing us a character that is wholly unlikable and snobby, yet pathetic and sad at the same time. And of course, Angela Lansbury in her role as Raymond's malicious and plotting mother is excellent.

Some stand-out scenes in the film were the nightmare sequences that brilliantly interlaced dream and reality, the all-queen solitaire game with Marco and Raymond, and the supremely tense climax at the political convention. The cinematography in the movie was very well done as action, romance, and tension all mixed together smoothly. All the scenes managed to keep my attention and kept me wondering what was going to happen next. As a thriller, the film works remarkably well, and it is quite easily the best political thriller I've seen to date.

Keeping me from giving the movie a perfect ten are one or two little nagging problems. I wasn't a big fan of the music for the movie, and it even disrupted the mood for me at one point in the film. It was okay, just not great. Also, the whole plot is sort of unlikely. I wont go into it here, but I don't think that the Communist plan for world domination would fall into the hands of one relatively uncontrolled person, no matter how well trained his mind was. That's just my opinion, however.

The movie is sort of long, and isn't exactly action packed, but it is very interesting, insightful, and even chilling. I had a great time watching it, and I definitely recommend it if you are interested at all in seeing a gripping Cold War era political thriller. Besides, the cultural relevance of the film alone is enough to see it.

9/10