Aggiungi una trama nella tua linguaAeneas leads escapees from the Trojan war to new land in Italy, and must deal with new threats to his people.Aeneas leads escapees from the Trojan war to new land in Italy, and must deal with new threats to his people.Aeneas leads escapees from the Trojan war to new land in Italy, and must deal with new threats to his people.
- Regia
- Sceneggiatura
- Star
Giacomo Rossi Stuart
- Euryalus
- (as Giacomo Rossi-Stuart)
Augusto Terzoni
- Dancer: Deer
- (partecipazione non confermata)
Charles Band
- Ascanio
- (non citato nei titoli originali)
Luciano Benetti
- Sergeste
- (non citato nei titoli originali)
Emilio Cigoli
- Narrator
- (non citato nei titoli originali)
Recensioni in evidenza
At the beginning there are some flashbacks about Aeneas and the Trojan war . As the Greek warriors under the command of Ulysses get to hide out in the Troyan horse with his fellow soldiers and get those Trojans when they take the wooden beast into their city . When they're successful and having survived the destruction of Troy , the nobleman Aeneas takes his men to getaway : Euryalus (Giacomo Rossi-Stuart) and Nisius (Benito Stefanelli) , as the survivors deciding to go off , making their way to Italy and found the city of Rome . As Aeneas leads escapees from the Trojan war to new land in Italy , and must deal with new threats to his people , as the powerful Aeneas and his mighty sword avenged a nation . This time muscleman Aeneas/Steve Reeves , helped by the Etruscos , leads the Trojans in battle against the Rutuli army commanded King Turno (Gianni Garco) .
This is supposedly a rendition of the Aeneid by Virgil . The film has neither expecting historical , not mythological accuracy . Acceptable Peplum with drama , noisy action , thrills , sword-fights , and resulting to be pretty entertaining . It's an adventure film with all the ingredients as sword-play , action , fights , betrayal , a love story and typical confrontation between good guys and bad guys . The film displays some impressive scenes about battles in spectacular style , including lots of extras . Here Steve Reeves plays Aeneas ; He-man Steve was a hunk who made great number of roman epic films also called ¨Musclemen movies¨ . He was the most known of a number of bodybuilder and physique model types in the early 60s and won campy notice playing Herculean characters in those campy Italian sand-and-spear epics . Ursus , Maciste , Goliath , Samson , Hércules , Atlas , Rocha ..., those Italian Muscle man producers must have had a hard time figuring out what to call the musclebound actors who played all these legendary muscleman heroes . Being other second-class Muscle men players the followings : Gordon Scott , Dan Vadis , Rock Stevens , Gordon Mitchell , Brad Harris , Samson Burke , Reg Park , Ed Fury , Richard Harrison , Kirk Morris , Alan Steel or Sergio Ciani and subsequently Lou Ferrigno . As Reeves played various Sword and Sandal movies , such as : ¨The Trojan horse¨ , and his sequel : ¨The avenger¨ , ¨The giant of Marathon¨ , ¨Goliat and the Barbarians¨ , ¨The last days of Pompeii¨ , and especially ¨Hércules¨ and ¨Hércules unchained¨ by Pietro Francisci . Although Steve also played adventure genre as ¨Pirates of the seven seas¨ , ¨ The thief of Baghdad¨ and ¨Morgan the pirate¨ . Support cast is pretty good , such as : Gianni Garco : famous Spaghetti hero as Sartana , Liana Orfei , Nerio Bernardi , Ferrari , Enzo Fiermonte and the ordinary master of arms : Benito Stefanelli who also did some of the stunts , trained the other players in fencing and choreographed the battles .
The motion picture was regularly directed by Giorgo Rivalta who produced several adventure movies as : ¨Il Cavaliere Di Maison Rouge¨ , ¨La Vendetta Dei Tughs¨ , ¨Misteri Della Giungla Nera¨ , ¨Treasure of Bengala¨ , ¨I Piombi Di Venezia¨ , ¨Son of Lagardere¨ and ¨Le Marchand De Venise¨ and directed ¨Los Cosacos¨ , ¨Il Prigioniero Del Re¨ and ¨The avenger¨ . Being co-directed by veteran filmmaker Albert Band . Albert was one of Hollywood's most prolific filmmakers who started his career in the early 50s . He began financing a number of motion pictures through the seventies and seventies and directing in Italy some films as Spaghetti westerns : ¨The tramplers¨ and ¨Massacre in grand canyon¨ . Albert helped his son , Charles Band, bring together his own production company, 'Empire Pictures' , in the early eighties , producing/directing films as : ¨Zoltan hound of Drácula¨ , ¨Ghoulies¨ , ¨Doctor Mordrid¨ , ¨Robot Jox¨ , ¨Robot wars¨ . Upon the collapse of Empire Pictures in the early nineties, Band continued to work with his son and help bring a number of low-budget and medium budget films to the Hollywood screen and direct to video releases such as : ¨Pet Shop¨ , ¨Prehysteria! 1 and 2¨ , ¨Dragonworld¨ , ¨Oblivion¨ , ¨Remote¨ , ¨Trancers¨ series , among others.
This is supposedly a rendition of the Aeneid by Virgil . The film has neither expecting historical , not mythological accuracy . Acceptable Peplum with drama , noisy action , thrills , sword-fights , and resulting to be pretty entertaining . It's an adventure film with all the ingredients as sword-play , action , fights , betrayal , a love story and typical confrontation between good guys and bad guys . The film displays some impressive scenes about battles in spectacular style , including lots of extras . Here Steve Reeves plays Aeneas ; He-man Steve was a hunk who made great number of roman epic films also called ¨Musclemen movies¨ . He was the most known of a number of bodybuilder and physique model types in the early 60s and won campy notice playing Herculean characters in those campy Italian sand-and-spear epics . Ursus , Maciste , Goliath , Samson , Hércules , Atlas , Rocha ..., those Italian Muscle man producers must have had a hard time figuring out what to call the musclebound actors who played all these legendary muscleman heroes . Being other second-class Muscle men players the followings : Gordon Scott , Dan Vadis , Rock Stevens , Gordon Mitchell , Brad Harris , Samson Burke , Reg Park , Ed Fury , Richard Harrison , Kirk Morris , Alan Steel or Sergio Ciani and subsequently Lou Ferrigno . As Reeves played various Sword and Sandal movies , such as : ¨The Trojan horse¨ , and his sequel : ¨The avenger¨ , ¨The giant of Marathon¨ , ¨Goliat and the Barbarians¨ , ¨The last days of Pompeii¨ , and especially ¨Hércules¨ and ¨Hércules unchained¨ by Pietro Francisci . Although Steve also played adventure genre as ¨Pirates of the seven seas¨ , ¨ The thief of Baghdad¨ and ¨Morgan the pirate¨ . Support cast is pretty good , such as : Gianni Garco : famous Spaghetti hero as Sartana , Liana Orfei , Nerio Bernardi , Ferrari , Enzo Fiermonte and the ordinary master of arms : Benito Stefanelli who also did some of the stunts , trained the other players in fencing and choreographed the battles .
The motion picture was regularly directed by Giorgo Rivalta who produced several adventure movies as : ¨Il Cavaliere Di Maison Rouge¨ , ¨La Vendetta Dei Tughs¨ , ¨Misteri Della Giungla Nera¨ , ¨Treasure of Bengala¨ , ¨I Piombi Di Venezia¨ , ¨Son of Lagardere¨ and ¨Le Marchand De Venise¨ and directed ¨Los Cosacos¨ , ¨Il Prigioniero Del Re¨ and ¨The avenger¨ . Being co-directed by veteran filmmaker Albert Band . Albert was one of Hollywood's most prolific filmmakers who started his career in the early 50s . He began financing a number of motion pictures through the seventies and seventies and directing in Italy some films as Spaghetti westerns : ¨The tramplers¨ and ¨Massacre in grand canyon¨ . Albert helped his son , Charles Band, bring together his own production company, 'Empire Pictures' , in the early eighties , producing/directing films as : ¨Zoltan hound of Drácula¨ , ¨Ghoulies¨ , ¨Doctor Mordrid¨ , ¨Robot Jox¨ , ¨Robot wars¨ . Upon the collapse of Empire Pictures in the early nineties, Band continued to work with his son and help bring a number of low-budget and medium budget films to the Hollywood screen and direct to video releases such as : ¨Pet Shop¨ , ¨Prehysteria! 1 and 2¨ , ¨Dragonworld¨ , ¨Oblivion¨ , ¨Remote¨ , ¨Trancers¨ series , among others.
I saw "The Trojan Horse" a few months ago, the version starring Steve Reeves and I enjoyed it. It's one of the best Sword & Sandals. I thought it was more successful than Robert Wise's HELEN OF TROY or the recent bloated version starring Brad Pitt, which is best forgotten. Wise's HELEN OF TROY is a sharply directed film that's hampered by a lack luster script and a freadfully dull ending. After enjoying the Steve Reeves version of the famous Greek story, I was ready to watch the sequel, "The War of the Trojans".
Though another Steve Reeves film like GOLIATH & THE BARBARIANS might be more entertaining to most viewers, the cheese factor keeps it from being a great film. Well this isn't the case with "The War of the Trojans". The cheese factor is very low and the direction is taught and tight. The story is somewhat predictable, certainly for someone who recently watched something like 75 S&S films in a few months but even the familiar storyline wasn't enough to diminish the film's impact.
The story continues right after the excellent "The Trojan Horse", when the fleeing people of Troy arrive in Italy and try to settle there. Problems arise when the King of a nearby Kingdom grants the people of Troy the right to live near the Tiber river. In-fighting within the Kingdom, lead by Turno, who sees the Trojans as a threat, creates a scheme to make the Trojans look evil. A war between the Trojans and the Kingdom erupts. Losing the battle, the Trojans, lead by Aeneas (played by the legendary Steve Reeves), become allies with the Etruscans, the sworn enemies of the Kingdom. The neverending battle causes a lot of deaths and casualties on both sides. Desperate to end the war, both sides agree to settle the war with a duel between Aeneas and Turno.
The beginning is talky but it's worth staying on for what's to come. Here's a short list of memorable scenes: when Aeneas sees the mural which recounts the battle of Troy, with flashbacks from "The Trojan Horse". For once, flashbacks from another movie actually work here; the archery duel; the scene with the wild boars; the killing of Eurialo; the duel at the end.
The cast is surprisingly good, with memorable characterization by the Queen and King Turno. The Queen is unforgettable, whoever played her. And King Turno is well played by Gianni Garko. Fans of SPACE 1999 will recognize Garko, who was Toni Cellini in the famous DRAGON'S DOMAIN episode. The only really weak part of the cast is Camilla, the young Amazonian woman. The purpose of her character is interesting but her dated hairstyle and appearance are the only incongruous elements in the film. The sets look real. Yes, it's not as spectacular and elaborate as "The Trojan Horse" but it doesn't need big moments to demonstrate the struggle of the displaced Trojan people which lead to the creation of Rome. And the score is excellent, one of the best I've heard in a Peplum. But the thing that tie all this beautifully together is the mature and assured direction. The compositions and constant smooth tracking shots give the film a greater professional look/feel than most films of the genre, which are often described static. Many moments could have easily turned into typical Peplum camp or silliness but here they were sharply set-up, creating tense or genuine emotional moments up to end. And one feels they actually learned something about history too. The film is believable too, which is no mean feat for a Sword & Sandal film.
I've watched many S&S films recently and this one stands out from the pack. It's clearly overlooked. People must have had Peplum fatigue back then for this film to be forgotten as it is now.
"The Trojan Horse" and "War of the Trojans" make an excellent double bill, for fans of Steve Reeves but history buffs as well.
Though another Steve Reeves film like GOLIATH & THE BARBARIANS might be more entertaining to most viewers, the cheese factor keeps it from being a great film. Well this isn't the case with "The War of the Trojans". The cheese factor is very low and the direction is taught and tight. The story is somewhat predictable, certainly for someone who recently watched something like 75 S&S films in a few months but even the familiar storyline wasn't enough to diminish the film's impact.
The story continues right after the excellent "The Trojan Horse", when the fleeing people of Troy arrive in Italy and try to settle there. Problems arise when the King of a nearby Kingdom grants the people of Troy the right to live near the Tiber river. In-fighting within the Kingdom, lead by Turno, who sees the Trojans as a threat, creates a scheme to make the Trojans look evil. A war between the Trojans and the Kingdom erupts. Losing the battle, the Trojans, lead by Aeneas (played by the legendary Steve Reeves), become allies with the Etruscans, the sworn enemies of the Kingdom. The neverending battle causes a lot of deaths and casualties on both sides. Desperate to end the war, both sides agree to settle the war with a duel between Aeneas and Turno.
The beginning is talky but it's worth staying on for what's to come. Here's a short list of memorable scenes: when Aeneas sees the mural which recounts the battle of Troy, with flashbacks from "The Trojan Horse". For once, flashbacks from another movie actually work here; the archery duel; the scene with the wild boars; the killing of Eurialo; the duel at the end.
The cast is surprisingly good, with memorable characterization by the Queen and King Turno. The Queen is unforgettable, whoever played her. And King Turno is well played by Gianni Garko. Fans of SPACE 1999 will recognize Garko, who was Toni Cellini in the famous DRAGON'S DOMAIN episode. The only really weak part of the cast is Camilla, the young Amazonian woman. The purpose of her character is interesting but her dated hairstyle and appearance are the only incongruous elements in the film. The sets look real. Yes, it's not as spectacular and elaborate as "The Trojan Horse" but it doesn't need big moments to demonstrate the struggle of the displaced Trojan people which lead to the creation of Rome. And the score is excellent, one of the best I've heard in a Peplum. But the thing that tie all this beautifully together is the mature and assured direction. The compositions and constant smooth tracking shots give the film a greater professional look/feel than most films of the genre, which are often described static. Many moments could have easily turned into typical Peplum camp or silliness but here they were sharply set-up, creating tense or genuine emotional moments up to end. And one feels they actually learned something about history too. The film is believable too, which is no mean feat for a Sword & Sandal film.
I've watched many S&S films recently and this one stands out from the pack. It's clearly overlooked. People must have had Peplum fatigue back then for this film to be forgotten as it is now.
"The Trojan Horse" and "War of the Trojans" make an excellent double bill, for fans of Steve Reeves but history buffs as well.
Yes Steve Reeves has done better movies. Maybe just his presence here will make you feel differently about this (and the rating I and many others have given). But if you try to be as objective as possible, this does not really stand out against most of the other Sword and Sandals movies .. it isn't the worst either of course, but there are so many ... it's exhausting.
So yes this is a Trojan story or some resemblance of that. It may even continue from another movie as another reviewer has suggested. Nothing of that seems to be needed to get the gist of it all. Fight scenes are ok, not anything to get too excited about either
So yes this is a Trojan story or some resemblance of that. It may even continue from another movie as another reviewer has suggested. Nothing of that seems to be needed to get the gist of it all. Fight scenes are ok, not anything to get too excited about either
The Trojans in Lazio - Steve Reeves as Aeneas
This historical adventure film by Giorgio Venturini, made in 1962, was based on motifs from Vergil's (also known as: Publius Vergilius Maro) Latin epic "Aeneid". The film, called "La leggenda di Enea" in Italian and "The Avenger" in English, is the sequel to "La battaglia di Troja" by Giorgio Ferroni, also starring Steve Reeves. The filming took place in what was then Yugoslavia.
After losing the war for their hometown of Troy, the remaining Trojans flee across the Mediterranean and, under the leadership of Aeneas (Steve Reeves), reach Latium, where they finally want to settle after a long wandering. The local King Latino (Mario Ferrari) is benevolent towards the Trojan refugees and would like to allow them to settle. The leaders of the other tribes are not really happy about this, so violent conflicts arise. Important opponents are Liana Orfei as the combative Camilla (like her cousin Moira Orfei ("Ursus in the Valley of the Lions"), she comes from an Italian family of artists and was seen several times in Italian films of the time, including alongside Lex Barker in "I pirati della costa"), Gianni Garko as the frighteningly cunning Turnus and Maurice Poli as his willing henchman. Euryalus (Giacomo Rossi Stuart) and the beautiful Lavinia (Carla Marlier) stand by Aeneas and his Trojans.
With the powerful fight scenes, in which not only Steve Reeves can shine as the title hero, and the relatively large number of characters with their different ways of acting for a peplum or sandal film, this film strives to achieve a certain level in order to do justice to the literary original become. This is also quite successful. However, it's all too easy to see the tricks in film, for example when Steve Reeves' double is used or individual fighters don't seem as motivated as they should be.
The end of the fighting shown in the film creates the basis for the later emergence of the city of Rome, which would then result in Roman world domination for almost a whole millennium. The Trojan Aeneas is considered a pioneer of later Rome, which is what Virgil's "Aeneid" is also about. The area around today's Rome is still called Lazio, which can be seen, for example, in the name of the well-known football club Lazio Roma.
With slight reservations, this film is not only worth seeing for fans of the peplum genre!
This historical adventure film by Giorgio Venturini, made in 1962, was based on motifs from Vergil's (also known as: Publius Vergilius Maro) Latin epic "Aeneid". The film, called "La leggenda di Enea" in Italian and "The Avenger" in English, is the sequel to "La battaglia di Troja" by Giorgio Ferroni, also starring Steve Reeves. The filming took place in what was then Yugoslavia.
After losing the war for their hometown of Troy, the remaining Trojans flee across the Mediterranean and, under the leadership of Aeneas (Steve Reeves), reach Latium, where they finally want to settle after a long wandering. The local King Latino (Mario Ferrari) is benevolent towards the Trojan refugees and would like to allow them to settle. The leaders of the other tribes are not really happy about this, so violent conflicts arise. Important opponents are Liana Orfei as the combative Camilla (like her cousin Moira Orfei ("Ursus in the Valley of the Lions"), she comes from an Italian family of artists and was seen several times in Italian films of the time, including alongside Lex Barker in "I pirati della costa"), Gianni Garko as the frighteningly cunning Turnus and Maurice Poli as his willing henchman. Euryalus (Giacomo Rossi Stuart) and the beautiful Lavinia (Carla Marlier) stand by Aeneas and his Trojans.
With the powerful fight scenes, in which not only Steve Reeves can shine as the title hero, and the relatively large number of characters with their different ways of acting for a peplum or sandal film, this film strives to achieve a certain level in order to do justice to the literary original become. This is also quite successful. However, it's all too easy to see the tricks in film, for example when Steve Reeves' double is used or individual fighters don't seem as motivated as they should be.
The end of the fighting shown in the film creates the basis for the later emergence of the city of Rome, which would then result in Roman world domination for almost a whole millennium. The Trojan Aeneas is considered a pioneer of later Rome, which is what Virgil's "Aeneid" is also about. The area around today's Rome is still called Lazio, which can be seen, for example, in the name of the well-known football club Lazio Roma.
With slight reservations, this film is not only worth seeing for fans of the peplum genre!
It's easy to forget, when watching the worst or campiest entries in the sword & sandal genre, that the Italians also produced serious historical epics in the 1960s. Here, Steve Reeves reprises his role as Aeneas, whom he previously played in the superb THE Trojan HORSE (LA GUERRA DI TROIA).
Having survived the destruction of his city, the Trojan noble and a band of survivors have made their way to Italy, where they hope to create a new life for themselves. But the region is already populated by various tribes, ruled by warlords, and Aeneas's longing for peace cannot be accomplished without recourse to battle and bloodshed.
The screenwriters take their inspiration from Virgil's epic poem The Aeneid. The scale of the sets and the rustic costumes evoke a convincing atmosphere of Bronze Age Italy. (Small details like the king's peculiar-looking crown are based on authentic artifacts). The curious customs of the natives have the ring of historical truth; the bird-shooting contest on horseback is a brilliant bit of cinema.
A part of Steve Reeves' notable legacy as a performer was his portrayal of three of the great hero figures of the ancient Greek and Roman world: Hercules (in two films), Romulus (in DUEL OF THE TITANS/ROMOLO E REMO), and Aeneas (in two films). Of the three, his Aeneas is the most complex, admirable, and ultimately heroic.
Having survived the destruction of his city, the Trojan noble and a band of survivors have made their way to Italy, where they hope to create a new life for themselves. But the region is already populated by various tribes, ruled by warlords, and Aeneas's longing for peace cannot be accomplished without recourse to battle and bloodshed.
The screenwriters take their inspiration from Virgil's epic poem The Aeneid. The scale of the sets and the rustic costumes evoke a convincing atmosphere of Bronze Age Italy. (Small details like the king's peculiar-looking crown are based on authentic artifacts). The curious customs of the natives have the ring of historical truth; the bird-shooting contest on horseback is a brilliant bit of cinema.
A part of Steve Reeves' notable legacy as a performer was his portrayal of three of the great hero figures of the ancient Greek and Roman world: Hercules (in two films), Romulus (in DUEL OF THE TITANS/ROMOLO E REMO), and Aeneas (in two films). Of the three, his Aeneas is the most complex, admirable, and ultimately heroic.
Lo sapevi?
- QuizThe actor playing Niso, Benito Stefanelli, also did some of the stunts, trained the other actors in fencing and choreographed the sword-fights.
- BlooperEarly in the movie, an army is seen passing by a maize field; this plant, however, was cultivated in Europe only since 1525, having been brought to the continent by Christopher Columbus.
- Curiosità sui creditiCo-screenwriter Albert Band is the sole credited director on English language versions of the film.
- ConnessioniFeatured in Kolossal - i magnifici Macisti (1977)
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Dettagli
- Tempo di esecuzione1 ora 45 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was La leggenda di Enea (1962) officially released in Canada in English?
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