VALUTAZIONE IMDb
5,7/10
11.756
LA TUA VALUTAZIONE
Un reporter delle Nazioni Unite racconta l'apparizione di un mostro preistorico che emerge dal letargo, mentre un'azienda farmaceutica cerca pubblicità con un mostro tutto suo.Un reporter delle Nazioni Unite racconta l'apparizione di un mostro preistorico che emerge dal letargo, mentre un'azienda farmaceutica cerca pubblicità con un mostro tutto suo.Un reporter delle Nazioni Unite racconta l'apparizione di un mostro preistorico che emerge dal letargo, mentre un'azienda farmaceutica cerca pubblicità con un mostro tutto suo.
- Regia
- Sceneggiatura
- Star
Kenji Sahara
- Kazuo Fujita
- (as Keji Sahaka)
Recensioni in evidenza
This movie is not the movie to see for an epic fight between the two legendary monsters. It's a movie to see for all the fans of badly executed special effects in the true spirit of 50's scifi b-movies. In that respect, it's a true classic. If you enjoyed the Beasty Boys' video for "Intergalactic Planetary", you'd love this movie as a Japanese feature length counterpart. They've got the same quality feel to them, and the same incredible special effects - and here, "incredible" is meant literally.
Some of the highlights of this movie for me: the toy plane a little boy sees hanging in a toystore and makes him stop because he badly wants it, is the same plane that flew in formation attacking Godzilla. And by that I don't mean the same type of plane, but it's the exact same plastic model! Also, true to the original story, King Kong comes from a tropical island. As we all know, the cliché has it such an island is inhabited by black people wearing banana-leaf skirts and toting spears. This being a Japanese production, the natives are played by Japanese, painted black and given curly wigs...
So if you enjoy laughing at the ridiculous details in movies, love to see fights between people wearing halloween suits trying to make it look like the real thing, with some mediocre fireworks in between, you have to see this movie. If you're looking for a credible classic, such as the original King Kong movie, or high-tech special effects and stunning visuals, this is not the one for you ;)
Some of the highlights of this movie for me: the toy plane a little boy sees hanging in a toystore and makes him stop because he badly wants it, is the same plane that flew in formation attacking Godzilla. And by that I don't mean the same type of plane, but it's the exact same plastic model! Also, true to the original story, King Kong comes from a tropical island. As we all know, the cliché has it such an island is inhabited by black people wearing banana-leaf skirts and toting spears. This being a Japanese production, the natives are played by Japanese, painted black and given curly wigs...
So if you enjoy laughing at the ridiculous details in movies, love to see fights between people wearing halloween suits trying to make it look like the real thing, with some mediocre fireworks in between, you have to see this movie. If you're looking for a credible classic, such as the original King Kong movie, or high-tech special effects and stunning visuals, this is not the one for you ;)
Director Ishiro Honda, who first brought The Big G to the screen in the brilliant 1954 film GOJIRA (re-edited in the US as Godzilla King of the Monsters) decided to scrap the heavy messages and themes of the original film when he made King Kong vs. Godzilla, however he does appeared to have had a great deal of fun making this goofy rubber monster classic. Godzilla breaks out of an iceberg he was imprisoned in and heads to knock down Tokyo. Meanwhile, a pharmaceutical company discovers King Kong on an island full of Japanese actors in blackface playing the natives (!) and the flamboyant CEO decides to bring Kong to Japan as a publicity stunt. The government decides to pit the two titans against each other on the top of Mount Fuji in the climatic scene of the movie. Much of this film is film is intentionally goofy, particularly the island scenes. The screenwriters decided that electricity makes King Kong stronger, but it weakens Godzilla (to make sure it would be a fair fight). Honda also put in several homages (parodies) to the original 1933 King Kong. The final battle on Mount Fuji is similar to watching WWF wrestling, except better, because they're wearing monster suits. If you want a film with epic romance and sweeping drama, you should watch Gone With the Wind, but if you're in the mood for campy monsteriffic fun like only the Japanese can do, watch this.
king Kong verses Godzilla is a hilarious clash between two monster icons,the Japanese with their;Godzilla(aka;gojira)and for Americans; king Kong.even if its an actor in a monkey suit,originally i heard that in the Japanese version Godzilla wins the battle.not so after i've seen every Godzilla movie i notice the big g always returns. and he did in the next sequel;Godzilla verses the thing(mothra) since universal had released the American version,they used the music from their monster films,like the wolfman,the creature,etc;early on Kong battles a giant octopus(they filmed a real octopus and also used a rubber stand in )Godzilla of course after surviving being buried in ice cubes from the previous,Godzilla raids again(aka;gigantis, the fire monster)an entertaining monster movie from the sixties.a classic from the abundant toho studios and the home of classic monsters,universal.7 out of 10.
Any insults and accusations hurled against this beloved movie will fall on deaf ears with me. Admittedly, I am somewhat biased in favor of this entertaining monster romp because it was a regular television staple all during my childhood while I was growing up. It's one of the most enjoyable giant monster movies Toho Studios ever made, and it's certainly one of the best Godzilla films of all. It can be silly, it can be jokey, and it's also a hell of a lot of fun.
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
King Kong vs. Godzilla (1962) was the meeting of the silver screen monsters. Who would win the championship title of "KIng of the World"? Will Godzilla squash King Kong or will he job to the old master? Can King Kong win fair and square or will he throw in the towel? Godzilla is back from it's last film. The people of earth are shaking in fear because no matter what they do to it, the mean mutated radioactive breathing lizard keeps coming back for more (and flattening Tokyo). Some unlucky people have landed on Skull Island and have awoken the slumbering King Kong. King Kong was at peace with himself (and the painted up natives) until he felt the presence of Godzilla and wants to squash the lizard. A hopped up Godzilla awaits the challenge and the two titans duke it out, the world awaits word on who's will be the winner.
I totally marked out for the movie when I was a kid. I was disappointed when I saw King Kong, he looked so paper mache and nothing like the original. The fights the two had looked like a pro wrestling match. They even put in the posing, sneak attacks, cheating, use of foreign objects and what not. I wished they would release a digitally remastered version of this film in the original language. Now that would be cool!!
Highly recommended.
I totally marked out for the movie when I was a kid. I was disappointed when I saw King Kong, he looked so paper mache and nothing like the original. The fights the two had looked like a pro wrestling match. They even put in the posing, sneak attacks, cheating, use of foreign objects and what not. I wished they would release a digitally remastered version of this film in the original language. Now that would be cool!!
Highly recommended.
Five Godzilla Movies You Need to Watch
Five Godzilla Movies You Need to Watch
Celebrate Shin Godzilla returning to theaters with a look at some of our favorite Godzilla movies.
Lo sapevi?
- QuizThe unedited original Japanese version of the film remains the highest attended Godzilla film in Japan. It is also one of the most attended films of all time at the Japanese box office as well as the most successful live-action science fantasy film with admission numbers surpassing Hollywood blockbusters such as Star Wars and Avatar. To this day it remains as the 13th most attended film of all time in Japan. The heavily re-edited US version that inserted new actors and deleted several scenes from the original was just as much of a success at the US box-office as well.
- BlooperWhen being hauled around by the balloons, Kong's right leg is twisted around painfully and sticks out of him at an odd angle. When it cuts to the suit with an actor inside it, the leg is back to its normal shape.
- Curiosità sui creditiIn the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka."
- Versioni alternativeThis USA version is re-edited from the Japanese original, Il trionfo di Kong (1962), and is vastly different. New scenes featuring Eric Carter as a United Nations reporter were inserted for the USA version, replacing some footage from the Japanese release. Most of the comedy bits featuring Shôichi Hirose and Ichirô Arishima are deleted in favor of bland action, screeching to a halt U.N. news reports which are completely dissociated from the story. In the USA version, Harry Holcombe recites a ludicrous idea that Godzilla is a cross of a tyrannosaurus (while pointing to an allosaurus in a children's book) and a stegosaurus. Most of Ifukube's magisterial score is deleted and replaced with themes from the score of Il mostro della laguna nera (1954).
- ConnessioniEdited from I misteriani (1957)
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Dettagli
Botteghino
- Budget
- 200.000 USD (previsto)
- Tempo di esecuzione
- 1h 37min(97 min)
- Proporzioni
- 2.35 : 1
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