Viaggio al settimo pianeta

Colorful but dull science fiction tale of an astronaut, John Agar, leading a team of explorers to Uranus, where a brain-like creature fights them by making their thoughts reality, which, as you may guess, involves them thinking about sultry ladies of their past. There's an interesting idea for a film buried here somewhere, but this is strictly children's sci-fi fare. Nothing great or even anything I'd even call good, but there were enough camp elements to keep me entertained.

I saw `Journey to the Seventh Planet' as the lower half of a double bill, with `X-15' (Does anyone remember THAT one?). At that time, I saw `Journey…' sans opening and closing credits. I thought it was pretty good, but it received atrocious reviews (`Another John Agar trash science fiction movie') Recently, when I read writer-editor-director Ib Melchior's comments in FILMFAX, he crucified the movie (`almost unreleasable). Pretty strong language from the man that cowrote (with `Journey…' director Sidney Pink) and edited the movie. I recently purchased `Journey…' and, I am happy to say, I haven't changed my original feelings about the film. Certainly, the mind-matter plot wasn't new. It had been used both in `Forbidden Planet' and `Fiend Without a Face'. It was also used again in `Twilight Zone,' `Outer Limits' , most of the `Star Trek' franchises, and, regrettably, `Sphere'. However, `Journey…' is the first film I recall that used an entity whose most powerful weapon was our own desires and fears.

The earth, controlled by a world government, sends international space crews on a search for extraterrestrial life. The searches have come up empty with the first five planets (Mercury, Venus, Mars, Jupiter, Saturn), and our intrepid crew is about to land on Uranus, when they receive a message that Uranus is emitting a strange radiation. In his criticism of `Journey…', Melchior claims this `motive' was deleted; but, there it is, plain as day, a message being read by John Agar. Could Melchior be guilty of `sour grapes' because Sid Pink gets directing credit? Since this is a much better movie than two of Melchior's other efforts (`The Angry Red Planet' and `Reptilicus'), one can have legitimate suspicions. Anyway, as the spaceship enters orbit around Uranus, they are possessed by an alien entity, that threatens to control their minds in order to populate the earth with its slaves. A similar scene is used, to much poorer effect, by Mario Bava in `Planet of the Vampires'. Awaking from their `trance,' the crew discovers that `two hours' has past. However, one crew member, Barry O'Sullivan (Ove Sprogøe), who had been holding an apple, discovers the dry, rotted remains in his hand. `Two hours and HOW MANY DAYS' he asks.

Arriving on the planet, the crew expects to find a uninhabitable landscape of rock and frozen ammonia. Instead, they find themselves amidst beautiful greenery and gentle brooks. The time lapse decoration of the minature set is pretty good. Most of the minatures in this film are better than `Total Recall,' while done on a fraction of the budget. Soon, the crew discovers that the landscape (including people) is created from their own thoughts.

Excellent sound effects, set decoration and color photography in this movie. Much of the film appears to be shot outdoors, unusual at the time, and quite commendable. Agar is pretty effective, as is Ove Sprogøe. The other actors were apparently reciting their lines phonetically. I understand the beautiful `fantasy women' are beauty contest contestants. That seems very reasonable, considering both their physical assets and acting limitations. The only subpar elements are some of the special effects and the editing by Melchior. In the FILMFAX interview, Melchior complains that American International Pictures gave him virtually no money to replace the `horrible' special effects in Pink's first cut. Nevertheless, Melchior proudly boasts that he improved the effects the best he could. Yet, if one sees some of the `lobby cards' published by FILMFAX, the `horrible' puppet is much more frightening looking than the silly-looking stop-motion cyclops Melchior uses. Also, the most horrifying scene, in which one of the crew is killed, the skelaton of his legs at the burned bottom of his suit, was cut by Melchior, probably deemed too `grisly'.) That's pretty stupid, considering the explicit gore in many of the British horror films predating `Journey…' as well as a few of AIP's own releases (`Earth Vs. the Spider comes immediately to mind). Oh well, at least in one instance Melchior did the right thing in the release print I originally saw. By cutting the end credits Melchior spared us some really silly-looking minatures and optical effects, money that would have been better spent improving on effects within the film. Nonetheless, `Journey to the Seventh Planet' is a pretty good film, a `must see' for hardcore space movie fans.

The immature teenage hiding inside of me can't resist--this is a movie about astronauts traveling to Uranus (snicker, snicker)! In the film, they pronounce it "Ur-an-us"....yeah, sure! As for the film, I was expecting it to be a lot worse than it was. My reason--it starred John Agar. While he was not a terrible actor, his career was spent appearing in any film provided the check cleared! The movie itself is a very mixed bag. I'll be giving it two separate scores--one for technical merit and one for artistry and originality--sort of like figure skating.

Technically speaking, this movie was a pile of doo-doo. The special effects were among the worst I've ever seen for a 50s-60s sci-fi film. In particular, the rocket special effects were simply awful--consisting of a fuzzy rocket ship that appears to be cardboard flying across a terrible painting of space and later when it lands it is a child's plastic toy! It really is worse than the UFO special effects from PLAN 9 FROM OUTER SPACE (these were pie plates suspended from wires). Also, many of the monsters were cheap and crappy--and about as bad as you'll find in the genre. I'd give this aspect of the film a 1 and not a smidgen more!

It's really sad, then, that the story itself is so good--as it's burdened with such ineptness. The story gets interesting just before the rocket lands on Uranus. A strong mental force takes over the ship and probes the astronauts' minds. Then, when they actually land, the planet looks much like Earth--as this force can make the planet appear just like home--including providing people who are from home as well. Interestingly, the only people these men seemed to think of were hot babes in lingerie--proving these guys were pretty smart! The problem is that what exactly the force intends is uncertain. And, as the film progresses, the force seems malevolent--or at least having fun toying with them. The men are faced with a dilemma--how do you fight something this powerful and that can control what you see?! Apart from a rather flat and anticlimactic ending, I'd give this an 8--it was very original and very exciting.

Overall, I think a 4 is a reasonable compromise. This film was intelligent and worth seeing--even if the special effects were abominable. This is one movie that could really, really stand a remake!!

As other reviewers have noted, what we have here is a great basic concept (and to think that the film predates "Solaris" by more than ten years!), trapped in a grade-Z production (appalling color-processing, cheap special effects, overuse of stock footage, etc.). The film would still make a pretty good "Twilight Zone" episode, but a well-made remake would be most welcome. (**)

I enjoyed watching this movie, but why did Karl have to take all that punishment? I mean, my man was a rookie on a mission to where Earth's Astromen had never been before, and was expected to shoulder the responsibilities of say, Don, the co-pilot on this fantastic voyage, who, as it turns out, is smooth like butta with the ladies. And what's with the one guy who dreams of, not women, but delicious apples? If you do decide to watch it, make sure you stay tuned for the closing credits, for you will hear one of the sweetest space ballads of all time.