L'ammazzagiganti

Jack The Giant Killer is a unique film in its own right. Personally, I think it is a far nicer film than The Seventh Voyage of Sinbad (although I still have fond memories of that film, rest assured)and its one that I enjoy watching again and again and again. All the cast (Kerwin Matthews, Judi Meredith, Torin Thatcher, Anna-Lee, Walter Burke, Don Beddoes, et al) give fine performances and the special effects (most notably, the stop-motion animation, the cartoon-style animation) stand up well to the test of time. The story is nice and straight forward and easy to understand.

However, for me it is Judi Meredith who really made the film. The scenes where Pendragon (Torin Thatcher) uses that jewelled staff to turn her from a beautiful, kind princess into a beautiful, cold and icy witch had a real effect on me when I saw the film for the first time on BBC1 in the summer of 1976. Even more effective was when she showed Jack (Kerwin Matthews) her reflection as a wicked witch in the mirror and said "Gaze upon my true form. Am I not beautiful?" then she laughed an evil laugh! It was good that Jack managed to break the spell afterwards. On the other hand, I wish I could have seen a little more of Elaine as a witch, in this film.

I had no idea that this film was released as a musical until a few years ago. I haven't seen the musical so I cannot really comment on it. However, perhaps it's just as well as I have heard that the musical numbers are lousy. I saw the film again on Channel Four at Christmas 1997 and it was wonderful to see it again.

Jack The Giant Killer offers an enjoyable story, great action scenes, competent direction, great special effects and a professional cast. Its a must for anybody who likes fantasy films.

MATTHEW HYATT

A well made film, that some say copied a lot from 1959's The Seventh Voyage of Sinbad. Interesting, I think it's better. Kerwin Mathews was great as Jack, the farmboy-turned-giant killer. Judi Meredith was far superior than Kathryn Grant, in terms of acting and beauty. Torin Thatcher was once again evil to the core. The other cast members performed well too as their characters stood out amongst the special effects. Outstanding supporting characters included the servant Garna, played by Walter Burke and the imp in the bottle, played by Don Beddoe.

The budget for 'Jack' wasn't as big as 'Sinbad', it was about 6 to 1 in comparison. There were some impressive effects for the time. Some of them were quite clever such as Pendragon's disappearing trick done with his cape. This effect can be seen recently in Harry Potter and the Chamber of Secrets. Ray Harryhausen is a tough act to follow, he was indeed the founder and master of stop motion animation. The team for 'Jack' were quite new to the craft but still managed to pull it off.

The film is available on DVD from Goodtimes Home Video and taken from the same film transfer as MGM's laserdisc version. The only difference is that the laserdisc includes the theatrical trailer. The color is awesome (Technicolor) and the sound is crystal clear. The sound effects and music that's well suited and good considering that the film was made in 1962. I have never seen the musical version, if anyone has it, let me know.

This is one of my favourite films and am proud to have my two sons enjoy it too.

The story line is familiar and, yes, it does seem to be a hodge-podge of a variety of legends and myths, but what's to complain about? Many films borrow from a host of differing source material, often with surprisingly good results.

One very important comment about the animation-- If you're the type that poo-poo's anything less than 21st century computer generated effects, then stick to films made after 2000 and stop knocking 40-year old films because their special effects aren't the same as you saw in "Independence Day". That's like knocking a '63 Corvette because it won't take you to the Moon.

Frankly, I thought the fiery and colorful animation sequences were sort of pre-psychedelic-era psychedelia (if I may coin a phrase). I was pleasantly surprised by the almost bizarre look of it all, and felt a keen sense of having 'discovered' a lost treasure. As an avid film buff, with thousands of titles in my film library (both VHS & DVD), I'm quite aware that there are always new (to me) films to be discovered, regardless of how long ago they were made.

And-- yes, after seeing this film on cable a few months ago, I purchased the DVD for my collection. I rated this film 9- almost entirely for it's visual impact.

Highly recommended viewing.

It's the fairy tale land of Cornwall, England, and the Black Prince Pendragon (Torin Thatcher) plans to abduct Princess Elaine (Judith Meredith) so as to gain control of the land. However, his plans are at first thwarted when farmers boy Jack (Kerwin Matthews) slays the giant sent by Pendragon to claim the Princess. But Pendragon is not to be denied and a battle between good and evil commences.

There's quite a back story to this United Artists feature film. It's loosely based on the traditional tale "Jack the Giant Killer" and features the use of stop motion animation. The mere mention of stop motion automatically brings to mind the great name of Ray Harryhausen. In 1958 director Nathan Juran had helmed The 7th Voyage of Sinbad with both Matthews and Thatcher starring as the good and evil characters respectively. A big success for Columbia, Harryhausen had offered it to UA producer Edward Small who turned it down, much to his regret. So here, four years later, he gathered the same crew for what essentially is a retread of the plot of Sinbad's seventh in the hope of replicating said success. Harryhausen, however, said no, perhaps understandably, so his creatures were created for "Jack" by Project Unlimited under the watchful eye of one time Harryhausen understudy Jim Danforth. While the other effects, filmed in "Fantascope" come courtesy of Howard A. Anderson and Augie Lohman.

Columbia sued Small on the grounds of plot similarity, thus holding up the release of the film in the UK for several years (it wasn't banned as some people seem to think). Once released the film was panned by the critics and many parents were outraged that the film was too violent and scary for youngsters. Small would take this personally and intending to make something of the movie, had it re-dubbed and made into a musical. The result of which is just garbage. Thankfully the film was finally restored to its original glory on DVD and found a whole new generation of fantasy adventure fans with a bent for the lost art of stop motion animation. Kerwin Matthews passed away in 2007, a handsome swashbuckling actor, Jack The Giant Killer was his last foray into the fantasy adventure genre. It's at least comforting to know that he got to see this little treasure of a film finally get accepted by an audience.

The film itself delivers everything one expects of the genre. The creatures are effective, even if the jerkiness shows that it's not Harryhausen at the helm; tho this is off set by a wonderful sequence as electricity cloaked witch demons attack Jack's ship. There's a dashing hero, a pretty princess, a vile and chilling evil doer, hell there's even the little imp of the lamp (Don Beddoe) for some limerick shenanigans. From its delightful story book opening to its final battle between hero and villain, Jack The Giant Killer is a rich and playful fantasy. 7/10

When this picture came out in '62 or '63, Mom took us 3 kids to see it at an old-style huge screened theatre. The titles of the movies(Bert I. Gordon's "The Magic Sword" was the other one) suggested to Mom that these were quaint, Disney-like fantasy films, so she figured we were safe from anything hideous. At the bursting from his elf disguise by the first monstrous giant in the movie, Mom realized she had made a boo-boo and suggested that we should seek milder entertainment. Our desperate protests put the wet blanket on poor Mom's wishes, and we sat through 2 film adventures that, to this day, are among our all-time favorites. As I understand it, this picture was produced to cash in on the tremendous success of "7th Voyage Of Sinbad", and the legal troubles that resulted from the vast similarities between the two films were the reason that the owners of the movie's rights were required to downgrade it into a ridiculous musical version. Thankfully, after years of being unavailable, the original untouched "Jack" came out on video, and it was about as much fun seeing it again as an old codger as it was as a 10-year-old.

For us "baby boomers" who started out on black-and-white TV and seeing such films as "King Kong", etc., when we were young, a stop-motion animated monster is just more scary, other-worldly, dangerous...whatever term fits an effective creature feature. Although Kerwin Matthews' many nemeses in "Jack The Giant Killer" don't quite stand alongside Ray Harryhausen's magnificent work, they still make this film well worth seeing for anyone who enjoys a good, old-fashioned mythical adventure.

Incidentally, if you have an idiotic sense of humour, the musical version is a scream to behold- especially the sequence of the evil wizard's servant returning to his master to report a failed kidnapping. :D :D

Everyone certainly has their own taste in motion pictures, but as far as this old monster movie watcher is concerned, "Jack The Giant Killer" is among the upper crust of its genre. Even after 31 years.

I'll say 8.5/10. God bless one and all...