L'ammazzagiganti

On the birthday of Princess Elaine (Judi Meredith), the evil warlock Pendragon (Torin Thatcher), who is exiled from the Kingdom of Cornwall, and his minion Garna (Walter Burke) come disguised to the court and he gives a gift to Elaine. During the night, his gift becomes a giant that abducts the princess. However the farmer Jack (Kerwin Mathews) vanquishes the giant and rescues Elaine. Jack becomes a knight and Elaine and he fall in love with each other. King Mark (Dayton Lummis) assigns Jack to protect Elaine and to travel by ship with his daughter posing of peasants to a distant convent where she would be safe. However Pendragon's spy Lady Constance (Anna Lee) warns the sorcerer and he sends witches to bring Elaine to his castle. They kill the captain of the ship and the crew throws Jack overboard that is left behind with the captain's son Peter (Roger Mobley) in the sea. However they are rescued by the Viking Sigurd (Barry Kelley) that shows the Leprechaun Imp (Don Beddoe) to Jack. The Imp grants three wishes to Jack and together with Jack, Peter and Sigurd, they head to the island where the castle of Pendragon is to save the princess. Will they succeed in their mission?

"Jack the Giant Killer" is one of those naive adventures that are delightful matinée. The entertaining story is full of action, magic and evil creatures. Princess Elaine is gorgeous and the hero Jack is a farmer capable of fight like the most skilled swordsman. The special affects are dated in the present days but part this is one important component of these wonderful movies from the 60's. My vote is seven.

Title (Brazil): "Jack, O Matador de Gigantes" ("Jack, The Giant Killer")

Recently reminded of this little gem after visiting its origins in St Michael's Mount, Cornwall. Loved this film as a kid. The attack on the ship was especially effective (I recall it being quite scary when I first saw it). The fact that there were 'scary' elements probably set it apart from the likes of the Sinbad and Jason films, and I guess this is this reason why its my favourite film of its genre and age. Admittedly the effects may look a little ropey nowadays but that doesn't get in the way of a very entertaining film. As much as I enjoyed it though, I can't help but admit that I wouldn't mind someone having a stab at a remake (this version will always be there if it goes pear shaped)

The story line is familiar and, yes, it does seem to be a hodge-podge of a variety of legends and myths, but what's to complain about? Many films borrow from a host of differing source material, often with surprisingly good results.

One very important comment about the animation-- If you're the type that poo-poo's anything less than 21st century computer generated effects, then stick to films made after 2000 and stop knocking 40-year old films because their special effects aren't the same as you saw in "Independence Day". That's like knocking a '63 Corvette because it won't take you to the Moon.

Frankly, I thought the fiery and colorful animation sequences were sort of pre-psychedelic-era psychedelia (if I may coin a phrase). I was pleasantly surprised by the almost bizarre look of it all, and felt a keen sense of having 'discovered' a lost treasure. As an avid film buff, with thousands of titles in my film library (both VHS & DVD), I'm quite aware that there are always new (to me) films to be discovered, regardless of how long ago they were made.

And-- yes, after seeing this film on cable a few months ago, I purchased the DVD for my collection. I rated this film 9- almost entirely for it's visual impact.

Highly recommended viewing.

When this picture came out in '62 or '63, Mom took us 3 kids to see it at an old-style huge screened theatre. The titles of the movies(Bert I. Gordon's "The Magic Sword" was the other one) suggested to Mom that these were quaint, Disney-like fantasy films, so she figured we were safe from anything hideous. At the bursting from his elf disguise by the first monstrous giant in the movie, Mom realized she had made a boo-boo and suggested that we should seek milder entertainment. Our desperate protests put the wet blanket on poor Mom's wishes, and we sat through 2 film adventures that, to this day, are among our all-time favorites. As I understand it, this picture was produced to cash in on the tremendous success of "7th Voyage Of Sinbad", and the legal troubles that resulted from the vast similarities between the two films were the reason that the owners of the movie's rights were required to downgrade it into a ridiculous musical version. Thankfully, after years of being unavailable, the original untouched "Jack" came out on video, and it was about as much fun seeing it again as an old codger as it was as a 10-year-old.

For us "baby boomers" who started out on black-and-white TV and seeing such films as "King Kong", etc., when we were young, a stop-motion animated monster is just more scary, other-worldly, dangerous...whatever term fits an effective creature feature. Although Kerwin Matthews' many nemeses in "Jack The Giant Killer" don't quite stand alongside Ray Harryhausen's magnificent work, they still make this film well worth seeing for anyone who enjoys a good, old-fashioned mythical adventure.

Incidentally, if you have an idiotic sense of humour, the musical version is a scream to behold- especially the sequence of the evil wizard's servant returning to his master to report a failed kidnapping. :D :D

Everyone certainly has their own taste in motion pictures, but as far as this old monster movie watcher is concerned, "Jack The Giant Killer" is among the upper crust of its genre. Even after 31 years.

I'll say 8.5/10. God bless one and all...

It's the fairy tale land of Cornwall, England, and the Black Prince Pendragon (Torin Thatcher) plans to abduct Princess Elaine (Judith Meredith) so as to gain control of the land. However, his plans are at first thwarted when farmers boy Jack (Kerwin Matthews) slays the giant sent by Pendragon to claim the Princess. But Pendragon is not to be denied and a battle between good and evil commences.

There's quite a back story to this United Artists feature film. It's loosely based on the traditional tale "Jack the Giant Killer" and features the use of stop motion animation. The mere mention of stop motion automatically brings to mind the great name of Ray Harryhausen. In 1958 director Nathan Juran had helmed The 7th Voyage of Sinbad with both Matthews and Thatcher starring as the good and evil characters respectively. A big success for Columbia, Harryhausen had offered it to UA producer Edward Small who turned it down, much to his regret. So here, four years later, he gathered the same crew for what essentially is a retread of the plot of Sinbad's seventh in the hope of replicating said success. Harryhausen, however, said no, perhaps understandably, so his creatures were created for "Jack" by Project Unlimited under the watchful eye of one time Harryhausen understudy Jim Danforth. While the other effects, filmed in "Fantascope" come courtesy of Howard A. Anderson and Augie Lohman.

Columbia sued Small on the grounds of plot similarity, thus holding up the release of the film in the UK for several years (it wasn't banned as some people seem to think). Once released the film was panned by the critics and many parents were outraged that the film was too violent and scary for youngsters. Small would take this personally and intending to make something of the movie, had it re-dubbed and made into a musical. The result of which is just garbage. Thankfully the film was finally restored to its original glory on DVD and found a whole new generation of fantasy adventure fans with a bent for the lost art of stop motion animation. Kerwin Matthews passed away in 2007, a handsome swashbuckling actor, Jack The Giant Killer was his last foray into the fantasy adventure genre. It's at least comforting to know that he got to see this little treasure of a film finally get accepted by an audience.

The film itself delivers everything one expects of the genre. The creatures are effective, even if the jerkiness shows that it's not Harryhausen at the helm; tho this is off set by a wonderful sequence as electricity cloaked witch demons attack Jack's ship. There's a dashing hero, a pretty princess, a vile and chilling evil doer, hell there's even the little imp of the lamp (Don Beddoe) for some limerick shenanigans. From its delightful story book opening to its final battle between hero and villain, Jack The Giant Killer is a rich and playful fantasy. 7/10