Dr. Crippen

Brits complain about Americans stealing our inventions, yet we've been quite happy to claim two Americans, a quack doctor and a failed burlesque singer for our own. Casting 'Donald Pleasence'(qv) as the Doctor and Anglicised Aussie 'Coral Browne' (qv) as his insufferable wife not only seemed right but produced wonderfully atmospheric performances. I've only seen a TV version so it may be TV editing rather than the low budget that missed out, for example, Ethel wearing Mrs Crippens furs & jewellery to events. It would have helped see why the Doctor fell under suspicion. Made at a time when abolishing capital punishment and miscarriages of justices were under discussion in the UK it is not surprising the film suggests that the murder wasn't premeditated. In the light of his subsequent actions, you can decide yourself.

The real `other woman' Ethel Le Neve, changed her name and died in Dulwich, SE London, in 1967 aged 89. If she saw this movie what did she think?

Despite the overwhelming evidence supporting the murder of Mrs. Crippen there has to be a question of intent. Whilst the film gives what seemingly is an accurate portrayal of the crime it seems to be biased towards the like of Filson Young who perceived Mrs Crippen as a wanton woman. The portrayal of the state of the house is accurate according to the reports in the papers though the over acting by the captain of the montrose and the failure of pleasance to grow a beard whilst evading the long arm of the law indicates poetic licence. Anyone who hasn't studied the background to the case will find it an OK watch but there are too many inaccuracies to the academics!

I remember seeing Dr. Crippen in theaters way back in 1963 and have some vivid impressions. Seeing it again more than 50 years later confirmed those same impressions.

It's a simple but impressive work with three very sharp characterizations of the principals of one of Great Britain's most notorious murder cases/love triangle.

Donald Pleasance who was playing mostly villainous roles back in the day is the ill-fated Hawley Crippen, MD., one of London's most prominent physicians in Edwardian England. His success in his profession is not matched with a successful marriage.

But he's got certain joys on the side with young Ethel LeNeve, a typist in his office played by Samantha Eggar. He can hardly believe that this pretty young thing has fallen for a late forty something man who is hardly any kind romantic ideal.

But the performance that really riveted me back in the day was that of Coral Browne as Mrs. Crippen. I could not believe what an evil witch this woman was. You have to wonder what he saw in her back in the day to marry her. It was my impression of Browne that really made me remember the film, as it turns out exactly as I remember it. What a horrible human being Mrs. Crippen was.

The movie opens with the trial of Pleasence and Eggar with flashbacks to the events which include Browne's behavior, the affair of the two lovers and their escape to America which did not quite work out.

The questions about the Crippen case revolve around was her death deliberate or an accidental poisoning? Pleasence himself makes a confession of sorts, but the case is debated to this day by criminologists professional and amateur.

Pleasence and Eggar are fine in their roles and I consider this film to be one of Donald Pleasence's best performances. But Coral Browne got her best part in her career. You will remember her from this film most of all.

Poor "Dr. Crippen". As the character himself says, he's gone down in history as some kind of monster, not that far removed from Jack the Ripper. Robert Lynn's simple, sober film sets out to redress the balance. painting Crippen as more sinned against than sinner. Yes, he killed his wife and dismembered her corpse but did she drive him to it and was the killing itself an accident as he ultimately claims? There is no doubt as to which side Lynn's film is on.

It's an intelligent little picture if, in the end, not a particularly exciting one and it's very well played by Donald Pleasence, (Crippen), Samantha Eggar, (Ethel Le Neve, his uncomprehending mistress) and Coral Browne, (his shrew of a wife). The fine black and white cinematography is by Nicholas Roeg.

Historical accuracies aside, a first class cast and adequate directions provide an interesting diversion for the duration of this film.

The film, especially in B&W, has a claustrophobic feel of foreboding.

That being said, there are some inaccuracies, a major one being that Crippen and his wife were Americans, and there's zero trace of that in Coral Brown's accent not detectably in Pleasance's. Pleasance was absolutely a wonderful actor, but his ability to do an American accent was never good (see his Dr. Loomis in Halloween) and I'm wondering whether that had something to do with his not bothering trying.

As a piece of acting, certainly nothing bad and imminently watchable.