VALUTAZIONE IMDb
4,9/10
1231
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMartians replace a scientist and his family to pave the way for their invasion of Earth.Martians replace a scientist and his family to pave the way for their invasion of Earth.Martians replace a scientist and his family to pave the way for their invasion of Earth.
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Recensioni in evidenza
Don't kid yourself as this is a very low budget shocker.But it is a shocker and a pleasant one at that.99% of the film is shot in one location but what a location!
A scientist with a troubled marriage sends a probe to Mars.Unknown to all concerned the probe sends back a little something,namely Martians as invisible energy beings.They become doppelgangers of the scientist and his family. Their mission is clear;to stop earth from travelling to Mars.(They like their high property values obviously).The Martians play havoc with his home life until the very end.
A small budget flick with an appealing cast of old pros.Quickly paced and well written by Harry Spaulding.Even a downbeat ending to add to the menace.Better than average and worth a look in a forgiving mood.
A scientist with a troubled marriage sends a probe to Mars.Unknown to all concerned the probe sends back a little something,namely Martians as invisible energy beings.They become doppelgangers of the scientist and his family. Their mission is clear;to stop earth from travelling to Mars.(They like their high property values obviously).The Martians play havoc with his home life until the very end.
A small budget flick with an appealing cast of old pros.Quickly paced and well written by Harry Spaulding.Even a downbeat ending to add to the menace.Better than average and worth a look in a forgiving mood.
This film was a pleasant surprise and reminded me of "Invasion Of The Body Snatchers" and "The Shining" both in plot content and, more particularly, the methods used to build atmosphere and suspense.
The film struggles to overcome its budgetary constraints and suffers from some rather wooden performances from the limited cast. It is unfortunate that when dealing with such a small cast a below par performance is a great deal more obvious than it would be in most films. A case of not enough flowers to hide the weeds.
I was surprised to see comments from another viewer who attributed this film to the UK, as far as I can see there are no links to the UK. The writer was Canadian and the cast, director, studio and locations all American.
It's certainly worth 70 minutes of your time to give this production a chance, if nothing else it is a refreshing change from the hideously unconvincing "rubber monster" flicks that were so prevalent in this genre.
The film struggles to overcome its budgetary constraints and suffers from some rather wooden performances from the limited cast. It is unfortunate that when dealing with such a small cast a below par performance is a great deal more obvious than it would be in most films. A case of not enough flowers to hide the weeds.
I was surprised to see comments from another viewer who attributed this film to the UK, as far as I can see there are no links to the UK. The writer was Canadian and the cast, director, studio and locations all American.
It's certainly worth 70 minutes of your time to give this production a chance, if nothing else it is a refreshing change from the hideously unconvincing "rubber monster" flicks that were so prevalent in this genre.
The plot, very briefly, involves men from Mars who want to stop Earth from exploring their planet. The Martians travel through the galaxy to inhabit the bodies of a scientist and his family - that is, there is the "real" scientist and his family, and then there are their "body doubles" (the Martians, carrying out their mission). On top of this grave threat to humankind, there is a subplot as we view a crumbling marriage between the two leads. But I wondered if anyone who saw it really cared about them since it was definitely a B-picture. (Kent Taylor and Marie Windsor star as the scientist and his wife).
There were some truly creepy moments in the movie, though. Claire Fielding (Marie Windsor) learns from her son that there is an open door on the estate property where the family is residing. She goes to lock it, then hears movement around her. She becomes scared and hurries on. Suddenly her husband is standing there, with a look that is malevolent. "Where are you going, Claire!" he asks in an a threatening voice. We the audience know that it's really a Martian, but we watch from the point of view of Claire, who's never seen her "husband" this way, and the effect is unsettling. Another weird scene involves the daughter and her doppelganger - the doppelganger looks at her with evil intent. Not to mention what the daughter's doppelganger does to the young love interest of the daughter. As for the rest, watch and find out.
This film is better than its low rating, and I'd say if you like those low budget scifi's from the 50's and 60's this one is definitely worth your time.
There were some truly creepy moments in the movie, though. Claire Fielding (Marie Windsor) learns from her son that there is an open door on the estate property where the family is residing. She goes to lock it, then hears movement around her. She becomes scared and hurries on. Suddenly her husband is standing there, with a look that is malevolent. "Where are you going, Claire!" he asks in an a threatening voice. We the audience know that it's really a Martian, but we watch from the point of view of Claire, who's never seen her "husband" this way, and the effect is unsettling. Another weird scene involves the daughter and her doppelganger - the doppelganger looks at her with evil intent. Not to mention what the daughter's doppelganger does to the young love interest of the daughter. As for the rest, watch and find out.
This film is better than its low rating, and I'd say if you like those low budget scifi's from the 50's and 60's this one is definitely worth your time.
This is an interesting little movie. The viewer's hopes are not raised when the opening credit sequence is on top of stock footage of a rocket blasting off. The movie struggles to gain altitude, barely avoiding clipping the trees with its cheesy Martian landing scene. But, baby, does this plane take off after that!
It turns out that the smoldering probe was actually the launching pad for the Martians -- essentially beings of pure energy -- to invade earth and produce dopplegangers of the scientist who built the probe and his family. It gives an interesting juxtaposition: Just who is invading whom? We tell ourselves that we're "exploring" Mars, but what would we do further down the line except colonize? Wouldn't it be reasonable to expect that sentient beings, seeing the planet being explored by another race, might take matters into their own hands?
In another light, one could look at the dopplegangers as the alternate face we show to others (even loved ones) that we may not even wish to recognize ourselves. This could be seen in the way the scientist and his wife relate to each other, especially when it is the "real" person meeting up with the doppleganged spouse. The final 10 minutes of this all-too-short movie are both shocking and thought-provoking.
Sterno says join the invasion forces.
It turns out that the smoldering probe was actually the launching pad for the Martians -- essentially beings of pure energy -- to invade earth and produce dopplegangers of the scientist who built the probe and his family. It gives an interesting juxtaposition: Just who is invading whom? We tell ourselves that we're "exploring" Mars, but what would we do further down the line except colonize? Wouldn't it be reasonable to expect that sentient beings, seeing the planet being explored by another race, might take matters into their own hands?
In another light, one could look at the dopplegangers as the alternate face we show to others (even loved ones) that we may not even wish to recognize ourselves. This could be seen in the way the scientist and his wife relate to each other, especially when it is the "real" person meeting up with the doppleganged spouse. The final 10 minutes of this all-too-short movie are both shocking and thought-provoking.
Sterno says join the invasion forces.
A Cape Canaveral space probe to Mars causes an unexpected response for the lead scientist and his family.
The cheezy title along with the hokey first shot of a robot on Mars had me prepared for the worst. However, the storyline quickly turns around and makes the most out of a limited cast, a single location, and a neat Bodysnatchers premise. Hiring movie vets like Taylor and the great Marie Windsor was a shrewd move, since their experienced acting provides needed credibility. Then too, that grand mansion and elaborate grounds makes the storyline's walking both suspenseful (what's around the corner) and slyly scenic. And thankfully, the production avoids padding budget runtime with a lot of static dialog. Instead, there're atmospheric tracking shots down woodsy corridors that provide a few sudden jolts. This sort of technique makes the comparison with the great Val Lewton features of the 40's an apt one, though this film doesn't reach that quality level. Nonetheless, the results, including the surprise ending, are certainly better than the ratings (TMC and IMDb) indicate. No, the movie's no sci-fi classic, but it is a shrewdly done, often subtle, little film that doesn't settle for rubber monsters or the obvious.
The cheezy title along with the hokey first shot of a robot on Mars had me prepared for the worst. However, the storyline quickly turns around and makes the most out of a limited cast, a single location, and a neat Bodysnatchers premise. Hiring movie vets like Taylor and the great Marie Windsor was a shrewd move, since their experienced acting provides needed credibility. Then too, that grand mansion and elaborate grounds makes the storyline's walking both suspenseful (what's around the corner) and slyly scenic. And thankfully, the production avoids padding budget runtime with a lot of static dialog. Instead, there're atmospheric tracking shots down woodsy corridors that provide a few sudden jolts. This sort of technique makes the comparison with the great Val Lewton features of the 40's an apt one, though this film doesn't reach that quality level. Nonetheless, the results, including the surprise ending, are certainly better than the ratings (TMC and IMDb) indicate. No, the movie's no sci-fi classic, but it is a shrewdly done, often subtle, little film that doesn't settle for rubber monsters or the obvious.
Lo sapevi?
- QuizFilmed at Greystone Mansion in Beverly Hills, California. In 1965, two years after this film was made, The city of Beverly Hills purchased the residence. It was made into a public park in 1971. Tours are available from 10:00 AM to 5:00 PM. Dates and times can be found online.
- Blooper372 yards traveled in 6 minutes is not "just under 29 mph". 372 yards in 6 minutes is 2.11 miles per hour; it is a slow walking speed which appears to be the speed that the Mars explorer was moving. (372 yards traveled in 6 minutes = 62 yards per minute = 186 feet per minute = 3.1 feet per second = 2.11 miles per hour)
- Citazioni
Dr. Web Spencer: It's not every day we make a successful landing on Mars.
- Curiosità sui creditiThe 20th Century Fox logo does not appear on this film.
- ConnessioniFeatured in Best in Action: 1963 (2019)
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- Tempo di esecuzione
- 1h 10min(70 min)
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- 2.35 : 1
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