Ponte di comando

This sea saga is set during the Napoleonic Wars , Captain Crawford (Alec Guinness) takes command of the HMS Defiant and is ordered to rendezvous with the British fleet in island of Corsica . With his son aboard as a new midshipman , Captain Crawford takes an even friendship with his crew . Defiant's crew is part of a fleet-wide movement to present a petition of grievances to the Admiralty . The continual sadism of Defiant's first officer pits a battle of wits against the captain in this stalwart story set in Napoleonic period . As it pits the first commanding and a hated second-in-command officer and when the captain is wounded , the chance for violence enhances . Scott-Paget (Dick Bogarde) uses Crawford's son (David Robinson as Midshipman Harvey) in an attempt to get the Captain to lash out against him . Meanwhile, some of the crew (Tom Bell) , led by seaman Vizard (Anthony Quayle), are organising to strike for better conditions , in conjunction with similar efforts throughout the British fleet . The men on the verge of mutiny and tension increases when they must also take on the French ships . They eventually pledge virtually the entire crew , then there ensues the mutiny .

Dramatic film with impressive battle of wills between humane Captain Crawford in command of the warship HMS Defiant perfectly performed by Alec Guinness against his first officer, the sadistic and supercilious first lieutenant , splendidly interpreted by Dick Bogarde . Authenticity is the hallmark of this breathtaking adventure along with awesome acting , spectacular warships and overwhelming sea battles . Production design , gowns and ambient show great attention to period detail . The support cast performances by all concerned are superb as Maurice Denham as Mr. Goss , Nigel Stock as Senior Midshipman Kilpatrick , Richard Carpenter as Lieutenant Ponsonby ,Peter Gill as Lieutenant D'Arblay ,David Robinson as Midshipman Harvey Crawford , Robin Stewart as Midshipman Pardoe , Ray Brooks as Hayes , and specially Anthony Quayle as Vizard . Very good cinematography in Cinemascope by Christopher Challis and evocative score by Clifton Parker . The motion picture was well directed by Lewis Gilbert .

The flick was inspired on actual events as ¨The mutiny at Spithead¨ in 1797. Sailors on 16 ships in the Channel Fleet, commanded by Admiral Lord Bridport, protested against the living conditions aboard Royal Navy vessels and demanded a pay raise. Seamen's pay rates had been established in 1658, and because of the stability of wages and prices, they were still reasonable as recently as the 1756–1763 Seven Years' War . The Royal Navy had not made adjustments for any of these changes, and was slow to understand their effects on its crews. Finally, the new wartime quota system meant that crews had many landsmen from inshore, who did not mix well with the career seamen , leading to discontented ships' companies. The mutineers were led by elected delegates and tried to negotiate with the Admiralty for two weeks, focusing their demands on better pay , and the removal of a handful of unpopular officers; neither flogging nor impressment was mentioned in the mutineers' demands. The mutineers maintained regular naval routine and discipline aboard their ships , allowed some ships to leave for convoy escort duty or patrols, and promised to suspend the mutiny and go to sea immediately if French ships were spotted heading for English shores.Because of mistrust, especially over pardons for the mutineers, the negotiations broke down, and minor incidents broke out, with several unpopular officers sent to shore and others treated with signs of deliberate disrespect. When the situation calmed, Admiral Lord Howe intervened to negotiate an agreement that saw a Royal pardon for all crews, reassignment of some of the unpopular officers and a pay raise . Afterward, the mutiny was to become nicknamed "breeze at Spithead".

In April 1789 Captain William Bligh was set adrift off the Friendly Islands by Fletcher Christian and the crew of H.M.S. Bounty, tired of Bligh's bad temper and harsh tongue. Bligh and the loyal crew members (except two killed by cannibals on one island they stopped at) managed to sail the open boat 2,100 miles despite lack of supplies and dangerous seas and weather to safety. Bligh returned to England, and eventually made a second trip to Tahiti to complete his original mission. Christian and most of the Bounty mutineers fled on the Bounty and reached Pitcairn Island, where their descendants live to this day.

The mutiny on the Bounty is the one that most people think of whenever they hear the word "mutiny". Otherwise they think of THE CAINE MUTINY. Actually there have been many mutinies. In 1905 a mutiny on the Russian battleship Potemkin occurred at Odessa on the Black Sea. It was immortalized by Serge Eisenstein in his film of the name POTEMKIN.

It surprises many people outside of England that the Bounty was peanuts compared to the Great Mutiny of 1797 at the Nore and Spithead of the entire British fleet (also the 1931 Invergordon Mutiny of the British fleet during the depression, which was a total surprise). The Great Mutiny is supreme because it occurred just when England was facing revolutionary France in the French Revolutionary Wars. A force being planned by Wolfe Tone and the French General Lazare Hoche was to invade Ireland. By sheer chance the French were unable to take advantage of the moment of England's peril to invade.

The 1797 Mutiny at Spithead was actually successful - various gains in pay and food were made by the sailors. Then came the Nore Mutiny, which was led by a seaman of some leadership qualities named Richard Parker. Parker's demands were impossible, and he apparently toyed with leading the fleet to France. Instead the British Admiralty got tough, and crushed the mutiny. Ironically one of the last ships to give up was H.M.S. Director, which was commanded by William Bligh. It was the second mutiny (of three!) that Bligh would face in his career. Parker was tried for mutiny and executed, as were dozens of other sailors.

It would be nice if some enterprising producer would make an accurate film of the 1797 Mutiny - but until that day comes we are left with two films that roughly approximate the story. There is Peter Ustinov's BILLY BUDD, which is set in the period of the Great Mutiny, and this one. BILLY BUDD has much going for it regarding it's source material (Herman Melville's brilliant study of good and evil, and how they are impossible to separate). Then there is DAMN THE DEFIANT / H.M.S. DEFIANT, which tells the story from the point of view of a single vessel and the evils that permeated all the crew from the Captain to the tars.

Alec Guinness is a well meaning but weak leader who is the Captain of Defiant, and has been stuck with Dirk Bogarde as his new second in command, a socially well-connected sadist. Bogarde is determined to be the real commander of the ship, and is willing to do what is needed to bring Guinness and everyone in sight under heal. Guinness's son is a midshipman on the DEFIANT, and Bogarde keeps finding ways of punishing the young man that Guinness (because of fears of favoritism) will not interfere with. On top of this, during one battle, Guinness loses an arm (a salute to Lord Nelson who was similarly was crippled).

However, the men led by Anthony Quayle, decide to join the mutiny. And then it is Bogarde's turn to sweat.

What were the gripes of the mutineers? Low pay (the government spent money on bribes for votes, but not decent pay). Nothing like pensions for the men - frequently kidnapped by press gangs in the major cities - and left cripples after serving in the naval battles. Food was crap - the quartermasters and the people who sold supplies were in cahoots and sold rotten food to the ships. It was a "lovely life". The wonder is that there weren't more bloodbath mutinies. One (in 1798) on board H.M.S. Hermoine led to the murder of a dozen officers, including the Captain (one Hugh Pigott). Reading of it makes one realize how lucky Bligh and the Admirals were that they did not face the real wrath that was just under the surface.

"Damn the Defiant." a 1962 film directed by Lewis Gilbert, is based on an actual incident, known as the Spithead Mutiny which took place during the 1797 war with France.

The ship is led by Captain Crawford (Alec Guinness), a fair man who is afraid to rattle the cage of his next in command, the sadistic Lieutenant Scott-Padget (Dirk Bogarde), who is well-connected and has ruined the careers of previous captains.

The ambitious Scott-Padget, however, is determined to take over the ship and wants things his way. To this end, he brutalizes Crawford's young son, who is on board as a midshipman, knowing that the principled Crawford will not interfere.

However, there are mutineers on board, led by Vizard (Anthony Quayle) who have written a petition for better food and more money. They hate Scott-Padget, and if they take control, he's in big trouble.

This is a very good film with suspense as well as excitement, dominated by the acting of Guinness and Bogarde. Guinness is brilliant - you can see him making an effort to control his anger, and one also sees his great pain. When he at last asserts himself, he is very noble.

Director Gilbert had to fight for Bogarde, so devalued was he by Hollywood, but Guinness spoke up for the actor as well, and he was cast. He does a great job - handsome, outwardly polite, and mean as dirt. Anthony Quayle is excellent as Vizard, who, in leading his men, demands patience.

Absorbing and entertaining, even if movies on the high seas aren't your thing.

Few films have tried to capture the era of Horatio Hornblower, and even fewer do it as well as this one. It's an extremely well-made movie, though a bit difficult to classify. Traditionally, in a sea adventure, the dashing, sexy leader is the hero; in this case, he's the villain (brilliantly played by Dirk Bogarde, who normally plays more sensitive chaps). The good guy turns out to be a very UNdashing and flawed, but compassionate Captain.

I think Alec Guinness is the only actor who can portray a character who is colorless yet also make him sympathetic. Perhaps the World War II era (with its emphasis on teamwork, its glorification of the average G.I., and its near-worship of able, but dull, leaders like Omar Bradley) may have influenced it, because the movie strongly emphasizes the worth of the common man, especially as personified by Anthony Quayle's character.

It's an offbeat movie: part sea adventure, part character drama, part historical epic. Critics might say it's not satisfactory in any of these areas, but those of us who love it recognize how special and even unique it is. Now that Columbia has finally released on DVD a letter-boxed version one can fully appreciate its worth, not only for the sea battle scenes, but also the many two-shots of Guinness and Bogarde interacting (or, more often, snarling) at each other.

It is the Napoleonic Wars and Captain Crawford takes command of the H.M.S. Defiant and sets off with his orders to Corsica. His second in command is Lt. Scott-Paget, a vindictive and bullying man who has moved through the ranks on account of his higher echelon connections. The two men don't see eye to eye from the off, which only compounds the many problems that are reaching boiling point aboard the ship. Mutiny is afoot, just as the French forces are closing in.

Lewis Gilbert may just be one of Britain's most undervalued versatile directors. Here's a man that has directed Educating Rita/The Admirable Crichton (comedy), The Good Die Young (crime), Cast a Dark Shadow (Noir), Reach for the Sky (biography), Alfie/Shirley Valentine (romance), James Bond x 3 (multi genre) and sea faring adventures such as Sink the Bismarck! and this fine Napoleonic historical piece, H.M.S. Defiant.

Adapted from Frank Tilsley's novel "Mutiny", this is a film built around a true story about what became known as the "Spithead" and "Nore" mutinies in 1797. Where sailors and press ganged inlanders were fed up with the working conditions, rates of pay and the all round treatment from the officers in charge. Also into the mix is a fascinating battle of wills between the two leaders of the Defiant, both men, in the midst of their power struggle, are oblivious to the rumblings and plotting of the crew. I mean you would think that with the French warships possibly around the corner that they would be unified in creating a rock solid front? That they don't gives the film an extra dimension. Thus when the battle sequences do come, and the turn of events perk the piece up, it has a two fold impact that makes all the waters lead to a terrific foggy bound climax.

The cast are notable names from a roll call of British performers. Alec Guinness as Captain Crawford plays it spot on. An honourable man adhering to his code of ethics, it's through a plot strand involving his own son being on board that Crawford gets torturous and conflicted by his emotions. Who better than Guinness to layer such a role? Dirk Bogarde steps up to play weasel duties as Lieut. Scott-Padget, suitably handsome in uniform but playing the devils tricks, it begs the question on why Bogarde didn't in fact play more villains? because here he is excellent at it. Leading the mutiny is the looming muscular presence of Anthony Quayle, who along with Nigel Stock leaves a favourable mark in the support cast.

Comparisons with other notable genre entries are inevitable, the likes of Mutiny On the Bounty, Captain Horatio Hornblower R.N. and the more modern offering that is Master and Commander: The Far Side of the World. If you like any of those films then the chances are you are bound to get much from this British production. The ocean scenes are filmed out in Alicante, and they sparkle as a backdrop to the splendid costumes, while the ships design is top draw. Ultimately this a fine genre entry, for as it stirs the blood and tells a great multi stranded story, it's also acted quite superbly by the cast. 8/10