Venere in pigiama

Some films ought to be seen in the context of the era in which they were made. It's unfair, in a way, to dismiss a lot of them because they appear to be dated, or because they don't hold our attention because one can't identify with the subject which is being treated. This seems to be the case of "Boys Night Out", a mildly amusing comedy from the early 60s. Directed by Michael Gordon, it shows its age, but still, there are a lot of ingredients that show the viewer how we lived during those less complex times in this country.

"Boys Night Out" would be impossible to make in the present climate. Where could stars of the stature of Kim Novak, James Garner, Tony Randall, be found to play in it? Salaries alone would make such an enterprise impossible by today's standards, and yet, a little more than forty years ago, this sleek package was put together without much problem, or so it appears.

The film offers some rewards to the viewer that stays with it. The idea of four men getting together to rent an apartment and get a dream woman to cater to their fantasies would not be easy to do without including a lot of sex. Little do these men realize they are, in turn, being a case study for the same woman they all desire.

Kim Novak, at the height of her beauty, does a wonderful job with her Cathy. James Garner also has wonderful moments, especially playing opposite Jessie Royce Landis, who appears as his mother. Tony Randall, Howard Duff, Oskar Homolka, Zsa Zsa Gabor, Jim Backus, Fred Ward, and the rest of the cast are good in the film.

"Boys Night Out" is a comedy about male fantasy about the best of two different worlds.

Boys' Night Out (1962) is one of those easy breezy comedies that comes on TCM a few times a year. I record it, watch it a few times, then delete it thinking I'll buy it, but then it comes on again to my delight:)

It's about a group of 4 men, 3 married with children and one divorced and living with his mother, who cook up a zany scheme to secure and share a NYC love pad with a young beautiful blonde to break the boredom in their lives. Little do they know, they are the subject of their ideal beautiful 25 year old blonde's own scheme, and she willingly agrees to be available for each "boys'" night out.

If you are thinking it's a love-fest, remember this was distributed in 1962, so there are lies and innuendo, but Kim Novak, in a role easily played by Doris Day just a few years before, maintains her virtue and the wives get their chance to get even. Novak shines in one of her best comedic roles. She and leading man James Garner have great chemistry. He's so handsome and hilarious at the same time. If you've never seen his comedies before his star of television days, then keep your eyes peeled for his movies. He's a charmer who always delivers a great performance. Tony Randall and Jessie Royce Landis lead the supporting cast. They always add tremendously to a picture.

This film is on the tail end of the really tastefully cute comedies, and it's a great film to enjoy when you want pure rom-com escapism. One more thing, it gets better with repeated viewings. Some new lines pop out each time that make it even more enjoyable. I didn't love it the first time as much as I have each time since.

Just looking at the lovely Kim Novak is enough for any man (or woman). She most convincingly plays her part in this comedy romp from 1962, a very dated 1962 film at that, although the premise and, really, the events, are timeless. Who can ever tire of her beauty. James Garner was so handsome in his youth as well. We also see the delightful Anne Jeffreys. I enjoyed this comedy and recommend it. It is a rather pleasant not so over the top comedy and an enjoyable film. I repeat again, whatever Kim Novak is in a movie, she brings not only her spectacular beauty but a marvelous acting ability. The dresses she wears in this movie are terribly outdated, but I recommend the movie for one and all.

A feline and spacey Kim Novak seems to arrive from another planet in this romantic comedy from the blacklisted director of Pillow Talk. It's James Garner and Kim instead of Rock Hudson and Doris Day -- so underneath the squeaky clean froth, their clinches have just a hint of real sexual chemistry. Clever script has theatrical touches if no depth. Second bananas play their farcical roles well, especially Tony Randall.

However feast your eyes on the apartment, the height of Kennedy-era Mod; don't miss the turquoise kitchen, his-and-her bedrooms, and more.

Would make a nice double feature with the new remake of Stepford Wives. There's a happy ending (of course): The men discover 'boy's night out' is actually more fun if the women come, too. That's progress, in a tiny way.

No offense to some of you, but I very seldom agree with that whole "It was a simpler time" thinking, because EVERY decade is full of people saying that about every PREVIOUS decade! (And they're probably always partly right and partly wrong.) And in a way, this movie is evidence of that - it's full of characters analyzing (and over-analyzing) subjects (like why the men want to fool around - which of course COULD BE because they just WANT TO). And of course, it's full of the whole "Men from Mars, Women from Venus" subject, and of course, "Kinsey"-type sex surveys. So as one person on the message boards (partially) says, it's a case of "The more things change...." Luckily, this movie makes light of all these things. There's a line toward the end where Jessie Royce Landis makes a reference to "the Kennedys getting elected." This always reminds me of the difference between a movie MADE in the early ' 60s and any given one SET in the early ' 60s - the latter OFTEN has Kennedy references (and many OTHER topical ones) squeezed in EDGEWISE, instead of A FEW, worked in CASUALLY, the way it's done here. Of the supporting actors, I think William Bendix had the best part, as the bartender with the friendly advice for James Garner.