The Beverly Hillbillies

The Hillbillies was the funniest show of the 60's. In fact, I'm in my 20's and I prefer the classics to the sitcom wasteland of today. I catch them atleast twice a day on TV Land and they always make me laugh hard. The best episodes were the ones where somebody (or some critter) drank Granny's moonshine by accident. Then the fun would really begin. I didn't see anyone mention Harriet MacGibbon as Mrs. Drysdale and that's a shame because she was hilarious, always getting into fights with Granny and fainting. The comedy team of Raymond Bailey and Nancy Kulp had some of the best chemistry in TV history. Their reactions as they played off each other (and off the Clampetts) were side-splitting. Drysdale and Hathaway were a major factor in the show's success. I agree with someone else who commented that Irene Ryan should be up there in the same class with Lucille Ball. It's tragic that her name is all but forgotten today. But Granny lives on in the hearts of her fans.

The original series THE BEVERLY HILLBILLIES was probably the most genuinely funny sitcom ever made with the possible exception of I LOVE LUCY. This endearingly wacky comedy is both audaciously cutting edge and family-friendly wholesome, no mean feat. I would put some of the finest Hillbillies episodes up against the best films of Preston Sturges for sheer pandemonium glee. Most of the episodes are excellent, several are brilliant. The cast is superb, especially Irene Ryan as the hot-tempered yet sentimental Granny, a five-foot elderly spitfire who was afraid of no one - and had no reason to be. Miss Ryan was twice nominated for the Best Actress Emmy award for Granny - she should have WON at least four times! Buddy Ebsen is excellent as Jed but Donna Douglas and Max Baer were equally fine as the "young uns". Donna's free-spirited, tomboy with curves Elly May is a total joy while Max is hilarious as the dim-witted Jethro (and quite wonderful in drag as his twin sister Jetherine, playing the character seriously as an over-sized female, not going for cheap "man-in-a-dress" laughs.) Raymond Bailey and Nancy Kulp are fine as their city friends and I cherish the episodes in which Harriet MacGibbon (as Mr. Drysdale's snooty socially prominent wife) and Bea Benaderet (as Cousin Pearl) appear - Mrs. Drysdale and Pearl often had to go head-on against Granny and both actresses rose to the challenge beautifully.

The Beverly Hillbillies are often closer to the classic comedy shorts of the 1930's and 1940's than a conventional sitcom. Their importance on television history can not be overstated - not only for the "country comedies" that came along after them but for opening the door to an "alternative universe" on television where 'real life' was thrown out the window and fantasy prevailed. THE MUNSTERS, BEWITCHED, I DREAM OF JEANNIE, STAR TREK, GREEN ACRES, WILD WILD WEST, THE ADDAMS FAMILY, GILLIGAN'S ISLAND, etc. - all the shows of the 1960's that pushed the reality envelope owe a debt to the Hillbillies and they probably wouldn't have been around with out the pioneering work done on this series.

In 1971, when "The Beverly Hillbillies" was canceled, "All in the Family" premiered. While "All in the Family" is praised as the first "socially relevant" sitcom, "The Beverly Hillbillies" was the first to satire our society - "The Beverly Hillbillies" did it with screwball comedy. "The Beverly Hillbillies" changed the face of television - to date, it still holds the record for some of the highest-rated single half-hours of television. And, the performance of Irene Ryan in this series is right up there with the likes of Lucille Ball and Mary Tyler Moore on their respective series. It is a shame Ryan never won an Emmy for perhaps one of the most endearing, energetic performances in the history of television. While the first five seasons of the series were undeniably the best, and the writing suffered by the late 1960s, "The Beverly Hillbillies" changed the face of television. It opened the door for creativity, wild plot lines and colorful characters that dominated television in the world of sitcoms of the 1960s. It is the era of the 1960s that produced some of the most beloved sitcoms in history, and all of it was due to a little groundbreaking sitcom about a man named Jed.

I remember The Beverly Hillbillies from when I was a little kid, and then when I was 12 years old we had cable TV for the first time and I was able to catch it three times a day! That's when one of the stations decided to run all the episodes in their original sequence, starting from the first episode. Now Walmart has been selling Beverly Hillbillies' DVD's of 16 episodes at a time for around $10. It's a great deal, but the only drawback is that whoever puts out these DVD's didn't get the rights to use any of the opening and closing theme songs. There's plenty of good banjo playing, but no narration by Jerry Scoggins and no closing tune. Still the episodes are extremely enjoyable.

Of course some of it is cornball and dated, but this sitcom beats the pants off any current shows I've seen. Contrary to what some reviewers here have said, the Clampetts always seem to come out on top of every situation by simply being themselves. If that means they're stupid and backwards, then I'd rather be that than something else. By being themselves, decent and simple, they unintentionally expose everyone else's agenda's, phoniness, and crookedness, whether it's Mr. Drysdale's love affair with Clampett money or just some interloper trying to seduce Elly Mae, or whatever. I also find their unabashed Southern pride to be refreshing in today's stifled and overly-militant PC world. Again, they're simply being themselves. Maybe it helped that Irene Ryan was from Texas, Donna Douglas was from Louisiana, and Buddy Ebsen was from rural Illinois. I guess Max Baer was just a natural as Jethro, and he later dwelt on mainly Southern themes in his post-Jethro life as a film producer. PC or not, the show is funny!!

If anyone's mind is pickled on older TV series, it is mine. And I know millions of others as well cherish "The Beverly Hillbillies" among the top of them all. The cast of this show fits so well with each other that they become the real deal. They became a part of our family somehow. Each regular character goes beyond typecast. The Scruggs/Flat music simply adds more of the same quality. I sometimes practice my guitar while watching the show so I can pick up a few licks each time.

I think that one of the most endearing qualities is that most any viewer can find something to identify with. The most obvious things are Uncle Jed's wisdom laden observations and Granny's energy and willingness to take up a cause. Jethro keeps her busy, but she never lacked for time to pick up her doctoring bag and charge full steam ahead to cure whoever might be ailing. From childhood to this day, I never seem to tire from watching this show. I can't say that about many others. Perhaps the Western series, "Bonanza", is one other that comes to mind. In both shows the characters own personalities forge their way into immortality.