Una vita difficile

The Italians are masters in the art of mixing to perfection laughs and tears. It is a pity to see the recipe gone, together with the great actors and directors; CINEMA DELL'ARTE has joined COMMEDIA DELL'ARTE in Ancien History. That was one more reason for my rushing to see this unknown pearl, re-masterized-but-not-too-much, probably intentionally, because this gives the movie an added patine which is quite pleasant to watch. The actors are wonderful, especially the late Alberto Sordi and Lea Massari, who kept acting in Italian and French movies until recently.I found the same pleasure as in Ettore Scola's C'ERAVAMO TANTO AMATI, 1974, to find many Italian actors and directors playing as themselves. Stars of the pre-war (Antonio Centa and Claudio Gora) are available too. IL SORPASSO was ending also at the gates of Viareggio, but Risi gave almost a real part to this Art Deco city in UNA VITA DIFFICILE. I am a fan of it since 1997, but in the movie it looked like a real paradise of the Sixties, when there was a nightlife in the Pinete (pinewoods, now abandoned to the bambini and the bikers, but still a daytime popular attraction). Some of the nightclubs kept their names, but turned into family restaurants and moved to the city's fancy promenade, unfortunately separated from the sea by the beach establishments.It was my "added entertainment", in a rare delight.If it shows around, don't miss it. harry carasso, Paris, France

Just when you are thinking that Italy is a stupid country, ever been stupid and hopeless not to be stupid, find your old VHS of this movie and watch it again. Neorealistic dramas of the forties and the fifties depict a country in comparison of which Transilvanya seems Disneyland, and that's not reasonable; comedies of the sixties and seventies are quite silly and superficial. This film, along with "C'eravamo tanto amati" in my opinion, is a perfectly balanced synthesis of both streams. There's fun and there's poverty, laughter and desperation, and this makes it the most truthful social portrait of this strange, controversial place I live in. It's a good summary of recent national history as well. And it contains two or three of the highest peaks of comedy of the entire world's cinema, see the argument with the restaurant owner for the bill (I fear it works only in Italian, though)or the dinner at the aristocratic family the evening of the elections for the choice between monarchy and republic. This is worth a couple of lines. Silvio, a leftist journalist and former guerrilla soldier against fascists, and his wife are rejected by restaurants because of their lack of money. They meet an aristocrat they know who invites them for dinner. The reason is not generosity but the fact that at that dinner there are thirteen people, and a common belief was that the circumstance would bring bad luck. At the table a full inventory of the meanest and most grotesque old fashioned conservative characters of the time, who, in an embarrassing way, try to hide their opinion on the new despicable hosts and to be kind to them. As the dishes arrive the couple forget good manners and make a show of themselves. Conversation falls on politics and Silvio enworsen his situation with some bitter comments, while his wife kicks him under the table. Suddenly come the results of the elections: Italians chose republic! Someone faint, some other curse, but Silvio and his wife hug each other. The monarchists, now mad, leave the room and here comes the scene you'll remember: the butler comes, bearing a bottle of champagne, solemnly he approaches the two proletarians and fills their glasses in silence.

In this heart-wrenching comedy directed by Italian cinema giant Dino Risi, Silvio Magnozzi's "difficult life" follows the trajectory of Italy from the proud moments of the Resistance movement's struggle against Nazi occupation to post-war domination by wealth and privilege. Magnozzi, a writer and journalist played by Alberto Sordi, does not give up the dream of an alternate future to capitalism and the extreme inequalities it engenders. He meets Elena, the love of his life, while he is fighting the Nazis; but after the war she is torn between his dreams and the petty social- climbing schemes of her mother. So while Magnozzi refuses to sell out, choosing to defy the fat cats and to write truthfully, Elena waivers.

The film is often classified with the New Italian Comedy, a genre that emerged from the hard-hitting political narratives of Italian Neo-realism and retained their critical edge while softening it with humor. "A Difficult Life" has a bitter tone compared to most of the films of the period; even in many very funny scenes the anger and defiance are never dispelled, and Magnozzi pays a heavy price for his heroism.

Sordi's performance is brilliant (Italians refer to him as "Albertone", perhaps best translated as "Albert the Great"). In his portrayal of the clown as hero, every gesture is meaningful and touching. Lea Massari, one of the great Italian divas of the period, also has a stand-out performance--and the supporting cast (including Claudio Gora as the boorish multi-millionaire) never misses a beat. The period details— from the newsreel footage to the flashy cars, beach parties, and fur coats of the post-war boom-- are handled expertly. A must-see for any lover of Italian cinema. '

Another Alberto Sordi black comedy(similar to "il boom") with bouts of hilarity, but underlying a sad truth of postwar Italy in the 1950's.The existence of a minority of Italians unable to adapt to "bourgeois" civilian life after spending too many years soldiering during the 2nd world war.Alberto Sordi becomes an idealistic loser in an increasingly amoral,money grabbing society which Alberto Sordi tries to oppose, with honest journalism(his last permanent job). Alberto Sordi ends up losing everything,money,wife even freedom (he ends up in jail for libel).A most poignant moment of Alberto Sordi's life and Italian society in general is when Alberto Sordi returns to his wife's village in a luxurious car wearing expensive clothes..and wins back his wife .....but she soon finds out later that all these luxury goods were lent to him by his despotic boss, a rich industrialist who constantly humiliates Alberto Sordi as he works as a man servant in his villa !.(With a memorable final scene).One of Alberto's Sordi's best film(Also he says it too! ).Recently restored in Italy.A 9/10 film.

This movie is really beautiful: it shows the life of a medium italian, this kind of italian is performed by Alberto Sordi, and he is always very good to make this parts. You can laugh very much with this film, as in every Alberto Sordi film.