Aggiungi una trama nella tua linguaUrsus returns from war to find his fiancée, Attea, has been kidnapped by a mysterious sect which sacrifices virgins to its patron goddess. Ursus faces much treachery and is forced to display... Leggi tuttoUrsus returns from war to find his fiancée, Attea, has been kidnapped by a mysterious sect which sacrifices virgins to its patron goddess. Ursus faces much treachery and is forced to display much courage and strength as he and the blind girl Doreide embark upon a quest to retriev... Leggi tuttoUrsus returns from war to find his fiancée, Attea, has been kidnapped by a mysterious sect which sacrifices virgins to its patron goddess. Ursus faces much treachery and is forced to display much courage and strength as he and the blind girl Doreide embark upon a quest to retrieve Attea.
- Regia
- Sceneggiatura
- Star
- Magali
- (as Cristina Gajoni)
- Doreide
- (as Mary Marlon)
- Mok
- (as Raphael Luis Calvo)
- Cleonte
- (as Gamardiel)
Recensioni in evidenza
In addition to the muscular lead, some other familiar but always appealing sword and sandal elements are here. The women are insanely beautiful, and their flowing dresses and magic hair styles supplement this. The blind servant girl is very sympathetically and believably played by pretty Maria Merlo, best in the cast. She captures many difficult emotions; her facial expressions in the Ursus vs. animal death match are spot on. Raven haired knockout Moira Orfei, who appeared in several of these films, plays the kidnapped betrothed of Ursus; whom he sets out to rescue. Along the way, the son of Herc encounters cults, a femme-fatale queen, and an evil empire that needs to be overthrown. Every sub-plot works, and contributes to the story.
For a low budget film, this one surprises. There are a few editing goofs (most notably in the soundtrack music), but the translation dubbing is remarkably well done. A few bits of dialogue are awkward, but yet again it's in a charming fashion that you can't help but love. The "You filthy murderers!" exclamation is perfect, and sets off one of the best mass-mayhem battle scenes ever.
One of the very best of these Italian and Spanish made mythological adventure movies. Very re-watchable stuff.
The corpulent Ed Fury was a hunk man who made lots of roman epic films also called ¨Musclemen movies¨ . Other stars by the time on this type of movies are Mark Forest , Gordon Mitchell, Dan Vadis , Alan Steel , Samson Burke , Reg Park , Rock Stevens , Kirk Morris , Brad Harris and 'Gordon Scott' and of course , the great Steve Reeves , as nobody, nevertheless, topped Steve in popularity .This is a regular spaghetti/paella , myth-opera with action , love , battles and luxurious landscapes . The movie has not mythological accuracy neither expecting historical . There was used sets left over from King of Kings (1961) by Nicholas Ray . Evocative as well as atmospheric musical score by Roman Vlad . Colorful cinematography by Eloy Meya and filmed on location in Algete , Madrid . The film was regularly directed by Carlo Campollani who made many fables of this kind . Carlo along with Vittorio Cottafavi and Giorgio Ferroni continued to realize films in the historical-spectacular style , at which he developed an acceptable skill and mastery .
This film belongs to a quartet about this hunk character , ¨Ursus¨ , such as : "The Vengeance of Ursus" (1961) by Luigi Capuano with Samson Burke , Wandisa Guida , Livio Lorenzon , ¨Ursus in valley of lions¨ (1961) by Carlo Ludovico with similar actors as Ed Fury , Maria Luisa Merlo , Moira Orfei and Alberto Lupo , "The Son of Hercules in the Land of Fire" (1963) by Giorgio Simonelli with Ed Fury , Luciana Gilli and Claudia Mori . ¨Ursus¨ movie is derived from Buddy Baer's character who is named "Ursus" , a secondary role in the famous colossal ¨Quo Vadis¨ (1951) directed by Mervyn LeRoy and starred by Robert Taylor and Deborah Kerr . The movie Ursus (1961) obtained success and originated a second part . Rating 4,5/10 , passable though mediocre .
Ursus and Doreide finally arrive on the island, only to be captured by the villians, led by their masked queen, an evil woman who orders the sacrifice of virgins to her bull-god. But Ursus soon takes the bull by the horns and turns the table around ...
Ed Fury joins the muscle and toga brigade, which consists of Steve Reeves, Gordon Scott and Mark Forest to name a few, in this peplum that follows the well-worn path of this genre, but it has some good moments such as the desert sequence where Ursus and the blind girl are thirsty, the adventure and landscapes and the exquisite palace of the femme fatale. There's a rather horrid Queen who predictably keeps Ursus alive longer so she can have fun time with him. But then there's a twist concerning Ursus' kidnapped girlfriend- it took me by surprise. The film ends with a bullfight - poor stuntman earns his dinero as he gets tossed around in all different directions! - and a mass attack. Ed Fury is competent in the role of Ursus, though in his dialogue - the dubbed English - he states the bleeding obvious and his booming voice reminds me of Roger Ramjet. The acting honours go to Maria Luisa Merlo who plays the blind girl who helps Ursus in his quest.
the screen. I need to dig out some more of his films. Second, the sets are quite imaginative for a low budget film and are able to suggest much more than they actually show. Third, the plot has a number of nice twists in its final third, and the film culminates in a genuinely exciting climax and satisfying resolution. Story-writer Guiseppe Mangione was also responsible for such offbeat items as Tony Anthony's first two "Stranger" films, Barbara Steele's "Angel for Satan," the interesting "Hypnosis," and others. Finally, director Carlo Campogalliani has credits dating back to the silent era, and he manages to use his directorial sleight-of-hand to make the film seem much bigger budgeted than it actually was... always the sign of a true professional and artist. The bullfight scene was very well done, with a combination of Fury, a stuntman, and a stuffed Ed Fury doll (at least, I'm guessing that was how it was done). The editing is fine in that scene also. Computer effects have spoiled many young film fans today--this kind of combination of director and editor creating a magical sleight-of-hand that makes us "see" what isn't actually happening is always worthy of praise and is exciting to watch. In short, an excellent entry in the sword-and-sandal genre, and a credit to star Ed Fury (who has always reminded me of a muscular version of Edd Byrnes or the young 1950s Clint Eastwood)
Lo sapevi?
- QuizUsed sets left over from Il re dei re (1961).
- ConnessioniFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 7 (2002)
I più visti
Dettagli
- Tempo di esecuzione1 ora 30 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1