Aggiungi una trama nella tua linguaAmerican Anna Vorontosov teaches in a rural school on New Zealand's North Island. Her class of younger students is comprised largely of Maoris. She feels that western methods are not the mos... Leggi tuttoAmerican Anna Vorontosov teaches in a rural school on New Zealand's North Island. Her class of younger students is comprised largely of Maoris. She feels that western methods are not the most appropriate in teaching her students, for who concepts such as "see Jane run" have no cu... Leggi tuttoAmerican Anna Vorontosov teaches in a rural school on New Zealand's North Island. Her class of younger students is comprised largely of Maoris. She feels that western methods are not the most appropriate in teaching her students, for who concepts such as "see Jane run" have no cultural context. She wants her students to "feel", from love to pain to joy, and as such he... Leggi tutto
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Recensioni in evidenza
Julie was a missionary from New England gone out among the Polynesian natives to learn them some Christianity and other things that a good New England puritan deems necessary. MacLaine is a spinsterish woman from New England who has gone to New Zealand to teach the Maoris who are also a Polynesian people.
She is prim and proper and has her set ideas about love and sex. But bachelor school teacher Laurence Harvey gets her mojo going. But he's also an irresponsible drunkard and that part of his behavior repels her. Harvey given where he is has plenty of outlets for his libido.
Jack Hawkins is in this as well as the district education superintendent who first comes across as a stuffy bureaucrat, but turns out to be a very wise man indeed. Nobu McCarthy whose career was peaking at this time played many an Oriental part. This was one of her few non-Oriental, Maoris are Pacific Islanders, parts and she is a teen student of MacLaine. Also black American actor Juano Hernandez plays a Maori chief, another man much wiser than MacLaine.
Not one of Shirley's best, but her fans will like it.
This is supposedly Maoris culture. I wonder if this could have been a small New Zealand indie. I imagine getting into some real culture and some epic New Zealand landscape. The studio insisted on a star and got MacLaine. I don't like her character. I don't see her teaching technique as that great. I want to like the kids but I don't really know them. Shirley MacLaine has done better. She does some overwrought acting in an overly overwrought scene. It's bad writing. I certainly don't see any chemistry between her and Laurence Harvey who is playing a horrible drunk. It's dreary. The story meanders around without much tension.
Both in NZ and North America and elsewhere she came to be regarded as brilliant. To quote from an American review of the book: "Sylvia Aston-Warner was a brilliant teacher and her innovative approach to teaching Maori children is as valid today as it was when it was first demonstrated in 1965. I used this system of teaching early reading. Not only in my Kindergarten and First Grade classrooms but also with my children and grandchildren. It is particularly useful for children who do not immediately respond to other methods of teaching reading such as totally phonetic or whole language approaches. It can easily be included as a quick and easy supplement to any reading program. This is a particularly valid approach to underprivileged and resource-deprived classrooms."
The movie's resemblance to the real NZ and its people and their looks and accents is almost non-existent, as other reviews have rightly decried. One big tell is the lurid colors: NZ is closer to the sun especially in summer than the northern hemisphere ever is, and the intense sunlight is somewhat white and bleaching, so lurid is a rarity.
A pity the film had to be made on a Hollywood backlot and the NZ look and main theme of the book was somewhat trampled on; Sylvia Constance Ashton-Warner deserved better. Nine stars to maybe encourage a teacher or two to make a beeline for her much superior books.
The story is set in New Zealand and that could have been very interesting, as I've been there a few times and love the country and cultures. But here's a serious problem...the film obviously was NOT filmed in the country. Sure, you see a lot of neat Maori style carvings and decorations, but the extras area bout as Maori as Mantan Moreland or Keye Luke! Most appear Filipino and some are black Americans....and just don't look a bit like the Maori people. And, in many ways, these 'Maori' are portrayed almost as children...and the good teacher, a white savior of sorts. Now I am NOT the most politically correct person...but this even bothered me. And, don't even get me started about the horrid dialog and the character way overplayed by Laurence Harvey...uggh!!
The bottom line is that you'll learn nothing productive about the Maori and the romance is just stilted, weird and, well, horribly written. The film is probably Laurence Harvey's worst...and it's not exactly one of Shirley MacLaine's best, either. It's a tedious film...and woefully inadequate in showing the Maori as anything other than cartoon characters.
Two men come into her life. One is a drunkard (Laurence Harvey) who comes on strong, though Anna resists him, wanting to wait until marriage to have sex. The other (Jack Hawkins) is an administrator at the school, married but separated from his wife. Both men are in love with her.
Part of the story concerns her assistant, Whareparita, who becomes pregnant with twins, and will not reveal the identity of the father. The Maori tribe is happy about it and will all help to raise the children. This is very different from Anna's own ideas and culture.
The film is based on a novel, Spinster, which I haven't read. Virginity is treated here as if it's an incurable disease. Also, for a movie supposedly set in New Zealand, I didn't see much (including people) that indicated the location. No accents. I guess Hollywood thought it was interchangeable with England.
Anna does come to grips with what and who she wants finally. But it's a strange film and it's hard to warm up to the characters. It's also extremely talky. Talky is fine - I don't need action every second - but the dialogue needs to be scintillating. This wasn't.
MacLaine comes off like a scatterbrain; Harvey acts like a demented nut; and Hawkins is very serious. I would have perhaps cast someone else in Hawkins' role. It needed someone a tad younger and more charm or personality.
Disappointing though not awful, just kind of blah.
Lo sapevi?
- QuizShirley MacLaine chose to do this film instead of Colazione da Tiffany (1961), something she was known to have regretted later. She did state though that the film wouldn't have been the same without Audrey Hepburn.
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Dettagli
- Tempo di esecuzione
- 1h 36min(96 min)
- Proporzioni
- 2.35 : 1