É l'ora del twist

Rock and Roll in America was dead, and this movie proves it. Twist Around the Clock has none of the energy and sheer, raw brilliance of it's 1950s predecessors. Fortunately, the British invasion was on it's way. Crazy Daddy!

TWIST AROUND THE CLOCK, the first of two TWIST films produced by Sam Katzman and featuring the great Chubby Checker, is basically a remake of the old BIll Haley vehicle ROCK AROUND THE CLOCK, and like that film, the "star" here, Chubby Checker, is little more than a guest star in his own film. In the earlier film, Alan Dale is featured as the lead performer and his story is told, with Bill Haley merely being a "friend" who helps the lead character and who performs a handful of songs. Here, Clay Cole is featured, and Chubby Checker does three or four songs, has a few lines of dialogue, and performs in a group number at the film's finale. Checker is a fine performer, and he handles the dialogue well--the NEXT Twist movie he was in, DON'T KNOCK THE TWIST, was MUCH better in that Checker was given a lot more importance in the story, and had much more dialogue with star Lang Jeffries. As for TWIST AROUND THE CLOCK, it also has Dion do three songs, and the vocal group the Marcels do a nice Christmas twist song. However, the dramatic sections of the film are weak, especially so since they are a carbon copy of the same plot in the earlier Bill Haley movie. If you take the Dion and Chubby songs, and the Marcels' number, out of the film, there is really not much else worthwhile. Fans of DON'T KNOCK THE TWIST will recognize the same cheesy sets and tiny "stage" used as the TV studio in that film. Serious rock and roll fans should see this film ONCE so they can say they have seen ALL the pre-Beatles rock and roll films, but only the lip-synched Chubby Checker and Dion songs are worth keeping. This was aired a few years back on AMC, where I taped my copy and originally saw the film.

This movie is living proof that the same stupid gags used in the teen flicks of the 80s and 90s have now been around for decades and that Hollywood thought as little of teens 40 years ago as they do today. If you like the song "The Twist", as do I (my reason for watching), buy the record. Poor acting, laughably sad lip-synching and a feeble excuse of a plot, among other things, lead me to question why a TV programmer would bother airing it.

TCM showed a marathon of rock n' roll movies on January 31, 2007 and I taped the entire 12-hour run. I really enjoyed "Rock Around the Clock" (1956). It was energetic and fun, with plenty of good music.

Then I started watching the next feature, "Twist Around the Clock" (1961).

I expected the two films to be similar -- but I was flabbergasted when I realized that "Twist" was filmed using exactly the same script as "Rock"! The plot elements were copied perfectly, scene-for-scene. In fact, the dialog was even the same – word-for-word – throughout both movies!

Watching these two films back-to-back is like a trip to the Twilight Zone -- a perfect example of parallel universes.

Teen potboilers should not be viewed with hope that great cinematography or compelling plots loom within. Instead, catch Twist and its counterparts through the decades just for the music, slang, and fashion. Ignore loose lip-syncs...even big-budget musicals have missed the alignment at times. Forgive this film for failing to meet music video standards, and just appreciate the stage performances by hit acts of the era. Understand that the Twist was a hugely popular dance that spawned several hit songs just about the dance, a movement across the country that loosened up the straight-laced post-McCarthy public, increased popularity of African-American performers who had more often up to that time been known better by the cover records of their songs by white stars. There was even paperback book about the impact the Twist had on "discoteques" around the planet. Maybe this little film would have been better had the producers simply stripped out the plot and made a documentary of the performers, but there were other films of this kind, and continue to be. Think about it...is showcasing the performers that different from Twist to Justin Loves Kelly, Get Rich or Die Trying', Our Dancing Daughters, 8 Mile, Spice Girls, Help, or Orchestra Wives? But do people go to a film if there's no plot, even a thin one? Some are better than others, but they're all showcases of a music in its time and place. If you don't like the music circa 1961, then pass it by. Otherwise, don't hold it to the same standards as your favorite blockbuster or art house Golden Palm winner.