I trecento di Fort Canby

A young lieutenant in the United States Calvary named Curtis McQuade is assigned to an out of the way Army post on the Southwestern frontier The post is understaffed and commanded by a career captain named Maddocks whose standing orders are to keep the peace with the limited resources that he has at his disposal. McQuade is also the son of an important army general in Washington and there is a suspicion among his fellow officers that he has gotten both his rank and his posting due to his fathers connections. In addition,McQuade discovers that a former lover of his is living on the post and is engaged to the lieutenant who second in command. It turns out that McQuade's father had commanded the post when McQuade was a boy and the Top Sargent of the troupe is a veteran named Karl Rodermill who had served under McQuade's father and remembers McQuade as a boy. Even before McQuades arrive , a war party of hostile braves has been causing havoc in the district. But are they Comanche or Apache? Captain Maddocks has to try to stamp out the threat of the hostile warriors while teaching McQuade how to be a soldier and a man.McQuade learns that Captain Maddocks has a secret in his past which involves McQuades father

This is a taut,fast moving story that benefits from a tight script and sound direction. George Hamilton portrays McQuade and at this point in his career, he was still trying to develop as an actor. The movie belongs to Richard Boone, however. He is is ideally cast as Captain Stephen Maddocks and brings a gruff, world weary dignity to the role and he is the main reason to watch the film. Arthur O'Connell is very good as the crusty Sgt. Rodermill who see's his principle duty as trying to keep his men as safe as possible and has little patience with McQuades constant griping. Charles Bronson has a key role and Richard Chamberlain, Slim Pickens, and James Douglas are also in the cast. Luana Patten is unfortunately forgettable in the female lead and her portrayal lacks conviction.Singer Duane Eddy has a role but the less said about him the better.

The script attempts to convey the boredom and lack of social stimulation at the desolate army post which leads to gossip, drinking, and personality conflict that can be deadly if they affect an officers judgment in the field.There are a few too many coincidences in the plot which weaken the story.

A Thunder of Drums is a tight, well drawn out western action thriller that will hold your interest. Richard Boone's superb performance alone makes it worth a watch.

I have a soft spot for b-movies and random westerns. This one is a run-of-the-mill cavalry vs. Indians job that suffers from uneven pacing, a miscast lead role, and over-reliance on formula plot elements. But there are a few interesting points that make it worth watching.

One of its chief virtues is the excellent job it does of capturing the day to day flavor of life in a remote cavalry outpost in 1870s southwest. The military manners, habits, and routines are portrayed with convincing detail. The class stratification between enlisted men and officers is utterly real. An early scene with dead soldiers being transported on horseback is played to grim, nauseating effect, with enlisted men displaying hardened indifference and black humor about the situation. All of this gives the film some weight and veracity.

On the other hand, it suffers from generic Hollywood artificiality, relying unthinkingly on shoot 'em up conventions of faceless Indians, and sporting a formulaic romantic triangle subplot. Another major problem is George Hamilton's performance. The character he plays is not particularly sympathetic or likable, and he does nothing to bring depth to it. He's unappealingly flat and cocky. A better actor in this key role would've gone a long way toward breathing some life into the film, especially in its flabby, tedious midsection.

But the real reason to watch this film is Richard Boone. I've liked him in just about everything I've seen him in, but here he is completely riveting. He plays the tough, smart, experienced commander of the undermanned outpost. He's a lonely man, who feels keenly the burden of his job. Late in the film there's a scene where he discovers a scene of carnage, with a number of his men dead, and his controlled rage is very moving. He brings the only real gravitas and feeling to the movie, effectively communicating the weight of life & death decisions and consequences. He's absolutely terrific.

This puppy's been savaged on Rotten Tomatoes (25%) and has not fared especially well with my IMDB colleagues (5.9 rating) but I wish to somewhat rise to its semi defense here. The conflicts between officers and enlisted men and the even greater struggles between officers and officers on an isolated, lonely cavalry outpost (were there any other kind in westerns?) are well delineated by scenarist James Warner Bellah. This is not surprising since Bellah wrote the stories upon which John Ford based the two best of his cavalry trilogy. Alas, when Bellah is called upon to depict a love story or a credible female character his dialogue becomes stiff and awkward. And actors like Luana Patten and George Hamilton are not exactly the ideal candidates to unstiffen or de awkwardize them. Nor is director Joseph Newman able, like Ford did with Maureen O'Hara and John Wayne, to infuse their scenes with the realism he gives the action or male conflict scenes. B minus.

PS...Best performances are given by Charles Bronson as a libidinous corporal (you forget how good this guy was before he became a star) and Arthur O'Connell as a hard bitten, veteran sergeant.

This movie is interesting, as the two central characters played by Richard Boone and George Hamilton are,in the story by James Warner Bellah, Capt. Nathan Brittles and Lt. Clint Cohill, who appear in the John Ford classic 'She Wore a Yellow Ribbon'. John Wayne's gruff but fatherly character contrasts with Boone's gruff but miserable martinet. We also know (or may infer) from 'Ribbon' that it is Cohill's father,General Cohill, who has blocked Brittles's promotion. Hence the 'attitude'. Boone's character could have been played more sympathetically, but he does come across as an experienced old hand who outwits his Apache foe and in the process teaches valuable lessons to his protege.

Not long after a cavalry lieutenant named "Curtis McQuade" (George Hamilton) arrives at his new post in the desert, he learns that a band of renegade Indians has just begun terrorizing the local inhabitants. However, because no one knows for sure if these Indians are Comanche or Apache, no solution to the problem can be attempted. But that's not the only issue at this fort as Lt. McQuade also encounters his former girlfriend, "Tracey Hamilton" (Luana Patten), who happens to be engaged to a fellow officer named "Lt. Thomas Gresham" (James Douglas). To make things more complicated, the commanding officer, "Captain Stephen Maddocks" (Richard Boone), doesn't particularly care for Lt. McQuade and makes that clear right away. Instead of revealing the entire story and risking spoilers for those who haven't seen the film, I'll just say that this was a pretty good western that portrays life at a frontier post in a somewhat unfavorable light. Although a couple of actors could have had more screen time, I liked the addition of Charles Bronson (as "Trooper Hanna"), Richard Chamberlain ("Lt. Porter"), and Arthur O'Connell ("1Sgt Karl Rodermill"), in addition to George Hamilton and Richard Boone. In any case, I enjoyed this movie and rate it slightly above average.