Il terrore dei Tongs

To enjoy this movie you must ignore that most of the 'Chinese' are played by obviously English actors. That was how it was done back then. Hammer worked with limited budgets but almost always came up with suspenseful and colourful movies.

Christopher Lee plays his role with his usual aplomb, whilst the rest of the cast made up of many familiar faces keeps the movie rolling along.

I first saw this movie over thirty years ago and it took me quite a while to track down a copy on VHS but to this day I still enjoy it immensely. Don't regard it as a piece of art. It's an adventure film in the same vein as Big Trouble in Little China, done very well for the small money and time they had to make it.

Surprisingly, I quite liked this atypical Hammer offering, which is basically a companion piece to THE STRANGLERS OF BOMBAY (1960) – with the setting changed to 1910s China, and the vicious “thuggees” replaced with the equally murderous Red Dragon Tongs. As a matter of fact, one might say that the script for STRANGLERS served as a virtual template for this one – to which Hammer then assigned Jimmy Sangster, their in-house scribe, in order to apply the necessary alterations (though, in the long run, the former still emerges as the better picture of the two)! With this in mind, THE TERROR OF THE TONGS likewise thrives on violent acts (with the exploitation factor increased a notch in this case thanks to the compulsively sleazy atmosphere of taverns and opium dens) – and the hero, too, is eventually subdued to excruciating torture but saved at the last minute.

Interestingly, Christopher Lee’s role as the Tong leader anticipates his later Fu Manchu characterization – which he played in five low-budget outings (of gradually decreasing merits) throughout the second half of the decade. While the gaunt actor is always worth watching, here he seems to be acting through his voice alone – as his character is usually depicted sitting down and ordering his underlings about (even when finally cornered, he keeps a thoroughly calm demeanor)! Geoffrey Toone is an agreeable hero, being unusually brawny: he goes after the Tongs after they callously murder his teenage daughter; later, he saves slave girl Yvonne Monlaur from their clutches – the French actress (who was also in THE BRIDES OF Dracula and CIRCUS OF HORRORS {both 1960}) is a delightful presence in the film, even if her role seldom rises above that of the ‘servile Oriental’ stereotype! Supporting characters include a crippled beggar (played by Marne Maitland, who was also in STRANGLERS) who’s secretly organizing opposition to the Tongs – and has no qualms about exploiting Toone’s personal tragedy to this end!; returning from the earlier film, too, is Roger Delgado – who virtually replicates his part of the chief villain’s closest henchman!

Ultimately, THE TERROR OF THE TONGS looks very good in color and is generally pacy at just 76 minutes; by the way, director Bushell had himself been an actor – numbering genre roles such as the bland hero of THE GHOUL (1933) and the ill-fated snobbish Colonel in the QUATERMASS AND THE PIT (1958) TV serial among his resume'.

I fondly remember this film as it was the first X certificate film I ever saw.I was 14 at the time and I saw it in a double bill with Forgo at the ABC Golders Green.This is a Hammer film but not a horror film.It is set in a very studio bound Hong Kong.Nearly all of the main oriental characters are played by European actors.Christopher Lee plays the black hearted tong leader.He has a secret ally in the Hong Kong establishment.There is some violence,a torture scene which seems as if the torturer is an expert in acupuncture.There is also a great deal of Axe throwing.It is difficult at this distance in time to understand why the film was awarded an X certificate.The writer,the ubiquitous Jimmy Sangster,seems to included many plot elements from Charlie Chan and Fu Manchu films.

Sir Christopher Lee warms up for his later Fu Manchu characterizations by playing an Asian villain here. He's Chung King, the leader of the deadly criminal organization The Red Dragon Tongs in early 20th century Hong Kong. The Tongs reign supreme, and seemingly can't be touched, not by the underwhelming local police force, anyway. However, they make their biggest mistake when, in the attempt to obtain an all-important scrap of paper, they murder Helena Sale (Barbara Brown), the daughter of sea captain Jackson Sale (Geoffrey Toone). He embarks on a one-man campaign for revenge, taking on The Tongs almost by himself.

A good cast and a snappy pace make this fun. It's far from prime Hammer, but it is entertaining to watch. It's easy to feel uncomfortable in this day and age seeing so many obviously Caucasian actors and actresses playing Asians; unfortunately, it was a sign of the times. It is amusing to see the determined Toone take on all comers, assisted on occasion by a "beggar" (Marne Maitland) whose people are plotting an overthrow of The Tongs. Romance is also part of the mix as the young lady Lee (lovely Yvonne Monlaur, whose French accent remains intact), who's mixed up with The Tongs, falls for our stubborn hero.

As usual, James Bernards' soundtrack is enjoyable, and the sets are evocatively designed. Director Anthony Bushell, himself a former actor, does a decent job; the action builds towards a brief but diverting mass confrontation between citizens and criminals. Lee is authoritative, with his deep, rich voice being perfect for an unflappable antagonist. Also very good are Maitland, Brian Worth as the district commissioner Harcourt, Roger Delgado as the primary henchman, Charles Lloyd Pack as the sinister assassin Dr. Fu Chao, and the briefly seen Burt Kwouk as the brave businessman Mr. Ming.

Clocking in at 77 minutes, "The Terror of the Tongs" provides a modest diversion for Hammer fans.

Seven out of 10.

Geoffrey Toone, as the hero in Hammer's THE TERROR OF THE TONGS, is an extremely passive one, and displays extremely sparse emotion, even after his daughter's killed by the titular menace played by an "Asianized" Christopher Lee, who also does surprisingly little except for - like many all-controlling-heavies - sitting in a large chair giving orders...

It's Marne Maitland's undercover Beggar... providing Toone's British captain in Hong Kong expository information of what to do and when... working the hardest. That's if you don't count the also British-turned-Asian Yvonne Monlaur, who headlined Hammer's previous years' BRIDES OF DRACULA and becomes Toone's faithful, lovely yet equally tough/resilient Geisha girl; and future NIGHT CREATURES bald giant Milton Reid as a precursor to the James Bond GOLDFINGER henchman Oddjob...

In fact, there's a Bond vibe a year before Bond movies existed, but with Toone's sophisticated aura it's more Moore than Connery and, despite the flaws, TERROR is a worthwhile action-packed experience, lacking the thriller-style of the non-horror Hammer entries, replacing suspense with a myriad of fist fights...

With little downtime, our intrepid dandy wanders throughout Hong Kong, avoiding various murder attempts from Lee's Tong henchmen while showcasing the terrific looking sets that bring the Asian port-town to splendid reality, the same way Hammer made Victorian-era Europe it's own colorful, timeless playground.