[go: up one dir, main page]

    Calendario usciteI 250 migliori filmFilm più popolariCerca film per genereI migliori IncassiOrari e bigliettiNotizie filmIndia Film Spotlight
    Cosa c’è in TV e streamingLe 250 migliori serie TVSerie TV più popolariCerca serie TV per genereNotizie TV
    Cosa guardareUltimi trailerOriginali IMDbPreferiti IMDbIn evidenza su IMDbFamily Entertainment GuidePodcast IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsPremiazioniFestivalTutti gli eventi
    Nati oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona collaboratoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista dei Preferiti
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
  • Domande frequenti
IMDbPro

Splendore nell'erba

Titolo originale: Splendor in the Grass
  • 1961
  • VM16
  • 2h 4min
VALUTAZIONE IMDb
7,7/10
23.501
LA TUA VALUTAZIONE
Natalie Wood and Warren Beatty in Splendore nell'erba (1961)
A fragile Kansas girl's love for a handsome young man from the town's most powerful family drives her to heartbreak and madness.
Riproduci trailer3: 59
1 video
99+ foto
Teen RomanceDramaRomance

L'amore dei giovani innamorati Deanie e Bud è sopraffatto dalle aspettative oppressive dei loro genitori e della società in una piccola città del Kansas nel 1928, che minacciano il futuro de... Leggi tuttoL'amore dei giovani innamorati Deanie e Bud è sopraffatto dalle aspettative oppressive dei loro genitori e della società in una piccola città del Kansas nel 1928, che minacciano il futuro della loro relazione.L'amore dei giovani innamorati Deanie e Bud è sopraffatto dalle aspettative oppressive dei loro genitori e della società in una piccola città del Kansas nel 1928, che minacciano il futuro della loro relazione.

  • Regia
    • Elia Kazan
  • Sceneggiatura
    • William Inge
  • Star
    • Natalie Wood
    • Warren Beatty
    • Pat Hingle
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    23.501
    LA TUA VALUTAZIONE
    • Regia
      • Elia Kazan
    • Sceneggiatura
      • William Inge
    • Star
      • Natalie Wood
      • Warren Beatty
      • Pat Hingle
    • 167Recensioni degli utenti
    • 72Recensioni della critica
    • 74Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 3 vittorie e 7 candidature totali

    Video1

    Official Trailer
    Trailer 3:59
    Official Trailer

    Foto121

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 114
    Visualizza poster

    Interpreti principali41

    Modifica
    Natalie Wood
    Natalie Wood
    • Wilma Dean Loomis
    Warren Beatty
    Warren Beatty
    • Bud Stamper
    Pat Hingle
    Pat Hingle
    • Ace Stamper
    Audrey Christie
    Audrey Christie
    • Mrs. Loomis
    Barbara Loden
    Barbara Loden
    • Ginny Stamper
    Zohra Lampert
    Zohra Lampert
    • Angelina
    Fred Stewart
    Fred Stewart
    • Del Loomis
    Joanna Roos
    Joanna Roos
    • Mrs. Stamper
    John McGovern
    John McGovern
    • Doc Smiley
    Jan Norris
    Jan Norris
    • Juanita Howard
    Martine Bartlett
    Martine Bartlett
    • Miss Metcalf
    Gary Lockwood
    Gary Lockwood
    • Allen 'Toots' Tuttle
    Sandy Dennis
    Sandy Dennis
    • Kay
    Crystal Field
    Crystal Field
    • Hazel
    Marla Adams
    Marla Adams
    • June
    Lynn Loring
    Lynn Loring
    • Carolyn
    Phyllis Diller
    Phyllis Diller
    • Texas Guinan
    Sean Garrison
    Sean Garrison
    • Glenn
    • Regia
      • Elia Kazan
    • Sceneggiatura
      • William Inge
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti167

    7,723.5K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    9secragt

    Get The Kleenex Ready

    So poignant, it hurts. And I'm a heterosexual male who enjoys football and grunge. Though some of the attitudes toward sex have been tempered in the intervening years, the turmoils and pressures of being a teen ring just as true today 42 years after this film's release. Kazan is a master at capturing those wrenching angsty adolescent and post-adolescent moments of emotional vulnerability and doubt, especially concerning the love/hate between children and their parents, and this is among his best work. A reminder that wistful remembrances of the seeming innocence and happiness of youth are probably wishful thinking, and also an ironic prodding that there is seemingly something idealistic lost or compromised when we enter adulthood. Kudos to the entire cast but in particular, Natalie Wood is scintillating, perfectly encapsulating the joys and horrors of someone caught up in the dizzying power and raging hormones of teen love. Beatty is solid, too, if a bit overly earnest.

    All of the twists and turns of the plot work, though ultimately Bud's family's economic setbacks and deaths and Didi's family's successes are mere soap operatic window dressing to the "A" plot line, which is the heart tugging reality of "nothing bringing back the hour of the Splendor In The Grass" for Bud and Didi, though both obviously still share the feeling. This is the kind of movie that doesn't get made in America now because of the non-commercial (but accurate) ending. Okay, they broached it in the less psychologically challenging CASTAWAY, but slapped on a happy ending afterwards.

    SPLENDOR is not perfect; Bud's father (Pat Hingle) is a little overwrought and stereotypically drawn as the socioeconomic snob with castratingly ambitious designs on Bud's future. Bud's sister (Barbara Loden) is similarly too pat as the troubled, neglected child who does all she can to get daddy's disapproval. Still, any of the soapy aspects of the plot just fall away when the Beatty / Wood romance plot line gets cooking. They got the meat of this movie just right and the result is one of the most memorable and vivid examples of young romance ever set down on celluloid. Don't miss it!
    10David-240

    Splendor all around!

    This is a beautiful and powerful film - flawlessly acted, directed and written. It is easily the best of the sexual awakening movies that were so popular in the late fifties, early sixties. And why wouldn't it be - with Kazan at the helm and an original screenplay by William Inge.

    The film begins with a similar theme to "Rebel Without a Cause" - that is why won't parents treat their children like human beings and really help them come to terms with becoming adults? But halfway through Inge does a clever turn-around and allows the kids to discover that their parents are human beings too, with all the weaknesses and frailties that go with being human. At the same time Inge portrays the coming of age of America as the joy of the roaring twenties moves into the gloom of the Depression.

    The story is about how prejudice and blind morality destroys a great love - sex shouldn't be such a huge issue between two people who love each other, but the enormous pressures from outside to either do it or refrain from doing it cause confusion, pain and hurt. Who will ever forget Natalie Wood leaping naked from a bath screaming at her mother that she is not "spoiled"? Wood gives the performance of her life here, convincingly portraying adolescent love, a nervous breakdown, and the blossoming into woman-hood. Beatty too is splendid as the confused Bud. And both are so achingly beautiful!

    The supporting cast is superb down to the smallest role. Barbara Loden is particularly memorable as Beatty's wild flapper sister, but Pat Hingle as his father, and Audrey Christie and Fred Stewart as Wood's parents are also unforgettable.

    This is a resonant film that I believe will be more and more appreciated with the passing of time.
    8itsvalli

    Natalie wood at her best!

    this is not a moving story. this is not awfully romantic or sentimental. but what this is, its a wonderful expression of indecision and mental stigma that you go through adolescence - not just in 60s even now I would imagine.

    one of the most recognizable starts in the film history. its worth watching just for this opening sequence.

    Beatty's first film. great find. scenes with his dad are wonderfully done.

    Natalie wood - perfect. superb actress.

    awesome end! Don't miss it.
    8bobsgrock

    Transcends time and culture; a great love story.

    Elia Kazan's wonderful and tearful story about two young lovers fighting their own urges and everyone around them is certainly a film that is hard to watch at times. The simple reason for that is the writing is so spot-on and the direction flawless it becomes more than a movie in the traditional sense but more of a inner look into the intertwining of a relationship on the ends of its life. This can only be accomplished with two wonderful actors capable of carrying the material farther than it could be on paper alone. Natalie Wood was one of the finest young actresses of her generation and this showcases her talent better than perhaps any other film she did. She conveys such incredibly strong feelings of remorse, desperation and sadness as the fragile Deanie, it takes the audience into the world of this character and we can feel nothing but sympathy for her. The same is true with Bud, played here by a very young Warren Beatty.

    Perhaps the one true problem I saw with this film is that the story doesn't go far enough. I understand they were already under fire from the censors for their portrayal of young people trying to repress sexual urges, but I'm sure Kazan could have come up with a way to show not just how Bud and Deanie felt about each other but to better examine the relationship with their respective parents. There are several scenes I thought and hoped would go even further in-depth to the problems being faced here, but instead it pulls back and we are left to wonder. If there is one thing that saves the movie it is the final sequence, showing what happens to the two lovers and what this means for them now. This is absolutely touching and beautiful and a great ending to an other wise uncomfortable story.

    Still, to think of the film in retrospect is to take it seriously and understand that this is not just a story about two people in love at a time when everybody was telling them to not be. It is in fact, a symbol of the restraints that pull on any of us that have ever been involved seriously with somebody. It speaks to us not just as lovers but also as human beings desiring companionship and the great pains we will go through to make that happen.
    10fercastro

    a masterpiece about youth's pain and what you learn from it

    There are movies, and then there are sensorial experiences like SPLENDOR IN THE GRASS. The sound of the water in the first scene, the color of Natalie Wood skin, the absolutely black of Warren Beaty's hair, the smell of champagne in the "crazy party"... SPLENDOR IN THE GRASS is not only a movie, it's an experience that anyone that was once young can understand and feel. The characters go through love, sexual arousing, separation, and pain... not because of a villain, but because of life, and ultimately, because of themselves. The splendor of the title is that rare moment in life where everything clicks, the moment that you will remember forever from your youth. See it. You won't forget.

    Altri elementi simili

    La valle dell'Eden
    7,8
    La valle dell'Eden
    Strano incontro
    7,2
    Strano incontro
    Questa ragazza è di tutti
    7,0
    Questa ragazza è di tutti
    Fango sulle stelle
    7,5
    Fango sulle stelle
    Il ribelle dell'Anatolia (America America)
    7,7
    Il ribelle dell'Anatolia (America America)
    Un posto al sole
    7,7
    Un posto al sole
    Gioventù bruciata
    7,6
    Gioventù bruciata
    Il gigante
    7,6
    Il gigante
    Baby Doll - La bambola viva
    7,3
    Baby Doll - La bambola viva
    Un volto nella folla
    8,2
    Un volto nella folla
    La gatta sul tetto che scotta
    7,9
    La gatta sul tetto che scotta
    Lo strano mondo di Daisy Clover
    6,1
    Lo strano mondo di Daisy Clover

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Right before shooting was set to begin, Pat Hingle suffered devastating injuries when he accidentally fell 54 feet down an elevator shaft in his apartment building. It would take Hingle over a year to fully recover from the accident. In the meantime, however, he decided to go ahead and do the film - he would simply incorporate his limp into the character. "I broke everything," Hingle said later. "I landed upright, so I broke hips and knees and ankles and ribs, and that sort of thing. That lurching walk that Ace Stamper has - that was as good as I could walk."
    • Blooper
      During the bathtub scene, there is chunk of dry ice providing the "steam".
    • Citazioni

      Miss Metcalf: Now, what do you think the poet means by this line ? Deanie Loomis.

      Wilma Dean: I'm sorry, Miss Metcalf. I... I didn't hear the question.

      Miss Metcalf: Well, I know it's Spring, Deanie, but I must ask you to pay more attention. I quoted some lines from Wordsworth's Ode on Intimations of Immortality, Deanie. Did you hear them ?

      Wilma Dean: I'm afraid not Miss Metcalf.

      Miss Metcalf: Well, then I must ask to turn your text to page 380...

      Wilma Dean: Yes.

      Miss Metcalf: You read the lines to me. Stand, please.

      Wilma Dean: "Though nothing can bring back the hour/Of splendor in the grass, glory in the flower/We will grieve not. Rather find/Strengh in what remains behind..."

      Miss Metcalf: Now, perhaps you can tell me exactly what the poet means by such expressions as "Splendor in the grass" and "Glory in the Flower".

      Wilma Dean: Well, I think it have some...

      Miss Metcalf: Yes ?

      Wilma Dean: Well, when we're young, we looks at thing very idealistically I guess. And I think Woodsworth means that... that when we're grow-up... then, we have to... forget the ideals of youth... and find strength... Miss Metcalf, may I please be...?

    • Curiosità sui crediti
      There is no end title; the picture simply fades to black.
    • Connessioni
      Edited into Histoire(s) du cinéma: Une histoire seule (1989)
    • Colonne sonore
      Auld Lang Syne
      (1788) (uncredited)

      Traditional Scottish music

      Lyrics by Robert Burns

      Sung on New Year's Eve

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Domande frequenti22

    • How long is Splendor in the Grass?Powered by Alexa
    • What is "Splendor in the Grass" about?
    • Is "Splendor in the Grass" based on a book?
    • From where does the film's title come?

    Dettagli

    Modifica
    • Data di uscita
      • 28 novembre 1961 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Esplendor en la hierba
    • Luoghi delle riprese
      • High Falls, New York, Stati Uniti
    • Aziende produttrici
      • Newtown Productions
      • NBI Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 8.720.000 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 4 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    Natalie Wood and Warren Beatty in Splendore nell'erba (1961)
    Divario superiore
    What is the streaming release date of Splendore nell'erba (1961) in Spain?
    Rispondi
    • Visualizza altre lacune di informazioni
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.