Momento selvaggio

Believe it or not, my mother took me to the drive in to see this movie with her in the early 60's. At the time the drive-in was the place to go to cool off during family arguments or in times of extreme boredom. I was only about 10 at the time, but now 40 years later I still remember this film, and researched IMDB to find it again. I have not seen a recent copy, and understand that it is not available for purchase, but I think it would be a fine addition to classic black and white film history, so I hope it is re-released on video or DVD. Even as a young girl I was haunted by Carole Baker's character, not understanding exactly what had happened to her, but realizing that the love she developed with Ralph Meeker was somehow sad, but sweet and deeply emotional at the same time. I remember how desolate the character of Ralph Meeker was, and his apartment reflected this barren soul. They were two people who hurt desperately, and could only relieve their pain by coming together and sharing their emotionally tortured souls. I recommend you watch this movie if you get a chance.

An offbeat, oddly moving film in which Carroll Baker plays a young victim of rape. Although the crime goes unnamed in this 1961 movie, the pain and anguish suffered by Baker's character, Mary Ann, are candidly as well as sensitively handled. And while the film can only hint at Mary Ann's thoughts (unlike the book on which it was based), Baker gives a touching performance as the victim who tries to deny the crime by erasing all physical traces of it, and then seeking to lose herself in the jungle of New York City, only to find herself trapped in the apartment of a supposed Good Samaritan played by Ralph Meeker. The film's second half is weakened by the sketchiness of the characters' motivations, but the actors help to fill in the gaps. Legendary American composer Aaron Copland has added a grand (perhaps too grand) musical score; Eugen Schüfftan's crisp black & white cinematography and the extensive use of New York City locations add to this drama. Directed by Jack Garfein (Baker's then-husband), who co-wrote the script with Alex Karmel, author of the 1958 novel "Mary Ann."

Written and directed by Jack Garfein, "Something Wild" is a gray-toned contemplation of the relationship between need and love. I think it is fair to say that some viewers will be disturbed by the story, which is about a young woman, Mary Ann (Carroll Baker, wife of the director), victimized and despairing, who meets a young man, Mike (Ralph Meeker), whose agenda is unclear.

The pathway from despair to hope, or false hope, is examined by this film in a dramatic and unconventional way. Contributing to the tone of the film are the B&W photography and the score by Aaron Copland.

The acting is terrific. Baker's and Meeker's characters may live in your imagination after the end credits. New York City plays its role as the vast backdrop to this dark tale.

One final note: Though they are only connected by the riveting performances of Ms. Baker, if you like this film, you may like "Baby Doll"--another distinctive and artistically risky film.

I had never seen 'Something Wild' and I tuned in late on TCM last night. Perhaps I shouldn't review this at all, but I was taken by the 85% of it I saw. Already I feel stupid. This is a very compelling movie with some of the best actors around N.Y. at the time. Two wounded people. One of whose wounds are very apparent and the other more mysterious. It's a love story, but one I've never quite seen before. Two people very vulnerable and troubled who come together in odd circumstance, but find a sort of destined relationship based on gentleness, safety and mutual need. What starts out as claustrophobic becomes a safe place, a room of one's own. Carroll Baker made some of my favorite films of that time, and her then husband Jack Garfein, who co- wrote and directed, brings a tragic personal biography to his work. Ralph Meeker, a very fine actor who never got the roles and acclaim he should have is superb in this as a character I've never seen before in any film. Yes, a lot of time is spent in one shabby room, but that is what its about, isn't it? Mildred Dunnock? Well there was never anyone like her. Aaron Copeland contributed a magnificent score and the cinematography is seamless with the story. Enigmatic ending, perhaps, but that's life. I found it perfectly true to the characters.

Student traumatized by a rape is saved from suicide by a lonely mechanic, who feels she may be his last chance for happiness. Beguiling art film missed cult status by that much. Director Jack Garfien, who also co-wrote the screenplay with Alex Karmel from Karmel's novel "Mary Ann", and his wife, actress Carroll Baker, put everything on the line for this production, but it didn't connect with audiences at the time. It looks good today, however, and has an unusual, unnerving, voyeuristic quality. Baker and Ralph Meeker have intriguing chemistry, though the premise--that the mechanic keeps the girl like a wounded pet in his little hovel--is often creepy instead of romantic (although I'm not sure of the actual intention here). Incredible jazz score by Aaron Copland; striking black-and-white cinematography from Eugen Shuftan. A mixed bag, mostly effective. **1/2 from ****