Sniper's Ridge

Saying that Sniper's Ridge is just a poor man's version of Pork Chop Hill is not to denigrate this film, but merely to point out it's a B film. Sniper's Ridge is the kind of B film that used to fill out the bottom part of a double feature back in the day when they had double features. The sixties was the last decade that happened in.

The two most prominent names in this film are Jack Ging and Stanley Clements a pair of soldiers who are sweating out the final hours before the cease fire is to take effect in Korea. Both give good believable performances as do the rest of the cast. No mock Hollywood heroics here, these are men just trying to stay alive and get home.

If this is ever shown again on television try to catch it.

As the Korean War is down to its last days before the armistice, a captain orders his men on a meaningless and dangerous night time mission. Since the men and the captain all know that the war is going to be over, the mission assignment causes a lot of friction which is displayed in several dramatic confrontations between the members of the platoon and the captain. Shot outdoors in what looks very much like a Southern California canyon, with quite a bit of shouting, and a no-name cast with and a low-budget production, AND an at times questionable script, this film could easily be turned off by a viewer with short patience. This person will, however, miss the final half hour or so, a very solid ending which features a tense situation with a land mine. In the panoply of tough and relentless Korean War movies, this one ranks up there with the other tough and low budget but better known ones.

"Sniper's Ridge" was at the peak of something that was happening to war movies in the 1950s.

Although some of the tactics are ridiculous, the equipment and sets look realistic enough in this small-scale film. However it's the idea behind it that counts.

The opening sequence has a platoon of American soldiers totally monstered by North Korean troops. Everyone hides, including the sergeant. The only effective soldier in the outfit saves them by pretty much performing his duty. The company commander, whose cowardice is exposed by a new arrival, petulantly orders his reluctant soldiers to attack hours before the ceasefire.

Hardly a recruitment film.

These days we are used to cynical portrayals of the military often still as a backlash against the Vietnam War. However, 1961s "Sniper's Ridge" already showed the changing attitudes towards service and even patriotism.

Movies exaggerate and distort for the sake of drama or even an agenda, but whether or not they reflect the truth, they do create a perception.

Maybe Korea coming so close to the end of WW2 caused this shift. Earlier movies celebrated the allied victory and bravery of the military during the war. However Korea caught everyone napping. America dug deep, reservists called up and draftees filling out the ranks, but the "police action" was different to the effort in WW2. Movies of the 50s reflected this. Although some movies were still about WW2, many took on a cynical edge.

The cowardly captain in "Sniper's Ridge" had cinematic company. Look at Captain Cooney in "Attack" and Captain "Waco" Grimes in "Between Heaven and Hell", both in 1956. Then there was "The Bridges at Toko-Ri"; Navy fliers in Korea asking, "Why am I here"?

The guys in the Hollywood military weren't just following orders anymore they were questioning everything. And it was happening in the movies of other countries as well.

"Pork Chop Hill", made in 1959, but based on fact, showed American soldiers well led by competent officers. Still the overall disillusionment with the Korean conflict comes through, and some of the soldiers definitely represented the social issues of the 50s.

The baby boomers that went to Vietnam were brought up on those movies, which helped shape attitudes. Anyone viewing "Sniper's Ridge" in that context would have guessed that Vietnam would be even more problematic.

I liked Jack Ging on TV, and it was a thrill to see him doing such a fine job starring in this excellent but forgotten war movie. Set during the Korean War just two days before a scheduled ceasefire to end the conflict, it's an uncompromising story of disillusionment and near-fatalism, unlike the false heroics of the genre.

Ging does heroic things but doesn't approve of same -he's just anxious to go home and be done with the war. But a seemingly evil, but just self-centered captain John Goddard has it out for him, and won't let Ging get the much-deserved trip home, giving him tough assignments instead right up to the end. The movie's tense climax sort of evens things out, but the movie doesn't let up, even then.

An all-male cast emphasizes the movie's unrelenting approach, no time out for romance or comic relief. The ensemble supporting cast, headed up by ex-Bowery Boy Stanley Clements, is quite good and always in character.

It was one of many low-budget co-features released by 20th Century-Fox back in the day but given an unusual black & white CinemaScopr format, but unfortunately it is now preserved in a TV ratio rather than widescreen by YouTube.

This is not an Aldrich nor Bill Wellman feature, but a not a crap either. A small scale topic, with few budget but, to compensate, with good characterization, with much psychological tension, far better than classic battle scenes with plenty of explosions and body count. The mine field scene is impressive as usual in this kind of sequence in any war film. Yes this is a pretty interesting little war film though not a masterpiece. There were many of them in the early sixties, indie movies for most of them, not from big studios, fast shot and released in double feature theaters. I think they are all more or less available now.