Lo sceriffo in gonnella

This certainly is a very unusual film--and its being so different is a big plus. The film begins in the East and the widow Lu Rogers (Debbie Reynolds) and her children are living with her mother-in-law. However, Lu wants to go out and earn her own money and find a place of her own for her family, so she takes up on an offer by an old family friend to move to Arizona (about 1912) and work for him. However, when Lu arrives she learns that the man is dead...and she is without any prospects. But a woman (Thelma Ritter) feels sorry for her and agrees to take this city girl on as a hired hand.

Along the way, two men (Andy Griffith and the rakish Steve Forrest) vie for her hand. She also has a bit of a small feud with the local sheriff...that ends up erupting into an all-out war! Can this nice little lady manage to survive all this?!

The film is, more than anything else, fun...along with being unusual. It's hard not to like the film and Reynolds is at her spunky best. Well worth seeing and as much different from a typical western as you can find! Cute and clever.

Say what you like about Debbie Reynolds, she gave each of her roles everything she had. Here she throws herself into the part of a widowed mother of two who who moves to Arizona and becomes an unlikely Sheriff.

Also unlikely is Steve Forrest as a leading man for a major, wide-screen motion picture in color in 1961. Forrest actually does a creditable job, but Reynolds buries him. He never stood a chance.

Also among those present is Andy Griffith, peddling the same laid back southerner soft soap he tried on in Mayberry and Ritz cracker commercials. Reynolds is caught between tricky saloon owner Forrest and goody-goody Griffith.

It has a few innovation, such as a brawl, not in a saloon but an ice-cream parlor.

From her first big break in "Singin' in the Rain" until her ultimate decline, Reynolds was wonderful. But this story was too slight (as were her co-stars) to merit the big-screen treatment. It would have served Reynolds better as a huge musical opposite a singing star. Or a Robert Preston type.

Still, it's not a total disaster. It's just not "special" enough (nor funny enough, nor anything enough) to justify the treatment it got. It's basically for people who can't get enough of Reynolds in the upper end of her cute-as-a-button phase.

Film buffs love to say Debbie Reynolds is 'underrated' as an actress--but most of her fluffy output from the 1960s look suspiciously like Doris Day cast-offs. Finally, in "The Second Time Around", she gets a sparkling comedy, a disarming concoction with Reynolds in good form as a widowed mother of two who relocates to Arizona in search of work and ends up the new mayor of a tumbleweed town. Sharp script, colorful supporting work from Andy Griffith, Thelma Ritter, Juliet Prowse and the reliable Steve Forrest, and a fine sense of atmosphere and nuance makes this one of Debbie's best comic vehicles. *** from ****

Although not a note of the song is sung, The Second Time Around gets its title from the song Bing Crosby introduced in High Time the year before this film came out. However Frank Sinatra scored the big hit on that song and the melody is heard throughout the film.

It's a cute film, but sadly not cute enough for me. Debbie Reynolds a recent widow comes out to Charleyville, Arizona to get a job in a mercantile when she finds the owner being shipped out in a pine box. He was a friend to her late husband and now she's stranded in Charleyville in 1911 on the eve of Arizona becoming a state.

Thelma Ritter gives her a job on her small ranch and pretty soon gambler Steve Forrest and neighboring rancher Andy Griffith are panting after Debbie. But Debbie who is disgusted by the lack of law and order in the town gets the sheriff recalled and gets his job.

A great blow for women's rights, but so help me I couldn't wrap my mind around the concept that Debbie who was such a tenderfoot when she came out west is now handling a six gun like a gunfighter. It was really a bit much.

Debbie and Thelma Ritter worked well together and they would do so again in the much better How The West Was Won. Juliet Prowse has a nice part as Steve Forrest's saloon dancer girlfriend who is remarkably tolerant of her new rival.

I don't think The Second Time Around is first rate for Debbie Reynolds and the rest of the cast.

"The Second Time Around" is a very good film that the whole family should enjoy. And, because if was a movie made in 1961 that was set back in the last days of the settling of the West, it isn't dated. This is another example of a title that has almost nothing to do with the plot, and even the billing is off. Rather than an action, adventure, comedy, this film is clearly a comedy Western and family film. The latter includes a serious aspect to it. There's plenty of action in some of the comedy, but there's no resemblance of this film with pioneering, high seas, discovery, or swashbuckling films that make up the genre of adventure.

The first two-thirds have some of the funniest antics of a female star in film. Reynolds was known for this in her earliest films as Tammy and a couple other roles. She was the young girl coming of age as a young woman, and with it, she stumbled, fumbled, tripped and fell in any number of hilarious scenarios. This is the stuff that Lucille Ball took to television with her sitcom shows.

The cast are all fine in this film, but the standout performances clearly are by Reynolds as Lucretia Rogers, and Thelma Ritter as Aggie Gates. As with some other roles and with other stars (i.e, Alma with Doris Day in "Pillow Talk") Ritter is the key to some of the humor. An example throughout is the number of antics that Reynold's Lucretia has that are funny in themselves, but when the camera closes in on Aggie's face that is expressionless or shows disbelief in Lu's antics, the laughter moves to a howl. The audience is transposed from being observers of the funny scenes, to seeing them through Aggie's eyes. What great comedy that provides and what very good writing and clever scripting and acting this film has to carry that across.

Andy Griffith, Steve Forrest, Juliet Prowse and Ken Scott have good roles that add to the fun and excitement. The film is based on a 1911 novel by Richard Avery Roberts. The setting moves from New York City in 1911 to Charleyville, Arizona in 1912 - which is in the process of becoming the 48th state of the U.S.

One of the funniest scenes is Lu wresting with a sack of grain that Aggie has told her to load onto the wagon. The movie is loaded with funny dialog as well. Most people, even in modern audiences, should enjoy this film. Here are some favorite lines.

Mrs. Rogers, "You're going off to a place that's uncivilized. A territory... Arizona isn't even a state yet."

Tobey Rogers, in his underwear as Lu gives him a hug, "Mother, don't grab me when I'm naked."

Dan Jones, "You wouldn't wanna hit a woman now, would you sheriff?" Sheriff Burns, "In self-defense, why not?"

Aggie Gates, "Well, I don't reckon you'll be getting' drunk Saturday nights, 'n settin' fire to the barn. I'll try ya for a month."

Lucretia Rogers, "I've been on the train four days, and it was a little dusty coming in from town. Could I have a bath?" Aggie Gates, "On Thursday?"

Aggie, "Um, did you ever think of looking for a husband?? Lucretia, "A husband?" Aggie, "You know, one of them tall critters, supposed to take care of us women."

Pat Collins "Well Aggie, all I can say is, you sure do have fine taste in ranch hands." Aggie, "Thank you, Pat."

Aggie, "Between statehood and motherhood you don't have much chance for yourself, do ya?"

Pat Collins, "I was an only child." Lucretia, "Oh?" Pat, "I always had a dog, though." Lucretia, "A dog?" Pat, "Yeah. Got a fine dog. Real killer. If you or any other strangers come within a hundred yards of my place and I wasn't there, he'd tear ya to pieces... I think a lot of him."

Lucretia, "Do you have a petition to recall the sheriff?" Petition worker, "The sheriff? Lucretia, "Mm, hmm." Petition worker, "Why no, mam. We have a recall for the tax assessor and others, but not for the sheriff." Lucretia, "Will you draw one up, please?"

Dan Jones, "I think I oughta warn you, Mrs. Rogers. The, uh, sheriff may not like this." Lucretia, "Splendid."

Lucretia, "I've heard a little more about your reputation, and I'm quite sure owing me an umbrella isn't going to hurt it one bit. " Dan Jones, "Mrs. Rogers, I'm trying to improve."

Lucretia, "Could I go prospecting with you?" Dan Jones, "Well, since you went to the trouble to dress for the occasion, how could I say no."

Mrs. Vera Collins, "Well, I don't see what you're getting' so heated up about." Pat Collins, " Ma, there's some things I just don't tell you."

Vera Collins, "I know you, Aggie. You come here to get my Pat riled up over that gal. You've been wantin' to throw her at him ever since she got here." Aggie Gates, "I'm surprised at you, Vera. Pat has his poor ailing ma to take care of. Besides, he's too young to get married. I'll bet that boy ain't a day over 35."

Lucretia, "You're so good to me." Aggie, "That ain't it. I just don't want a fallen woman on my hands."

Vera Collins, "You better make your speech before you get your hand busted again." Pat Collins, "Ma, that was uncalled for."

Lucretia, "I know what I'm doing, and I'd appreciate it if you wouldn't march in my parade."

Pat Collins, "You know somethin,' Aggie. I got a feelin' it ain't gonna be safe to spit on the sidewalk." Aggie, "You're right."

Dan Collins, "You've got enough courage to be sheriff, but not enough courage to be a woman."