My favorite scene is where the old man tells Coll (Chandler) to go threaten somebody else because the old man doesn't even look at "girls in summer dresses" any longer. Good line-- so, take that, tough guy! Too bad the rest of the movie looks like it was filmed in somebody's garage. It's a "Thalia" production and not surprisingly plays like a quickie meant to cash in on TV's top-rated Untouchables. This was the early 1960's, and the public was fascinated with 20's style careening cars and Tommy gun splatters. So why not a "Mad Dog" Coll, to go along with Capone, Nitti, and the rest of the gangland icons. Thalia may have been a cheap outfit, but they knew where the bucks were.
Chandler sure tries—he's seen all the old Warner Bros. classics. Then too, with his over- sized teeth and heavy-lidded eyes, no one would confuse him with Cary Grant. More importantly, he hits all the right poses and sprays the chopper with appropriate bloodlust delight. The trouble is he's also got zero charisma. So, unlike a Cagney or Bogart, his Mad Dog comes across as little more than a dislikable tough guy that nobody cries for in the end. No wonder Chandler's future lay in character acting. But what's up with Broadway actor Jerry Orbach (Joe) who performs like he wandered onto the wrong set. He looks confused throughout. Maybe he's waiting for clues from director Balaban. If so, he never gets them, resulting in several near-painful scenes. Anyway, the movie amounts to a C-grade version of the gangland craze, but with one key distinction. It may be the only film on record where just about all the supporting cast is now better known than the lead.
