L'idolo delle donne

While I do not like this movie much, Helen Traubel's performance deserves all the stars. While she is a legend as one of the best sopranos, if not the best, she deserves much more acclaim regarding her performances as an actor too. What a shame that Rudolf Bing had not renewed her contract at the Met.

Anyway, here Jerry is at something close to his (solo) best as a jilted man who finds himself inadvertently at the beck and call of a house full of movie actress wannabes, and misadventures abound. The house itself was a huge sound stage set with the fourth wall cut away so that the camera could zoom in and around, capturing Lewis' trademark ballets of catastrophe to excellent effect. He really was a marvel at comedic staging and there is some great stuff here. Unfortunately, you also have to take the rest of the Lewis formula too - the sappy romantic sentimentality, the awkward chemistry with his female co-stars and the contrived love sub-plots with girls who ought to have had the good sense to run screaming for the opposite coast as soon as the first catastrophe ended. Honestly are we really supposed to buy the belief that love conquers even Jerry's level of incompetence? Anyway, this movie should be enjoyed for its merits, which are considerable for any fan of comedy cinema, while discreetly closing one eye to its contrivances.

Jerry Lewis made one of his best solo films in 1960. "The Bellboy" had VERY little plot and consisted of a bazillion little gags all strung together with Jerry working as a bellboy at a fancy hotel. The gags came so rapidly that even the ones that fell flat didn't slow the film down and you can't help but like the movie. A year later, Lewis created a film with some similarities to "The Bellboy" but it just didn't work as well for two main reasons. First, there is a tiny bit more plot--but this was a minor problem. Second, and by far the biggest problem, is Lewis' performance. He is LOUD--L, O, U, D!!!!!! Throughout the film is literally screams about every minute and there is very little subtlety to the film. A few of the characters (such as Miss Wellenmelon) were also incredibly loud--as if screaming or singing in a LOUD voice was funny in and of itself. Now it's not a total loss, as, like the other film, there are so many gags that occasionally they worked--such as the performance by Jerry's mother (you gotta see that one) or 'Baby'. But, again and again, all the momentum is derailed by just going too far--too loud, too unsubtle and just too much. It's a shame, as some things about the film are great and sure could have worked a lot better. For example, the set is about the coolest one I have seen--very similar to a giant doll house. It must have cost a fortune to build this cutout house--and in some of the long shots, it really impresses. Had the film only shown more restraint, it EASILY could have been scored a 7 or higher. A shame, but a wasted opportunity.

On the one hand this is a greatly entertaining, goofy, comedy but on the other its also a bit of a failure.

What the movie fails at is being a consistent one and maintaining a story throughout. It seems that about half way through the film-makers decided to throw the story overboard and to me the second half of the movie did not really felt in tone with its first half. But this might also very well be simply due to the fact that there wasn't much story to work with in the first place. It's an extremely simplistic story, that serves as an excuse to allow Jerry Lewis act crazy and incredibly immature.

And this is what makes the movie still some good lighthearted fun to watch. The comedy is real goofy and slapstick like and it shall most likely please the Jerry Lewis fans. The movie really has some good laughs in it, so as a comedy the movie still delivers, despite of its weaker second half.

Seriously, things don't even make sense anymore in its second half and a couple of different story lines and characters get thrown in, as if it all was a last minute decision. Things get really forced, such as for instance the 'love story' that really came out of nowhere and therefore just never worked out at all.

But no, I don't want to sound too negative about this movie, since it was one that I still enjoyed watching. The movie is a fun one to watch and a true pleasure to look at, due to its nice sets and Jerry Lewis, who was simply perfectly silly and provided the movie with much more fun and entertainment than its script could ever had.

Decent enough, simple entertainment.

6/10

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There's not much plot to The Ladies Man. Jerry Lewis plays new college graduate Herbert Heebert who finds his beloved on the day of his graduation in the arms of another. Depressed and somewhat disgusted he starts looking for work vowing never to marry and live a bachelor life.

Bob Hope did a film called Bachelor In Paradise around this time. But what he had was nothing compared to the situation that Lewis winds up with. He answers an advertisement for a handyman and finds it's in a private house that has been converted to a residential hotel for women. Beautiful young woman. Hugh Hefner's Playboy Mansion has nothing on this place. But the only way to keep him from leaving is to make sure that Jerry feels needed.

After that the whole film becomes a series of skits, some better than others, the best being what he does to tough guy Buddy Lester's hat. Running a close second is his bungling during a live broadcast from the house for a television feature. Helen Traubel plays the owner of the house, a former opera star who has turned her place into this residence because she wanted a family, apparently a family of just daughters.

Jerry directed himself and possibly The Ladies Man might have been a real classic if a comedy director had controlled Jerry just a little bit. Still give Jerry Lewis a big A for effort and B+ for results.