L'idolo delle donne

Herbert H. Heebert (Jerry Lewis) is broken hearted when he finds his childhood sweetheart with another man. Swearing off women for good he accepts a job at a boarding house run by Helen Wellenmellen (Helen Traubel), unaware that it's a women only house-and it's full of them! Could it be that they can be good for Herbert and he be good for them?

Jerry Lewis stars, co-writes and directs a virtually plot less film that's almost entirely set in one magnificent mansion set. As was the case with many of Lewis' film's, it relies on his character creation to bring in the laughs. Which is the case here, the problem being that his surrounding cast are not of the required standard to fully form the comedy. With the exception of the dependable Kathleen Freeman, nobody else comes forward to raise some laughs or enhance on Jerry's goofing. Thus Lewis has to once again carry the can, which works to a degree, but entering the last third the joke that is Herbert Heebert starts to wear thin and only his hardiest fans will be able to stay with him. There's many musings on the film across various internet sources that delve deep into the piece as some sort of masterpiece of sexual identity, machismo empowerment and etc. I don't see it myself, but maybe that's just because I want a Jerry Lewis movie to make me howl with laughter above all else! And for sure The Ladies Man does do that on occasions; because it ultimately is a comic vehicle for Lewis, as a soloist, that works splendidly. His direction is excellent with the camera work around the house fluid and very involving, while the Technicolor production really sparkles and enhances the rich visuals available around the star of the show--the set! A good but not great film, but Lewis as ever, to us his fans, entertains royally. 6/10

While I do not like this movie much, Helen Traubel's performance deserves all the stars. While she is a legend as one of the best sopranos, if not the best, she deserves much more acclaim regarding her performances as an actor too. What a shame that Rudolf Bing had not renewed her contract at the Met.

On the one hand this is a greatly entertaining, goofy, comedy but on the other its also a bit of a failure.

What the movie fails at is being a consistent one and maintaining a story throughout. It seems that about half way through the film-makers decided to throw the story overboard and to me the second half of the movie did not really felt in tone with its first half. But this might also very well be simply due to the fact that there wasn't much story to work with in the first place. It's an extremely simplistic story, that serves as an excuse to allow Jerry Lewis act crazy and incredibly immature.

And this is what makes the movie still some good lighthearted fun to watch. The comedy is real goofy and slapstick like and it shall most likely please the Jerry Lewis fans. The movie really has some good laughs in it, so as a comedy the movie still delivers, despite of its weaker second half.

Seriously, things don't even make sense anymore in its second half and a couple of different story lines and characters get thrown in, as if it all was a last minute decision. Things get really forced, such as for instance the 'love story' that really came out of nowhere and therefore just never worked out at all.

But no, I don't want to sound too negative about this movie, since it was one that I still enjoyed watching. The movie is a fun one to watch and a true pleasure to look at, due to its nice sets and Jerry Lewis, who was simply perfectly silly and provided the movie with much more fun and entertainment than its script could ever had.

Decent enough, simple entertainment.

6/10

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Sure, it's spotty with its gags (what Lewis film isn't?) but it looks fantastic and the gags that work are hilarious...good sight gags with Buddy Lester, some funny surreal stuff (the lipstick on the painting, the butterfly collection and that great white room sequence with Harry James's Band and Miss Cartilage)..Lewis's reactions to "Baby" are a scream...even the opening titles bit with LOOK magazine is funny... ..downsides...well, the ad libbing with Kathleen Freeman doesn't always work and the serious story with Pat Stanley could be excised (for the better), but who cares?...this and Nutty Professor are definitely his best

There's not much plot to The Ladies Man. Jerry Lewis plays new college graduate Herbert Heebert who finds his beloved on the day of his graduation in the arms of another. Depressed and somewhat disgusted he starts looking for work vowing never to marry and live a bachelor life.

Bob Hope did a film called Bachelor In Paradise around this time. But what he had was nothing compared to the situation that Lewis winds up with. He answers an advertisement for a handyman and finds it's in a private house that has been converted to a residential hotel for women. Beautiful young woman. Hugh Hefner's Playboy Mansion has nothing on this place. But the only way to keep him from leaving is to make sure that Jerry feels needed.

After that the whole film becomes a series of skits, some better than others, the best being what he does to tough guy Buddy Lester's hat. Running a close second is his bungling during a live broadcast from the house for a television feature. Helen Traubel plays the owner of the house, a former opera star who has turned her place into this residence because she wanted a family, apparently a family of just daughters.

Jerry directed himself and possibly The Ladies Man might have been a real classic if a comedy director had controlled Jerry just a little bit. Still give Jerry Lewis a big A for effort and B+ for results.