Jules e Jim

Those with heavy sensibilities along the lines of conventional "morality" seem to have a hard time allowing themselves to enjoy this film for what it is: A beautiful visual poem about the passing of time and the progression and growth of an unusual friendship. This friendship may be unusual but feels completely natural and true. Jules and Jim if anything, exhibit great maturity in their relationship with each other and Catherine. It's refreshing to see a film dealing with a deep love, friendship and emotional bond between two males and a mutual love for a woman, without the usual competitiveness and controlling possessiveness that is the norm. Jules and Jim come off more as an enlightened pair. It seems understood among them there is no real belonging of one human being to another. Catherine's whims of the heart are discussed between them at every stage throughout the film and they are willing to accept them and love her for who she is as well as each other.

I do feel that this film lost it's pacing toward the end and seemed to speed up to conclusion. That being it's only flaw. Visually it is stunning. Francois Truffaut was a poet with the camera and his subtle nuances are captivating. The scenes of Jules, Jim and Catherine enjoying days together seem so natural and evoke the feel of wonderful days spent together among best friends that transported me back to days gone by.

"we met with a kiss/ a hit, then a miss/ and we parted/ we went our own ways/ in life's whirlpool of days/ around and around we go/ together bound/ together bound."

Time and revisionist critics have tried to tarnish the gleam of Truffaut's final masterpiece - citing its apparent misogyny and apoliticism; but for some of us, 'Jules et Jim' is the unforgettable film that opened the gates to both European film, and the great masters of American cinema like Hitchcock, Hawks and Ray.

'Jules et Jim' is, along with 'Citizen Kane', THE vindication of the pleasures of cinematic form: the first half especially, in its rush of narrative registers and technical exuberance, is unparalleled in modern film. This isn't mere trickery - the use of paintings, books, plays, dreams, conversations, documentary footage, etc., as well as the different ways of telling a story through film, all point to the movie's theme - how do you represent people and the world in art without destroying them? Or is art the only to save people and life from extinction?

The foregrounding of theatricality, acting, disguises, pseudonyms, games, works-within-the-work, all point to the high modernism in which the film is set, when the old certainties about identity and place were being destroyed by the Great War. In fact the film could be considered Cubist in the way it uses film form to splice up and rearrange images, space, characters, viewpoints.

Truffaut's film is a beautiful elegy about time: the historical time heading towards destruction in the shape of the Nazis, and the circular time of love, obsession and art. These times struggle in the film's structure, history zipping past years in the framing, Parisian sections, and days stretching out interminably in the central rural rondelay.

Far from being misogynistic, the film places Catherine's speech about 'grains of sand' at its philosophical heart. AND she's played by Jeanne Moreau, the most honest and human of all great actresses.

Two lads from different backgrounds form a bond, a French boy with dark hair, an Austrian blond, quite Bohemian in their ways, taking pleasure all their days, and then Catherine makes it three, and waves her wand. Jim is smitten with this beauty and he falls, but then war breaks out, and homeland duty calls, so they marry, relocate, intense fighting means a break, she has a child, world reconciles, and bonds remake. Jules travels to the home of his two friends, where the triangle rotates, gyrates and bends, now he's coupled with Catherine, but Jim feels no chagrin, though it's clear this isn't where the story ends.

Jeanne Moreau is always outstanding!

Whenever a commentator declares outright that a film is a complete waste of time and that nobody, BUT NOBODY, should ever watch it, I tend to peg that commentator as an opinionated ass. So I would never say that about a well-respected film like "Jules and Jim." But quite honestly, I can't warm up to it. I've watched it on more than one occasion over the years, and it never fails to put me to sleep at both ends of my anatomy. I've just viewed a DVD edition in which a film scholar clearly explains his views on the fascination of "Jules and Jim." But I still couldn't see why the relationship of these three tedious characters, discussed and analyzed in all its very tedious minutiae by those same characters and an off-screen narrator (also tedious), should interest me. It's certainly beloved by academic types (maybe for those very same characteristics?), and film critics eat it up like it has gravy on it. Like another commentator, I'm a bit puzzled by all the comments about its lyrical, lighthearted and idyllic qualities. I'm left with the impression of a rather dry, academic dissertation on the complexities of male-female relationships ca. 1961 (the 1910 setting seems to me immaterial to the script).

I can't help feeling that I'm missing something, and I'm not averse to French films, but they're usually older, pre-new-wave films, for example "Forbidden Games," "French Can-Can," or Pagnol's "Fanny" trilogy. I take it that the sentimentality of such films is one of the things new wave directors reacted against. If so, I can't jump on their bandwagon, try as I might. I've enjoyed some of Truffaut's work, but not this, I'm afraid.

To those who love and appreciate "Jules and Jim" -- have pleasure of it. I envy you for that, and maybe I'll try it again in a few years.

This is the first movie by Truffault I've ever seen, and I have to say I'm now very intrigued in his other work...

"Jules et Jim" is the story of two friends who meet a very beautiful and strange woman who turns up to be a bit unstable...

It starts with how they all meet each other and end up together... I thought the beginning was pretty fast as many things happened and you just wonder if the whole movie will be like that. Also I thought I didn't care much for any character, but of course it was too quick to judge. There is also a narrator (throughout the movie) and at first you ask yourself if its really necessary...

Still, when I decided to go grab a snack, I realized I was so hooked by the story that I couldn't. The characters behaved like no other I've seen and you find yourself wanting two different things: for it to end and for it never to end.

The movie has it's many twists for those who like, even a laugh here and there, but if you see it as a whole is a very deep description of the relationship between the three main characters.

The end is somehow beautiful, maybe because is "fair", maybe because is "real", maybe because is "surreal", you'll just have to watch and find out...

Is one of those movies when after watching it you understand both sides: those who say it's overrated and those who claim it's a masterpiece... to me it was a one in a lifetime film experience