Aggiungi una trama nella tua linguaA cross-country airliner, whose passengers include a nuclear physicist, a rocket expert, and a mathematical genius, is drawn beyond radar range by an unknown, unbreakable force.A cross-country airliner, whose passengers include a nuclear physicist, a rocket expert, and a mathematical genius, is drawn beyond radar range by an unknown, unbreakable force.A cross-country airliner, whose passengers include a nuclear physicist, a rocket expert, and a mathematical genius, is drawn beyond radar range by an unknown, unbreakable force.
- Regia
- Sceneggiatura
- Star
Paul Bradley
- Passenger
- (non citato nei titoli originali)
Ralph Brooks
- Passenger
- (non citato nei titoli originali)
Stephen Ellsworth Crowley
- Crowley - ATC Official
- (non citato nei titoli originali)
Francis De Sales
- George Manson
- (non citato nei titoli originali)
Sam Harris
- Passenger
- (non citato nei titoli originali)
Eden Hartford
- Miss Ford
- (non citato nei titoli originali)
Recensioni in evidenza
Little-known film about a cross-country flight that is transported to another dimension where time stands still. There are some scientists on board the flight that are responsible for building a new kind of nuclear weapon. They are put on trial in this other dimension by people from the future. It's a talky movie about ideas and Cold War fears that gets a little heavy-handed at times. The "logic" of the prosecutor is riddled with holes. The first half-hour is pretty dull before it slowly starts to pick up. Still, it's nearly an hour into the film before the trial starts. All of the characters are as exciting as cardboard. There are no big actors associated with this, though I did recognize a few faces. It's an interesting idea for a movie or even an episode of the Twilight Zone. I could see Rod Serling doing a lot with it. It's a slog to get through the buildup but the last 20-30 minutes is worth watching.
Remarkably talented unknowns present a potentially hokey story that, in fact, holds up.
In 1961 the threat of devastating nuclear war hung and/or was held over the heads of every resident of Earth. This script asked the question, How guilty are the scientists who help create the weaponry that can destroy the human race, and destroy the future of yet unborn humans?
Author Fredric Brown asked a similar question in his short-short story, "The Weapon," in a very small setting with only three people.
"Flight" has a large cast that presents what might seem to be another doomed airplane story, but that turns out to be the shell containing the setting for asking our question.
There is a science-fictiony feel to this story, but there is probably no other way to deal with the subject: WHO is guilty when the "ultimate weapon" is created? Bureaucrats who demand such a weapon? Military and political people who will be responsible for its use? Or the scientists who do the actual intellectual work of bringing it into existence?
The question is the same as that dealt with in the Brown short-short, and is still one, after 60 years, that needs answering. And needs dealing with even by us who are not in those three categories, but who supply the tax dollars and the cannon fodder for what might well be very short, but totally destructive, wars.
One complaint I have about this excellent motion picture: The cast members are so overwhelmingly capable and even talented, each and every one should be a household name -- but isn't.
A copy of "Flight" is at YouTube and I urge you to watch it.
In 1961 the threat of devastating nuclear war hung and/or was held over the heads of every resident of Earth. This script asked the question, How guilty are the scientists who help create the weaponry that can destroy the human race, and destroy the future of yet unborn humans?
Author Fredric Brown asked a similar question in his short-short story, "The Weapon," in a very small setting with only three people.
"Flight" has a large cast that presents what might seem to be another doomed airplane story, but that turns out to be the shell containing the setting for asking our question.
There is a science-fictiony feel to this story, but there is probably no other way to deal with the subject: WHO is guilty when the "ultimate weapon" is created? Bureaucrats who demand such a weapon? Military and political people who will be responsible for its use? Or the scientists who do the actual intellectual work of bringing it into existence?
The question is the same as that dealt with in the Brown short-short, and is still one, after 60 years, that needs answering. And needs dealing with even by us who are not in those three categories, but who supply the tax dollars and the cannon fodder for what might well be very short, but totally destructive, wars.
One complaint I have about this excellent motion picture: The cast members are so overwhelmingly capable and even talented, each and every one should be a household name -- but isn't.
A copy of "Flight" is at YouTube and I urge you to watch it.
It's a theme we've seen many times before. Scientific advances can carry significant and disastrous consequences when used for bad purposes - such as weapons of war and mass destruction.
What responsibility do the inventors and purveyors of such technology owe to the future? And who will be making the decisions on how the technologies will be put to use?
The film manages to establish a good sense of mystery and other-worldly goings on. Considering that most of the film takes place inside an airplane, this is an accomplishment.
Craig Hill might be the biggest star in this feature, but I'd never heard of him. Surprising, considering his Robert Conrad-like good looks. But all the acting is good.
There's a lot of exposition going on here, establishing the characters, and the interesting coincidence of having three accomplished professionals in the fields of science, engineering and mathematics on the same flight, heading to a meeting in Pentagon Washington DC.
The message is a little heavily-handed in its other-worldly delivery, but I think this was characteristic of the time. It was made in 1961, when nuclear weapons were considered an imminent threat to humanity. (They still are, but we seem to have gotten more used to them.) But, I think the overall look and feel of the movie seems like it could have been made in the 1940s.
Overall, it's not too thrilling or insightful, but it IS interesting.
What responsibility do the inventors and purveyors of such technology owe to the future? And who will be making the decisions on how the technologies will be put to use?
The film manages to establish a good sense of mystery and other-worldly goings on. Considering that most of the film takes place inside an airplane, this is an accomplishment.
Craig Hill might be the biggest star in this feature, but I'd never heard of him. Surprising, considering his Robert Conrad-like good looks. But all the acting is good.
There's a lot of exposition going on here, establishing the characters, and the interesting coincidence of having three accomplished professionals in the fields of science, engineering and mathematics on the same flight, heading to a meeting in Pentagon Washington DC.
The message is a little heavily-handed in its other-worldly delivery, but I think this was characteristic of the time. It was made in 1961, when nuclear weapons were considered an imminent threat to humanity. (They still are, but we seem to have gotten more used to them.) But, I think the overall look and feel of the movie seems like it could have been made in the 1940s.
Overall, it's not too thrilling or insightful, but it IS interesting.
This film will definitely remind you of a slightly longer Twilight Zone episode. It could be described as an interesting B movie, which would accompany a major film back in the old days. Nothing spectacular about this film, with its barely hidden moral message, but it was a pleasant enough viewing for the short time it was on.
A bit slow and preachy, but an interesting tale well worth watching...Actually a more than decent script considering it was shot back in 1961...Second act drags but when they get into the third you sit up and take notice...Don't want to tell all the tale...You'll enjoy watching this yourself...So much junk was produced in this era, it is nice to see something of this quality was shot and produced by Hollywood...The only strange thing is the lost of several international flights lately and how some actually refer to this movie about that situation...All I know is that if I owned the rights to this flick I would mount a minor ad campaign to tie-in with those recent events and sell more copies of "The Flight That Disappeared"...Buckle up and enjoy the ride!
Lo sapevi?
- QuizThere are a few short stories by J G Ballard from the early 60s that seem to have taken their titles from lines of dialogue in this film, such as the short story collection The 4-Dimensional Nightmare.
- BlooperAbout 10 minutes in, the flight attendant brings 3 cups of coffee for the flight crew. When she hands the 3rd cup to the navigator, she tips it. If the cup had been full of liquid it would have spilled.
- Citazioni
Dr. Carl Morris: You're out of your mind.
Walter Cooper: No! Don't say that to me! I've never let anyone say that to me. Not even the doctors in the hospital.
- Curiosità sui creditiOpening credits list the three major actors as "Co-starring."
- Versioni alternativeAlso available in a computer colored version.
- ConnessioniEdited from Prigionieri del cielo (1954)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Flight That Disappeared?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Flight That Disappeared
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 11min(71 min)
- Colore
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti