Fanny

I saw this movie when I was but 11 yrs. old. I am now 56 yrs. old but I have never forgotten its simple beauty, and the powerful emotion portrayed by actors who were expert at their craft. It is a classic, definitely worth seeing.

The story transports you to a world less glamorous, but full of charm and it reflects the passion of young love, the desperation of a girl "in trouble," and it explores the depth of a woman's love for a man, even when he cannot return that love, and for her child. It teaches that a sperm donor does not a father make, but shows how mutual respect can foster great admiration and loyalty, leading to their own special kind of love.

This movie has everything that one can consider good entertainment: the characters are colorful if not intense, the background music is pleasing, the language is acceptable for all ages, there is humor and there are tears. It is one of my all-time favorite movies, in company with the likes of Love is a Many Splendored Thing.

I LOVE this movie and can't believe I haven't seen a decent comment about Horst Buchholz!

I grew up on the musical "Fanny". My mother has always claimed that she was pregnant with me or I was conceived the weekend that my parents went to NYC to see it and that's why I love musicals so much. I'm from a large family and whenever we were on long car rides, we always sang songs from "Fanny" (and always, "The Thought of You", "Love is a Very Light Thing", and "Other Hands, Other Hearts" as dramatically as we could.)

One big joke when I was young was that we had to go to a music store and order a new Fanny 'cause my mom's was cracked. When I found the CD for a sister for Christmas in the last few years, she screamed when she opened it, showed it to the room, and the rest of us screamed. When the in-laws, nieces and nephews asked what "Fanny" was, we broke into "The Thought of You".

When the movie came out on TV, the ten of us gathered in a dark room to watch it and were thrilled when we heard the overture. But half of the family left the room when they realized it wasn't a musical. I was one of the ones who stayed and have always loved this movie. Knowing which song is playing in the background just enhances it. But, I think this has the best filmed kiss EVER!! Horst Buchholz makes me ache and I think he demonstrates the same kind of frustration and passion that Jimmy Stewart did in "It's a Wonderful Life" when he was stuck in his town and dreamed for bigger things for himself. I just had two girlfriends here for the weekend and I introduced "Fanny" to them. We ended up watching it three times (and other parts over and over) and just ordered copies for them.

I've also ordered "Marius", "Fanny" and "Cesar" and am still waiting for "Fanny" to arrive, though I decided to watch "Marius" already. I know that there will be gaps that will be filled in but that can happen in an editing room today. Just listen to a director's commentary on a DVD today and you realize what ended up on the cutting room floor which now explains some thing that seemed odd in a film. The only thing I found odd about Fanny saying that Panisse was dying was 1) saying it in front of her son, and 2) not hugging and kissing her child that was missing.

But I always feel bad that Horst went to his grave not knowing how many women admired him in this film in my corner of the world. One time when watching it with a sister and a friend, after the part where Fanny explains to Marius that each night there's a woman who would love to lie down next to him, my friend said, "There are THREE women who would love to lie down next to you." :-) YUM-MY!

I saw this movie in 1961 and was so moved by it, that it is now one of my all time favorites. Leslie Caron stole my heart then and now. Charles Boyer was fantastic. The dialogue was especially intelligent. The music was superb.

This is one of the sweetest movies ever made, without being "sickeningly sweet." The characters are funny and interesting. All kinds of love are depicted here--parental love, romantic love, love between friends. The characters are very much products of the time and place they live in--Marseille, France, before World War 2. They are steeped in Catholic tradition, which contributes to their inner struggles at times.

The problems of Fanny and Marius might seem dated, and yet the conflict between pleasing parents and following one's heart remains relevant today for many young people. Father-son relationships are as complex today as they were then. Bullying parents may not be as plentiful, or as extreme, as they were in the time FANNY is set, but they still exist.

This is a beautiful film, the right mix of sentimentality and humor. I have only seen it on VHS in pan and scan. There is one place where Marius and Fanny are partially cropped to fit the TV screen, unfortunate but it does not spoil the film.

PUZZLE: I don't know why gorgeous Horst Buchholz didn't get more acclaim for this film from critics at the time or reviewers like me, on this site. He was a young German playing a young Frenchman. But no French or American actor could have played the part better. He expressed angst and love very realistically.

This is a great film for women and for men with a romantic streak, lovers of French stories and locales, and Caron or Boyer admirers. The wrap-up in the last quarter of the film is not perfect, but the film as a whole is a 10, and the lovely score will stay with you!

I was so glad to see so many reviewers say that this is their favorite movie of all time, because it is mine too -- but I always thought I was the only one who felt this way about it! A large part of my sentimental reaction to this movie comes from the fact that Charles Boyer looked so much like my father did at that age, and this was also the last video my dad and I watched together before he died. When Marius comes out of the café to go to sea, his father is standing on the waterfront watching the ship. There is a stunning fast zoom-in to the back of his father's head that stops my heart, not just because I feel Marius' shock at the realization that he will not see his father again for five years, but also because Boyer looks so much like my own father in that scene. Strangely, when my dad and I watched this together, he caught his breath at this same scene, and said that Boyer looked so much like HIS father!

When Marius says goodnight to his father (Boyer) the night before he plans to run away to sea, there is a beautiful scene in which Boyer is walking up the stairs, then turns and says to his son, "You know, I always tell you that you have ruined my life, but ..." at which point Boyer clutches his chest and becomes so choked up that he can barely continue, and croaks out the line, "it's not true!" It's the most touching, understated scene between a father and son I have ever seen in a movie. (Tragically, Boyer's own son committed suicide four years after this movie was made -- it makes me wonder whether the poignancy of his acting in this scene sprung from his real-life feelings about his own son.)

And who can forget the loving, gentle lecture he gives his son later, when he comes back from sea and wants to take his baby back from Panisse. Boyer tells him that "love is like cigarette smoke -- it doesn't weigh very much -- it takes a lot of love to make 23 pounds" and that Panisse gave the bulk of it to the baby.

And what about Cesar's (Boyer) math skills when he tries to show his son how to make a drink and tells him to use 1/3 each of four ingredients. When his son says, "but a glass only holds three thirds!" Boyer shouts, "It depends on the SIZE of the thirds!"

From start to finish, this film depicts the gentle pathos and kindness of people who all know and love each other (as Marius says, "people who maybe love me too much!"). There are no villains. Even when Panisse (Maurice Chevalier) storms out of the café in a huff, saying that his lifelong friend Cesar (Boyer) has insulted him and that he will never set foot in Cesar's café again -- when someone asks, "What about our card game tonight?" Panisse gives a typically Gallic shrug and replies, "But of course I will be back for that -- what has one thing to do with the other?"

A warm, funny, and amazingly insightful movie, and a rare opportunity to see two French greats -- Charles Boyer and Maurice Chevalier -- play off each other and steal scene after scene from the young people!