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IMDbPro

Ercole alla conquista di Atlantide

  • 1961
  • T
  • 1h 41min
VALUTAZIONE IMDb
4,4/10
1733
LA TUA VALUTAZIONE
Ettore Manni, Reg Park, and Fay Spain in Ercole alla conquista di Atlantide (1961)
AdventureComedyFantasyHistory

Aggiungi una trama nella tua linguaStrong yet sleepy Hercules discovers that the Queen of Atlantis is plotting to take over the world with superhuman warriors.Strong yet sleepy Hercules discovers that the Queen of Atlantis is plotting to take over the world with superhuman warriors.Strong yet sleepy Hercules discovers that the Queen of Atlantis is plotting to take over the world with superhuman warriors.

  • Regia
    • Vittorio Cottafavi
  • Sceneggiatura
    • Vittorio Cottafavi
    • Sandro Continenza
    • Duccio Tessari
  • Star
    • Reg Park
    • Fay Spain
    • Ettore Manni
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,4/10
    1733
    LA TUA VALUTAZIONE
    • Regia
      • Vittorio Cottafavi
    • Sceneggiatura
      • Vittorio Cottafavi
      • Sandro Continenza
      • Duccio Tessari
    • Star
      • Reg Park
      • Fay Spain
      • Ettore Manni
    • 46Recensioni degli utenti
    • 39Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto124

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    + 116
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    Interpreti principali29

    Modifica
    Reg Park
    Reg Park
    • Ercole
    Fay Spain
    Fay Spain
    • La regina Antinea
    Ettore Manni
    Ettore Manni
    • Androclo - il re di Tebe
    Luciano Marin
    Luciano Marin
    • Illo
    Laura Efrikian
    Laura Efrikian
    • Ismene - la figlia di Antinea
    • (as Laura Altan)
    Mario Valdemarin
    Mario Valdemarin
    • Gabor - il capo dei prigionieri
    Mimmo Palmara
    Mimmo Palmara
    • Astor - il gran visir
    Salvatore Furnari
    Salvatore Furnari
    • Timoteo - il nano
    Raf Baldassarre
    Raf Baldassarre
    • Il capo delle guardie
    Mino Doro
    Mino Doro
    • Oraclo
    Luciana Angiolillo
    Luciana Angiolillo
    • Deianira - La moglie di Ercole
    Ignazio Dolce
    Ignazio Dolce
    Miss Glamor
    Tullio Altamura
    Tullio Altamura
    Alessandro Sperlì
    Alessandro Sperlì
    • Un re
    • (as Alessandro Sperli)
    Mario Petri
    Mario Petri
    • Zenith - il prete di Urano
    Gian Maria Volontè
    Gian Maria Volontè
    • il re di Sparta
    Ivo Garrani
    Ivo Garrani
    • Il re di Megalia
    • Regia
      • Vittorio Cottafavi
    • Sceneggiatura
      • Vittorio Cottafavi
      • Sandro Continenza
      • Duccio Tessari
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti46

    4,41.7K
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    Recensioni in evidenza

    TheVid

    A nice peplum package that compares favorably with Bava's previous effort.

    Here's another Reg Park Hercules movie on a par with Mario Bava's superb earlier film HERCULES IN THE HAUNTED WORLD. Director Cottafavi lacks Bava's visual flair, but serves up enough kitsch atmosphere and set pieces to keep things fun. Park's lunky presence and lunkheaded demeanor make him the perfect foil for the elegantly stiff Fay Spain, as the obligatory beautiful-but-evil empress of Atlantis. Cheesy monsters, a dwarf, bouffant hairdos and some deliberately-dumb, dubbed dialogue all combine to make this top-notch kitsch for peplum afficionados. And, let us repeat, "all hail Uranus!".
    dbdumonteil

    Now we know....

    ...why Atlantis disappeared! Although Hercules often calls upon his Father ,Zeus -note that his son never invokes his granddad-,this is as far from Greek mythology as it can be.

    "The famous Four" best describes the plot: Hercules ,his son,Androcles (a Roman slave handed over to lions then granted an imperial pardon ,what is he doing here?) and a dwarf feel that Grece is in jeopardy.This is the beginning of an "epic" story which includes a rubber monster,a wicked queen (Antinea of course ,see one of the numerous versions of Pierre Benoit's " L'Atlantide" ),the ancestors of the clones (unless it predates Hitler's Aryan supermen),the perils of atomic radiations (?) The first scene is an interminable free-for-all in which Hercules,who is quietly enjoying his meal ,does not interfere ("help us dad!"screams his son) .Some not-so-bad scenes show a strange Androcles wandering in the queen's palace .

    It's rather silly,but it's entertaining if you do not ask too much.
    8dbborroughs

    Its SO much better in Italian

    I always hated this movie when ever I saw it on TV. It was badly dubbed and rightly made fun of by Mystery Science 3000. Then I mistakenly picked up the film in its full Italian version with subtitles and was shocked that the film is so much better in its full form. It wasn't until the infamous Uranus line that I realized what I was watching. Granted its not Oscar material, but as far as Hercules films goes the uncut version of this film is so much better, fifteen minutes really do make the difference.
    8Maciste_Brother

    Big, colorful and fun

    Before James Bond.

    Before Indiana Jones.

    There was the Hercules series.

    Or at least the series starring Reg Park. These Hercules films were big, colorful, full of action and fun. They are also shockingly maligned, just by looking at the IMDb rating for HERCULES AND THE CAPTIVE WOMEN, which is a joke.

    HERCULES AND THE CAPTIVE WOMEN wasn't your average low-budget Sword & Sandal flick. It was shot in Technirama (expensive 70mm) and the look of it, in the widescreen version, is remarkable to say the least: big colorful sets, big cast, big action. The details, in some scenes, is stunning.

    The whole production reminds me of old serials where our hero encounters one pitfall after another. HATCW is like the missing link that bridges the gap between old serials of the 1930s/1940s and RAIDERS OF THE LOST ARK. And like James Bond films (DR NO was made a year after this), this Hercules movie is replete with vast cavernous sets which dwarf the cast and are set on the side of spectacle.

    CAPTIVE WOMEN has many highlights. My favorite part is when Hercules saves Iseme, daughter of Queen Antinea, from the clutches of Proteus. Psychedelia circa 1961, or psychedelia before psychedelia was in! The surreal look is great and precedes all other films made in the 1960s, including BARBARELLA or even Fellini films, like SATYRICON. In fact, HERCULES AND THE CAPTIVE WOMEN looks like an action film if it had been directed by Fellini. It doesn't shy away from combining odd imagery along with comic book action.

    The cast is perfect. Steve Reeves was (and still is) the definitive Hercules but beefy Reg Park fits the bill here. Park is happy just to be an action hero as opposed to Reeves who wanted to be taken seriously as an actor. Fay Spain makes a memorable evil Queen. Laura Efrikian is beautiful as Iseme. Ettore Manni, a familiar face in Peplums and a pretty good actor, lends excellent support as Hercules' best friend, Androcles.

    The film itself is not perfect. The story is a tad thin and the stock footage at the end is obviously just footage of an erupting volcano, and it definitely lacks a distinctive score to give the film that extra special character but even so, these things didn't diminish the fun I had while watching it.

    HERCULES AND THE CAPTIVE WOMEN is the kind of movie I'll be watching again and again. It just rocks!
    6Boba_Fett1138

    Better than currently given credit for.

    This is definitely a better movie than a lot of other Italian Hercules productions out there. Not that the quality of this movie is being exceptionally high though. It still is a movie that brings some nice entertainment, no matter how ridicules the movie often gets.

    This was the first time that British Reg Park took on the Hercules role. Park was a multiple time Mr. Universe champion, just like Steve Reeves, who had played the character of Hercules in previous movie productions. His physique of course definitely helped him getting these sort of roles. His career also ended pretty soon after he started to age, like often happens to these types of 'actors'.

    Like all these sort of Italian swords and sandals productions, it's a very cheap and often laughable looking movie, even though the movie is also being grand to look at with its enormous and colorful sets. The movie does use some silly early effects, though you just can not accuse this movie of not being creative. It just doesn't always works in the movie its own advantage.

    I of course couldn't care less about the story of the movie and all that seemed to matter was that the movie. All that seems to matter for this movie is that it's being entertaining. The movie does really bring some silly fun, also long as you of course don't except a movie with class or of a very high quality.

    A better movie than most other Italian Hercules productions and also certainly way better than its current reputation and rating.

    6/10

    http://bobafett1138.blogspot.com/

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    Trama

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    Lo sapevi?

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    • Quiz
      In the 6/15/1961 issue of the British magazine "Health and Strength," about this movie and under the title "A New Hercules," Oscar Heidenstam wrote: "Furthermore Reg Reg Park was not going to have his reputation as the greatest physique of all time mucked about by clauses in his contract that he should not weigh more than a certain amount, etc. He stipulated that if he was to play Hercules, he wanted to look like one imagined the legendary Hercules to be. He got his way and everything possible was put at his disposal for him to keep in his usual peak form during the making of this very strenuous and stupendous film. [...] The producers kept weights on the set for him, so that he could keep in tremendous physical shape. In spite of a very exhausting film schedule Reg lost only 5lb. in body weight. His normal chest is 53in. and his waist a net 32in., his body weight around 230lb. [...] Because Reg is so big they were unable to find a "stand-in'' for him, so Reg has had to do all the stunts for himself. [...] In a shipwreck scene he was badly battered and bruised when tons of water washed him into the mast and ropes.
    • Blooper
      Near the end of the film, Hercules swims away from the island to a boat, but when he climbs aboard he is completely dry.
    • Citazioni

      Ismene: Today is dedicated to Uranus!

    • Versioni alternative
      For the Woolner Brothers U.S. release version, under the title "Hercules and the Captive Women", the original score has been replaced by a stock score selected by Gordon Zahler. Zahler used much of the same music he had selected for the U.S. release of Kurt Maetzig's _First Spaceship on Venus (1962)_ as well as portions of the score from Jack Arnold's _Creature From the Black Lagoon (1954)_ .
    • Connessioni
      Edited into La sfida dei giganti (1965)

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    Dettagli

    Modifica
    • Data di uscita
      • 19 agosto 1961 (Italia)
    • Paesi di origine
      • Italia
      • Francia
    • Lingua
      • Italiano
    • Celebre anche come
      • Hercules y la conquista de la Atlantida
    • Luoghi delle riprese
      • Cinecittà Studios, Cinecittà, Roma, Lazio, Italia(studios, as Cinecittá S.p.A.)
    • Aziende produttrici
      • Comptoir Français du Film Production (CFFP)
      • SpA Cinematografica
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 41 minuti
    • Proporzioni
      • 2.20 : 1

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