Ercole al centro della Terra

I find this one quite fun! Hercules is clever and remembers what he is told about Hades: "Don't believe everything you see here". And what our hero is doing in Pluto's underworld, Hades, is to find a magic stone from there in order to free his lady love from evil.

Surreal and eerie imagery in this particular film - it is set in Hades. This film there isn't much in the way listen to but a whole lot to see... sure there is dialogue but as long as you know why Hercules is in Hades you really don't have to listen - just veg out and watch the film - dig on the cool imagery. LOL. The story is OK enough though.

What is weird: Seeing Christopher Lee's face and hearing another actor dub his voice into English. I guess Lee had other things going on so he couldn't dub his own voice back into English(?) - guessing.

This film is just a fun fantasy adventure - one to kick back and enjoy! 8/10

This is a cute little Italian movie about Hercules, the strongest man on the earth. Actually Hercules is not so much a man but rather half a god. I won't go into Greek mythology to discuss the origins of Hercules though, but rather look at this film.

Hercules' beloved it dying and the only way to save her is to travel into Hades and get a rock. So he gets his friend Theseus, who is young, rash, and a lover of women, to come with him. Along with Theseus comes Telemachus, a man whose fiancé Theseus stole. They then travel into Hades, kill a rock man, avoid a half-naked woman, and cross a river of lava. As Des Mangan says: all in a day's work for the son of a God.

The movie has a bad guy – Leco, though it is difficult to understand what he actually wants to do. It seems that Leco wants to kill Hercules' beloved to make himself a God and to destroy Hercules, but Hercules manages to succeed in the end. But would you expect any other ending? Hercules in the Center of the Earth is nothing more than pulp fiction. There is little in the way of thought provoking ideas here. But still, this movie is not meant to be such a type. The thing I did notice is Hercules, the strong man, is actually the wise one. In myth Hercules is far from wise, but here he is. It is Theseus who is the foolish one, the one who thinks with his groin rather than his brain.

It is not a bad movie, though it is one that you watch just to watch. The effects are not the best, but what does one expect from a movie made in 1961. Des Mangan called it a cult movie: I personally don't know because I am that knowledgeable in such areas.

Sword-and-sandal afficionados will be happy to hear that this lush Mario Bava-helmed Hercules movie is getting a widescreen treatment on DVD. It's one of the more atmospheric Italian schlock epics, full of the imaginative and colorful set pieces distinctive to the renowned Italian filmmaker, Mario Bava. Reg Park was among the most impressive bodybuilders to ever play the mythical hero and he is given generous opportunity to strut his stuff. Hercules literally goes to Hell to defeat satanic villain Christopher Lee in this engaging muscleman movie, a definite kitsch classic of it's kind, now being made available in it's once-glorious Super Technirama format on videodisc.

Definitely one of the better Hercules films with British born bodybuilder Reg Park (the man who trained Arnold Schwarzenegger) a better Hercules than most. Another thing that puts this one above most of the rest is the presence of British villain Christopher Lee, who's about three inches taller than Reg Park.

In this one Hercules literally goes to Hell so that he can retrieve a magical rock thing that will save his girlfriend. From there he battles the usual assortment of monsters against a backdrop of atmospheric sets. This one's good for Halloween or any dark, misty night by the fireplace.

To save his beloved Deianira (Leonora Ruffo, the sexy starship captain in 'Star Pilot' (1966)), the mighty Hercules (a convincingly massive Reg Park) descends into a Hades to obtain a sacred stone. Directed by Mario Bava, the film has a colourful, surreal look that belies its low budget (similar to the director's sci-fi cult-fav 'Planet of the Vampires (1965)) and motors along at a brisk pace to a delirious finale involving flying daemons and a wicked vampire king (a dubbed and somewhat wasted Christopher Lee). As 60s Italian 'sword and sandal' epics go, this one is pretty good: Park makes a good bulky hero, Franco Giacobini doesn't overdo his goofy comic-relief shtick as Telemachus, and the vivid cinematography is striking, especially the colour-drenched Hell scenes. The special effects are surprisingly good at times (especially the 'distance' shots of characters crossing the sea of lava) although the wires holding up the 'flying' daemons at the end are painfully apparent. A fun, entertaining time-passer with memorable imagery.