Ercole al centro della Terra

In terms of story and plot, this HERCULES film is arguably every bit as good as(and quite often better than)many others. The main flaw being the common solution Hercules uses for every problem he faces.

Still this movie is great fun to watch in either language(as the dub isn't too bad--only its too bad Christopher Lee didn't do his own) and features lots of terrific haunting color visuals from a master-Mario Bava. Any Gothic Horror fan will find much to enjoy here.

This second film by Mario Bava is also known like ¨Hercules in the haunted world¨ or ¨Hercules vs. the vampires¨ . Here Hércules (a wooden Reg Park , the same of ¨The Conquest of Atlántida¨ by Vittorio Cottafavi) along with Teseo (Giorgo Ardisson) and Telémaco (Giacobini) travel to dead land located into center of earth . Hercules taking on king Lycos (Christopher Lee in similar acting his recent ¨Drácula¨ by Terence Fisher , though his voice was dubbed by another actor for the English-language version) has abducted his sweet-girl, Deianera (Leonora Ruffo) and she has lost her ordinary condition as well as senses . Hercules is accompanied by charming characters with mythological names as Teseo (from legend minotaur) , Telémaco (from Ulisses) , Perséfone (abducted by Hades) . As Hércules embarks on a risked quest for a stone , while he is unaware that Dianara's guardian , King Lycos , is the one responsible for her kidnapping . The trip is plenty of several dangers , a foggy sea , the garden of Hesperides plenty of apples , the encounter with Persefone or Proserpina , meeting with goddess Aretusa , the fighting against a monster of Stone , the bloody liana and trespassing a marshy lagoon with objective to achieve the magic rock . And the creepy final confrontation with Lycos and the eerie ghouls in some terrifying scenes .

The picture results to be a horror , sword and sandals epic with adventures , struggles , absurd humour , bizarre scenarios and being quite entertaining . The comic relief to be in charge of Telemaco's character was written by scriptwriter Duccio Tessari , who usually includes humorous touches , for example : ¨The Titans¨ and various Spaghetti Western . Besides , appearing famous Eurotrash babes as Rosalba Neri , Evelyn Stewart or Ida Galli , Leonora Ruffo and the habitual nasty , Raf Baldasarre . As usual , colorful cinematography by cameraman/filmmaker Mario Bava in gaudy colours and groundbreaking atmospheres . Appropriate music score by Armando Trovajoli . The motion picture was co-directed by Franco Prosperi , known director of shocking-documentary such as ¨Mondo Cane¨ and Conan rip-offs . The film belongs to sub-genre blending fantastic , horror and Peplum , like are : ¨Maciste in the inferno¨ (Riccardo Freda,1962) , ¨The conquest of Atlántida¨ (Vittorio Cottafavi , 1961) and ¨Maciste against the vampire¨ (Giacomo Gentilomo,1961) . The picture will appeal to Mario Bava fans.

Not being a big fan of other Hercules films from the '60s I had seen, I wasn't excited to watch this one. But I was very pleasantly surprised by how much I enjoyed it. The reasons for why it is good can be attributed to director Mario Bava, who takes a flimsy story and brings it to life with rich visuals and an otherworldly atmosphere. Reg Park has muscles on top of muscles, which is pretty much all that's required of him for the part of Hercules. As others have pointed out, Christopher Lee is dubbed and that is pretty much criminal. However, Lee still has enough screen presence to do more with a look than lesser mortals could with two hours of dialogue. It's quite easily the best Hercules movie I've ever seen. I do like the camp value of the Ferrigno movies from the '80s but I don't think they are good for anything other than laughs. This film is a stylish and fun piece of entertainment for people who enjoy escapist fantasy movies. If your rear is sans stick, you should be able to find something to like about this.

To save his beloved Deianira (Leonora Ruffo, the sexy starship captain in 'Star Pilot' (1966)), the mighty Hercules (a convincingly massive Reg Park) descends into a Hades to obtain a sacred stone. Directed by Mario Bava, the film has a colourful, surreal look that belies its low budget (similar to the director's sci-fi cult-fav 'Planet of the Vampires (1965)) and motors along at a brisk pace to a delirious finale involving flying daemons and a wicked vampire king (a dubbed and somewhat wasted Christopher Lee). As 60s Italian 'sword and sandal' epics go, this one is pretty good: Park makes a good bulky hero, Franco Giacobini doesn't overdo his goofy comic-relief shtick as Telemachus, and the vivid cinematography is striking, especially the colour-drenched Hell scenes. The special effects are surprisingly good at times (especially the 'distance' shots of characters crossing the sea of lava) although the wires holding up the 'flying' daemons at the end are painfully apparent. A fun, entertaining time-passer with memorable imagery.

Not really an action movie as you might be led to believe by the title and given the fact that these epics were invariably promoted with chunky poster art of Hercules holding a boulder aloft ready to drop it on some unfortunate adversary. In fact, he does manage to fill the mandatory quota of rock throwing in this particular sword and sandal outing but at other times it's a bit slow moving. Not that it really matters because it still has a lot going for it.

Apart from anything else, it's a gorgeous looking film. The sets, costumes, special effects and camera work are a joy to behold and director Mario Bava's distinctive style is very much to the fore. Bava specialized in the creation of surreal and subtly sinister atmospherics and there's plenty of that.

Reg Park had a vibrant and attractive screen presence and turned in a convincing performance as the muscle bound super hero. His fellow players were also well cast and provided (dare I say it ?) "strong" support. And there are enough suspenseful moments along the way to keep the sandman at bay.

You could never say that "Hercules in the Haunted World" moves along at a cracking pace. It's more like a pleasant, slow boat ride through a kaleidoscope of fairy tale images.