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Quelle due

Titolo originale: The Children's Hour
  • 1961
  • VM18
  • 1h 48min
VALUTAZIONE IMDb
7,8/10
19.783
LA TUA VALUTAZIONE
Audrey Hepburn, Shirley MacLaine, and James Garner in Quelle due (1961)
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Riproduci trailer1: 49
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66 foto
DrammaRomanticismoTragedia

Una studentessa ribelle in una scuola femminile accusa due insegnanti di lesbismo.Una studentessa ribelle in una scuola femminile accusa due insegnanti di lesbismo.Una studentessa ribelle in una scuola femminile accusa due insegnanti di lesbismo.

  • Regia
    • William Wyler
  • Sceneggiatura
    • Lillian Hellman
    • John Michael Hayes
  • Star
    • Audrey Hepburn
    • Shirley MacLaine
    • James Garner
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    19.783
    LA TUA VALUTAZIONE
    • Regia
      • William Wyler
    • Sceneggiatura
      • Lillian Hellman
      • John Michael Hayes
    • Star
      • Audrey Hepburn
      • Shirley MacLaine
      • James Garner
    • 172Recensioni degli utenti
    • 49Recensioni della critica
    • 49Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 5 Oscar
      • 1 vittoria e 12 candidature totali

    Video1

    Trailer
    Trailer 1:49
    Trailer

    Foto66

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    Interpreti principali25

    Modifica
    Audrey Hepburn
    Audrey Hepburn
    • Karen Wright
    Shirley MacLaine
    Shirley MacLaine
    • Martha Dobie
    James Garner
    James Garner
    • Dr. Joe Cardin
    Miriam Hopkins
    Miriam Hopkins
    • Mrs. Lily Mortar
    Fay Bainter
    Fay Bainter
    • Mrs. Amelia Tilford
    Karen Balkin
    • Mary Tilford
    Veronica Cartwright
    Veronica Cartwright
    • Rosalie Wells
    Mimi Gibson
    Mimi Gibson
    • Evelyn
    Debbie Moldow
    • Student
    Diane Mountford
    • Student
    William Mims
    William Mims
    • Mr. Burton
    Sallie Brophy
    Sallie Brophy
    • Rosalie's Mother
    Hope Summers
    Hope Summers
    • Agatha - the Tilford Maid
    Jered Barclay
    • Grocery Boy
    • (non citato nei titoli originali)
    Paul Bradley
    Paul Bradley
    • Parent at Piano Recital
    • (non citato nei titoli originali)
    Stuart Hall
    Stuart Hall
    • Mourner
    • (non citato nei titoli originali)
    George Holmes
    George Holmes
    • Mourner
    • (non citato nei titoli originali)
    Pete Kellett
    Pete Kellett
    • Taxi Driver
    • (non citato nei titoli originali)
    • Regia
      • William Wyler
    • Sceneggiatura
      • Lillian Hellman
      • John Michael Hayes
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti172

    7,819.7K
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    Recensioni in evidenza

    8hitchcockthelegend

    It's not dated at all !.

    The themes explored in The Children's Hour are far from dated, so i just can't conspire to other writers who feel this way.

    Karen and Martha are best friends who share a home together, they also work at the same all Girls school. Mary Tilford is a spiteful little child, when she is caught out for a lie she is duly scolded. In retaliation she starts casting doubts about the nature of Karen & Martha's relationship, pretty soon the gossip spirals out of control and the ladies are faced with empty classrooms and strained relations at home. A court case is in the air, but just what will be the outcome with a society so quick to frown on something that they deem unnatural?, regardless of it being truth or fiction.

    Coming as it did in 1961, The Children's Hour was something of a brave picture, possessing as it does, a plot strand about lesbianism. Yet the film is itself a remake of These Three from 1936, tho also penned by Lillian Hellman {William Wyler directing both pieces}, These Three was built around a heterosexual tryst. The force driving The Children's Hour on is its willingness to explore a then frowned upon topic, whilst simultaneously running a plot arc about the power of a devious tongue, the innocence of youth a cloak shielding bitter intentions. Audrey Hepburn is a wonderful piece of casting, her portrayal of Karen is very restrained, giving the character an aura of worth and gracefulness. James Garner plays Karen's beau, Dr. Joe Cardin, he's a crucial part of the story but Garner never really dominates the screen in the way you feel the character should, however in the face of the films best performance, it's probably understandable that Garner is hardly worth a second glance. That best performance comes from Shirley MacLaine, it's a towering acting job full of wrought emotion and steely determination, it's only during the films last quarter do you realise just how well MacLaine has layered Martha. MacLaine and Hepburn are very different in acting styles, and this makes The Children's Hour a character piece to savour in any decade. 8/10
    9emilyh113

    Stands the test of time, Excellent acting, good story line, heartfelt

    My favorite review of this film is a short, concise one entitled WOW written in 2000 (read it and you'll read my feelings exactly!). I believe it says a lot that over 40 years later, we still want to comment and view this movie (a movie that is not necessarily a popular classic that people know about). I had never heard of this movie until looking on Netflix and deciding to rent all the Audrey Hepburn movies. While she is fabulous, I thought Shirley M was the shining performance in this movie. James Garner is so genuinely loving and likable (as usual!) The other characters are also fabulous but for length I won't list them all! I highly recommend this film to someone who appreciates dramatic film with good character development. It is definitely not what I expected from something on an Audrey Hepburn list (which makes me love her more)! Some raters feel that this movie has homophobic undertones and is not appropriate for today's society (because we are so open minded now???). As someone who has worked with youth of today in a small town, I believe it is still relatable. I think it would open up a good discussion because I felt hope in the midst of tragedy (I don't want to give away anything but basically a "what could you have done instead" dialog).

    I weeped at the end but would watch it again as it is superb. I would give it a 10 but having only seen it once, I feel biased as I'm sure there are minor flaws somewhere! I give it a 9.9/10 instead!
    8bondgirl6781

    The Crucible Lillian Hellman Style

    Lilliam Hellman was a modern female writers and ahead of all of the female writer of her time (except for my fave Zora Neale Hurston). The film "The Children's Hour" based on Hellman's play tells the story of two young women whose lives and reputations are destroyed after a horrible little girl tells everyone that the two young women are lesbians. In a time period from which the play was set does not use the words "lesbian" or "homosexual" and are substituted with "unnatural." Homosexuality in the play/film was treated the same way as it was back then: a tragic and horrible disease punishable by death for certain. It is a painful film to watch. Audrey Hepburn is lovely as always as Karen and she was also one of the few actresses who was not afraid to take on a role that was avaunt garde. She has tender and sweet moments with James Gardner, who is also wonderful as Dr. Joe Cardin, Karen's fiancée. And then there is my favorite: Shirley MacClaine who steals scenes with such agony as Martha, a young woman who realizes that she is in fact different and is a lesbian, but lives in a time and place that would not never allow her to be free to express her feelings. In a touching and agonizing scene, Martha reveals her true feelings for Karen. MacClaine breaks your heart and many can relate to her. She wins us over and breaks our hearts. Other supporting actors included are Fay Bainter as Mrs. Tilford, the rich and powerful woman who is made the pawn of spreading the lies told by her granddaughter; the wonderful Miriam Hopkins is Martha's judgmental and hypocritical Aunt Lilly Mortar; Veronica Cartwright is sweet and innocent as the young girl tortured into confirming the lie. And of course, the little girl we all love to hate: Mary played by Karen Balkin. Mary is a nasty little girl and throughout the film all you want to do is strangle her. Why the character of Mary Tilford didn't make the AFI list of 100 Greatest Villains I will never know because here is an "innocent" child telling a horrible lie without realizing the consequences of her actions. "The Children's Hour" is a very hard film to watch at times, but one of the most important films pivotal to the 1960s.
    Elizabeth-328

    Great!

    "The Children's Hour" is a great movie that was very much ahead of its time in 1961. Audrey Hepburn and Shirley MacLaine play teachers who are accused by a deceitful student of having a lesbian relationship. This causes much friction in the school community, as the two women are shunned. And as might be expected when your whole world is turned upside down, these rumors cause tragedy.

    Audrey Hepburn is radiant as always, and Shirley MacLaine gives one of her best, most underrated performances. James Garner and Fay Bainter are also great in their supporting performances. "The Children's Hour" is a fantastic drama that you definitely don't want to miss!
    8HotToastyRag

    Great acting and story

    It's always a shame when classic movies' breakthroughs have been so overdone that watching the original loses its meaning. I hope when you watch The Children's Hour you can appreciate how groundbreaking and scandalous it was in 1961.

    Based on a Lillian Hellman play (that's your cue to prepare yourself for a very heavy movie), Audrey Hepburn and Shirley MacLaine play two teachers at an all-girls school. One of the students is a terrible, pot-stirring brat, and she starts a rumor about her two teachers. She claims she saw them kissing, and the aftermath of her accusation wreaks havoc on the good friends' careers and lives. In the original film, the evil-minded child says she saw one woman's fiancé go into the bedroom of the other woman. That was all that could get past the censors in 1936. Audrey Hepburn does have a fiancé, James Garner, but there are no sparks flying between him and Shirley MacLaine. In fact, when you watch the movie for a second time, you can really see the animosity and resentment Shirley feels towards him.

    The acting in this movie is fantastic. Fay Bainter's supporting role as the little girl's grandmother is the best of her career. Given very little dialogue, her face speaks volumes during every scene. Miriam Hopkins, another old timer, gets to play Shirley's self-centered aunt - and in a cute casting choice, she played Shirley's role in the original version. This is one of the last movie you'll get to see James Garner do any real acting, before he got typecast as "the scrounger". Shirley really steals the show, though. She knows when to take the backseat, and she knows when it's her turn to shine; when she does, she sends goosebumps up your arms. The Academy made her wait until 1983 to receive an award. Here at the Hot Toasty Rags, we were very happy to award her in 1961 for The Children's Hour.

    This is a tough movie to watch, so only rent it when you're in the mood for something heavy. Obviously, moral discussions will abound afterwards, but what gets under my skin the most is the trouble-making child. So often, children and teenagers do damage without realizing the consequences. I hope someday young people will be less selfish and learn to see the bigger picture. Revenge, self-righteousness, and deception are terrible qualities. Hopefully The Children's Hour can teach a valuable lesson.

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    Trama

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    Lo sapevi?

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    • Quiz
      Veronica Cartwright (Rosalie) said in an interview that she and the other children were told not to hang around with Shirley MacLaine on set because she "cursed a lot". They all did, however, because they thought she was "cool" and "very generous". She also became Cartwright's mentor throughout the making of the film.
    • Blooper
      Upon learning that Mrs. Tilford is telling everyone in town she's a lesbian, Martha Dobie (a schoolteacher who should know the difference) threatens to sue her for libel (which pertains to printed defamation of character), rather than slander (oral defamation). However, later in the film, "slander" is used correctly.
    • Citazioni

      Martha: There's always been something wrong. Always, just as long as I can remember. But I never knew what it was until all this happened.

      Karen: Stop it Martha! Stop this crazy talk!

      Martha: You're afraid of hearing it, but I'm more afraid that you.

      Karen: I won't listen to you!

      Martha: No! You've got to know. I've got to tell you. I can't keep it to myself any longer. I'm guilty!

      Karen: You're guilty of nothing!

      Martha: I've been telling myself that since the night I heard the child say it. I lie in bed night after night praying that it isn't true. But I know about it now. It's there. I don't know how, I don't know why. But I did love you! I do love you! I resented your plans to marry. Maybe because I wanted you. Maybe I've wanted you all these years. I couldn't call it by name before, but maybe it's been there since I first knew you.

      Karen: But it's not the truth, not a word of it is true! We've never thought of each other that way.

      Martha: No, of course you didn't. But who's to say I didn't. I'd never felt that way about anybody before you. I've never loved a man. I never knew why before, maybe it's that.

      Karen: You're tired and worn out.

      Martha: It's funny. It's all mixed up. There's something in you, and you don't know anything about it because you don't know it's there. And then suddenly, one night a little girl gets bored and tells a lie, and there, for the first time, you see it. Then you say to yourself, did she see it? Did she sense it?

      Karen: But you know it could have been any lie. She was looking for anything to...

      Martha: But why this lie? She found the lie with the ounce of truth. Don't you see? I can't stand to have you touch me! I can't stand to have you look at me! Oh, it's all my fault. I have ruined your life and I have ruined my own. I swear I didn't know it! I didn't mean it! Oh, I feel so damn sick and dirty I can't stand it anymore!

    • Connessioni
      Featured in Homo Promo (1991)
    • Colonne sonore
      Loch Lomond
      (uncredited)

      Traditional Scots-Gaelic song first published in 1841

      Included in piano medley

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    Dettagli

    Modifica
    • Data di uscita
      • 19 dicembre 1961 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • La mentira infame
    • Luoghi delle riprese
      • Shadow Ranch, Sylmar, California, Stati Uniti(Shadow Ranch Park, West Hills, CA)
    • Azienda produttrice
      • The Mirisch Corporation
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 3.600.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 48 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.85 : 1

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