Carry on Regardless

I didn't enjoy this one as much as Carry On Teacher. Altho she hasn't had an outstanding part in one as of yet, I was quite disappointed that dear Hattie's role was very minor.

The lack of plot didn't bother me at all. Joan Sims drunken bit was very amusing.

The fellow with his odd talk wasn't at all entertaining. Truthfully, if you paid attention, you could half follow what he was implying.

The transition of the performers from the first movie, Carry On Sergeant, to this one is interesting to observe, in a mere three or four year period in intriguing.

Clearly, this person Kenneth Conner was to be the center of attention. From an American viewpoint, he doesn't shine through.

While I didn't enjoy Carry On Constable as much as Teacher, I liked the exterior shots. What few street and outdoor scenes Carry On Regardless had was a bit disappointing as well.

I would have just liked more.

Well, on to the next one, the first colour Carry On: Carry On Cruising!

This is a great Carry On. The unemployed group together (under Sid James aka Mr Handy) to provide 'services' to various people for a fee. Special treat is Stanley Unwin who is desperately trying to warn them of their impending eviction, but due to his gobbldygook language, they don't understand. Until Kenneth Williams (an equally skilled orator) comes to the rescue. Best bit definitely Kenneth Connor in the Gentlemans club. Almost as good - Kenneth Williams walking the Chimp, Kenneth Williams interpreting for the German Woman, Kenneth Connor and Joan Simms (No sweets, no draws), Stanley Unwin all the time, Charles Hawtrey boxing ..... no, there's too many good bits to recount.

This Carry On does not seem to have a story line- it is more of a series of sketches linked together only by "Helping Hands". However this is a good one, NOT quite what the tagline suggests, but a good one. Most of the main stars (to date) are here, and they all get their own sketches. My fav being the Kenneth Williams/Chimp one (But this could be because KW is the best "Carry On-er"!). Other highlights are the Joan Sims' sketch at a wine tasting party and the end scene whare all the gang demolish a house. Apart from Stanley Unwin (I can't stand the way he talks) this is a good-un.

This film is definitely in the top three of Carry On films.

Alongside the early line-up of usual players - Kenneth Williams, Joan Sims, Charles Hawtrey, Kenneth Connor and Sid James - this film is notable for its host of cameo roles by other comedy greats. Some, such as Hattie Jacques and Fenella Fielding, had greater prominence in other Carry On films. Some, such as Betty Marsden, became famous elsewhere in comedy. Further familiar faces in cameo roles here include Molly Weir, Terence Alexander, Joan Hickson and Nicholas Parsons.

The five main actors listed above are ably assisted by Liz Frazer, Bill Owen, Esma Cannon, Terence Longdon and Stanley Unwin, all united around an agency that aims to help customers in whatever way they can. Hence the great range of cameo roles available.

Joan Sims performs one of her greatest drunk roles; Kenneth Connor does his best tongue-tied shy man, both in the company of temptress Fenella Fielding and when he's attempting to give up smoking; Charles Hawtrey wins a boxing match; and Kenneth Williams gets to walk a very unusual pet.

The humour in this film is far superior to the sex and toilet jokes that later filled (and possibly destroyed) this great series of films. This is a film that the family can watch time and time again.

The film centred around The Helping Hands business is full of laughs.Favourite sketch is Sam Twist (Kenneth Connor) in the club as steward and is told not to make a sound.You can't help but laugh as he gradually loses the plot when he sees an old man's fly undone on his trousers,an old man falling asleep reading a book and an old man sleeping as his wig slips down over his face.Top notch.A film (like all Carry On films)that I never get sick of watching with all the early Carry On regulars present.Typlical Carry On gags and double-entendre with the campness of Charles Hawtrey and Kenneth Williams always guaranteed to make me laugh.