La grande rapina di Boston

I watched some of the scenes being filmed for this movie in 1960 when I worked at Barker Brothers warehouse. That is in Los Angeles, not Boston. The building at 530 Molina at the intersection of Palmetto Street in the Warehouse District East of Alameda Street was the location for the Brink's building. Barker Brothers warehouse is across the street from there. The scenes looking out the hotel window at the building being robbed were filmed from a furniture warehouse. You can Google the 530 address and see that the building is still there and Barker Brothers old closed warehouse which was supposed to be the hotel ground floor entrance is also still there. The building North of there was also used as the hotel exterior. The movie rings true throughout. It has good characters and many familiar character actors appearing in this fast paced black and white film. The production is not cheap but it is primitive compared to today's explosion circus atmosphere norm. I highly recommend this if you like the old Cagney/Bogart/Raft movies. Look for great old cars that were new at the time the movie was being made.

... a hard working actor and no Father Murphy in the whole of Boston, (lol)... they all fork out extra here with a high standard. Directing, camera angles and great suspense for the heist. Production is good FOR the limited budget. I don't know Boston but I suspected it was L. A.

Glad somebody mentioned the cars... love 60s cars!

I am a great lover of caper - heist - movies. And this one is a very good as rare too. It is based on a true story, the Brink's robbery that took place in Boston in 1950. William Friedkin and Marvin Chomsky already made films about this affair.

It tells with many details how the hoods proceed to steal the bullion.

There is not really a leading character in this story, not great actors either. And it makes it more interesting.

It is however a grade B movie, shot with a tiny budget. Do not expect car chases and gunfights.

I am surprised that no other IMDb user has commented it yet.

I recommend it for those who can catch it on a TV broadcast these days.

This surprisingly good and taut thriller took me completely by surprise; I had no prior knowledge of either the film itself or most of the actors involved. It moves along at pace with a crisp dialogue and characters we can warm to and empathise with; I had not even heard of Jay Barney before but he is a.real presence here - tough, charismatic and at the same time loyal and principled. His close son/father relationship with "Pop" underpins the whole movie and the ultimate dilemma faced in the final act is touching.

A shame that the producers at the time didn't allow a little more budget to flesh out some plot developments and narrative as it leaps forward but overall a most satisfying example of that much-loved genre, the "Caper movie "

A quickie heist movie set in Boston following in the footsteps of 'Rififi' and 'The Killing' (with a bit of machinegunning thrown in as a nod to 'The Untouchables') directed by and populated largely by TV professionals.

As usual women barely feature in this world, but it does boast a quirky cameo as a prison visitor with a guilty conscience by Marion Ross, still nearly fifteen years away from the role that made her name as Marion Cunningham in 'Happy Days'; who never had anything to hide.