Blue Hawaii

While this is an O.K. film is most respects, sadly this turned out to be the route which Elvis's later film followed. Elvis is always likable in films like these, but when you've seen most of his later movies, you find out that they all follow a similar formula and it's hard to distinguish them from one another. Here, Elvis playes the same role as he did in practically every film after this one; a charming, womanising lad who happens to sing well. I should however note that I haven't seen all of his 33 films, but I've seen like 20 or so. Blue Hawaii is fondly remembered because of it's beautiful music and terrific scenery (Hawaii always looks enchanting). It's quite a lovely scene when Elvis sings "Can't help falling in love" to the old lady. Who wouldn't be charmed by that? 6 out of 10.

Its a little sad that I'm only the second person in 2011 to review this movie. I guess interest in Elvis has really waned in the last few years.

Presley's 28 or so movies are pretty much evenly divided between great, good, fair and poor. This one ranks solidly in the top of the good category. Like "Fun in Acapulco" and "Viva Las Vegas," there's some great scenery, good music, and a plot that holds interest pretty much all the way through.

Cinematography takes top honors. Hawaii has hardly ever looked so good.

Presley interacts well with the natives and does a good job convincing us that he could be a native boy. He seems fit and comfortable with everything and everyone in the movie.

The movie seems more crowded with Presley songs than usual, hardly five minutes goes by before there's another one. Fortunately, they're generally pleasant with an Hawaiian or in one case Jamaican flavor. The song "Can't Help Falling in Love with You" is one of Presley's greatest and unfortunately it is more or less a throwaway here, with Presley singing it to his girlfriend's grandmother more than her.

Definitely a must see for Elvis fans and a watchable one for non-Elvis fans.

I watched this on the day that the writer Hal Kantner died. He created two excellent television shows in the 1960's, "Julia" and "Valentine's Day." He was an excellent and intelligent comedy writer as this film shows.

The ultimate Elvis Presley musical of the 1960's-and the biggest box office success of his entire Hollywood career. 'Blue Hawaii' is the one that certainly hit the highs with it's blend of comedy, romance, music, scenery and a bevvy of beauties!

This film laid down the blueprint for the majority of Elvis' other 60's musicals that each and every Company, writer, producer and director, tried to recapture and remake time and again. But, artistically, it never quite happened.

The water was tested with Presley's first post-army movie, the critically acclaimed 'G.I. Blues', the year before, that introduced us to the new Elvis look and feel. The family audience were captured by Tom Parker's crafty, but clever, plans to make his boy appeal to a much wider spectrum of tastes and trends. And, 'Blue Hawaii' established firmly which route 'The King's' film career path was going to take.

It is an absolute must-see for a number of things including the fine direction of Norman Taurog and the beautiful Hawaiian paradise that unfolds like a travelogue. But, most importantly we are treated to a more mature Elvis Presley who handles his character's script with notable impressive comic timing when feeding off the intimidating characterisation by Angela Lansbury who plays his domineering mother.

Elvis seemed to gain a lot of enthusiasm and incentive by working with a fine supporting cast e.g. 'Jailhouse Rock', 'King Creole', 'Flaming Star', 'Wild In The Country', and 'Blue Hawaii' is no exception to the rule. The immediate screen chemistry between himself and his beautiful co-star, Joan Blackman, portraying the couple in love, is quite in evidence here and they both play off each other amicably. Although, rumour had it, it was a different ball game off camera.

An Elvis movie wouldn't be an Elvis movie if he didn't chant his way through a number of songs and with 'Blue Hawaii' this culminated in a total of fourteen that made up a soundtrack that was to become one of his biggest selling albums ever. These songs blended the local islands traditional themes('Aloha-oe', 'Ku-u-i-po', 'Island of Love'), with silly production tunes('Ito Eats' and 'Almost Always True') and a taste of the new movie-style rock 'n' roll numbers ('Rock-A-Hula Baby' and 'Slicin' Sand') through to the beautiful ballads that Elvis' remarkably crafted operatic voice of this time, handles with consummate skill and ease ('Blue Hawaii', 'No More' and 'Can't Help Falling In Love'). The film's finale is a cinematic classic and beautifully filmed with Elvis once again in tremendous form with those golden vocal chords-Wonderful!

This film was made at the start of a different era of the Rock music phenomenon, and afterall it was Hollywood, so not all of the Hawaiian flavoured ditties will suite everyone's taste. But, it just went to prove no matter what kind of song Elvis sang and released it would still boost sales to the point of gold record certified!

Elvis' performance as homecoming G.I. turned 'beach bum', Chad Gates, is flawless in this movie and obviously shows us that he has a flair for this kind of comedy setting. The film itself when viewed today is still as fresh and feel-good as it ever was which is more than can be stated of the much later so-called sequel-'Paradise Hawaiian Style' and other such Presley vehicles as 'Girl Happy', 'Tickle Me', 'Harum Scarum', 'Easy Come, Easy Go', 'Double Trouble' and 'Clambake'. All of which try to recreate the 'Blue Hawaii' formula albeit in a bad way with Elvis displaying his acting and singing talents in a mediocre sort of way.

But, finally, for all it's class and high points, 'Blue Hawaii', in the long run, was certainly the 'Kiss of Death' for 'The King', and his acting ability and enthusiasm for the big screen would never be portrayed as consistently ever again.

This is one of his all time best movies. The plot is great and so is the scenery. Young man who wants to make it oh his own. This movie also has a strong supporting cast with the lat Howard McNear, Joan Blackman playing opposit Elvis and the heralded Angela Lansbury. This was his best musical and second only to Charro! as his best. Unfortunately this movie and GI Blues (both good movies) were so successful that this became the formula.

Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.

While not one of the top three Elvis films, those being 'King Creole', 'Flaming Star' and 'Jailhouse Rock', 'Blue Hawaii' is one of his better overall films. It's proof that his early films were actually pretty good, but unfortunately it was one of his last good ones when the formula started here wore increasingly thin and further suffered from looking less appealing and even the quality of the soundtracks and Elvis' acting wavering significantly.

'Blue Hawaii' could have been better. The formulaic story has occasional draggy spots due to the content not quite being enough to sustain the running time. While most of the soundtrack is great, there is a big difference between the best songs and the weakest, with a couple of songs that don't feel necessary, feel thrown in for the sake of it and are neither catchy or beautiful, particularly "Ito Eats" and "Splicin' Sand". The supporting cast is variable, annoying Jenny Maxwell and dull John Archer coming off worst.

However, Elvis looks natural and is very charismatic, as well as vocally and performance-wise being very much in prime. Personally thought Joan Blackman was appealing, likewise with her chemistry with Elvis, but Roland Winters and particularly Angela Lansbury fare best in support.

Visually, 'Blue Hawaii' is one of the most beautiful-looking Elvis films, along with 'King Creole' and 'Flaming Star'. It's beautifully shot and Hawaii entrances more than it ever has on film. Norman Taurog directs assuredly in by far one of his better outings with Elvis (there were 9 and the first two, the other two being 'GI Blues', are the best).

Most of the soundtrack is simply great, the highlight being the sublime "Can't Help Falling in Love", one of Elvis' most famous songs and it is impossible to not understand why. "No More", "Rock-a-Hula Baby", "Hawaiian Sunset" and "Hawaiian Wedding Song" are honourable mentions. The script is witty and there is enough of the story that amuses and charms.

In conclusion, good Elvis film, one of his better ones without being among his very best. 7/10 Bethany Cox