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Colazione da Tiffany

Titolo originale: Breakfast at Tiffany's
  • 1961
  • T
  • 1h 55min
VALUTAZIONE IMDb
7,5/10
199.960
LA TUA VALUTAZIONE
POPOLARITÀ
1824
290
Audrey Hepburn in Colazione da Tiffany (1961)
Watch the original trailer for Breakfast at Tiffany's, starring Audrey Hepburn and George Peppard.
Riproduci trailer2: 37
5 video
99+ foto
CommediaCommedia romanticaDrammaRomanticismo

Basato sull'omonimo romanzo di Truman Capote, il film narra la storia di una ragazza bellissima, Holly Golightly, che vive offrendo la sua dolce compagnia a uomini ricchi.Basato sull'omonimo romanzo di Truman Capote, il film narra la storia di una ragazza bellissima, Holly Golightly, che vive offrendo la sua dolce compagnia a uomini ricchi.Basato sull'omonimo romanzo di Truman Capote, il film narra la storia di una ragazza bellissima, Holly Golightly, che vive offrendo la sua dolce compagnia a uomini ricchi.

  • Regia
    • Blake Edwards
  • Sceneggiatura
    • Truman Capote
    • George Axelrod
  • Star
    • Audrey Hepburn
    • George Peppard
    • Patricia Neal
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    199.960
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1824
    290
    • Regia
      • Blake Edwards
    • Sceneggiatura
      • Truman Capote
      • George Axelrod
    • Star
      • Audrey Hepburn
      • George Peppard
      • Patricia Neal
    • 568Recensioni degli utenti
    • 177Recensioni della critica
    • 77Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 2 Oscar
      • 12 vittorie e 13 candidature totali

    Video5

    Breakfast at Tiffany's: Trailer
    Trailer 2:37
    Breakfast at Tiffany's: Trailer
    Breakfast at Tiffany's
    Trailer 1:31
    Breakfast at Tiffany's
    Breakfast at Tiffany's
    Trailer 1:31
    Breakfast at Tiffany's
    Breakfast At Tiffany's
    Clip 1:16
    Breakfast At Tiffany's
    Breakfast At Tiffany's
    Clip 0:51
    Breakfast At Tiffany's
    Breakfast At Tiffany's
    Clip 0:54
    Breakfast At Tiffany's

    Foto236

    Visualizza poster
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    + 228
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    Interpreti principali84

    Modifica
    Audrey Hepburn
    Audrey Hepburn
    • Holly Golightly
    George Peppard
    George Peppard
    • Paul Varjak
    Patricia Neal
    Patricia Neal
    • 2E Failenson
    Buddy Ebsen
    Buddy Ebsen
    • Doc Golightly
    Martin Balsam
    Martin Balsam
    • O.J. Berman
    José Luis de Vilallonga
    José Luis de Vilallonga
    • José da Silva Pereira
    • (as Vilallonga)
    John McGiver
    John McGiver
    • Tiffany's Salesman
    Dorothy Whitney
    • Mag Wildwood
    Stanley Adams
    Stanley Adams
    • Rusty Trawler
    Elvia Allman
    Elvia Allman
    • Librarian
    Alan Reed
    Alan Reed
    • Sally Tomato
    Beverly Powers
    • Nightclub Stripper
    • (as Miss Beverly Hills)
    Claude Stroud
    Claude Stroud
    • Sid Arbuck
    Orangey
    Orangey
    • Cat
    • (as Cat)
    Mickey Rooney
    Mickey Rooney
    • Mr. Yunioshi
    Don Anderson
    Don Anderson
    • Bartender
    • (non citato nei titoli originali)
    Al Avalon
    • Spieler at Stripjoint
    • (non citato nei titoli originali)
    Janet Banzet
    Janet Banzet
    • Woman
    • (non citato nei titoli originali)
    • Regia
      • Blake Edwards
    • Sceneggiatura
      • Truman Capote
      • George Axelrod
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti568

    7,5199.9K
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    Recensioni in evidenza

    8smc71

    Great Art or Guilty Pleasure?

    I am never sure which Breakfast at Tiffany's is. I can certainly think of movies which more accurately portray the human condition, but of few that are more fun.

    Neither Holly nor Paul seem to represent real people. Their attraction, which is the focal point of the movie, is a character unto itself. Paul sees Holly as scared, vulnerable, and in need of rescue and enjoys his role as potential knight in shining armor to her damsel in distress. She is drawn to him because he sees beyond her facade of fabulousness to the scared little girl she is inside and which she tries (not that hard really at all) to hide. Adding to her attraction to him is the fact that he stands up to her when she treats him shoddily. This probably does not happen to her too often, and it intrigues her.

    These are mostly the tricks a romance novelist uses to keep readers baited and rooting for a fictional, possibly doomed romance to work and do not reflect the real nature of love. There is, however, enough chemistry, genuine affection, and respect between the two characters to keep the story from seeming utterly implausible.

    Of course, a movie doesn't have to be realistic to realistically portray what is right and what is wrong with the world we live in. Breakfast at Tiffany's doesn't do a whole lot of that either, though. After watching I can never pinpoint one solid message from it.

    What it does have a lot of, as many others have pointed out, is stylish, witty, good fun. This is almost always the movie I choose on the rare occasions when my husband is working late, my son is asleep, I have energy to spare and good bottle of wine just begging to be uncorked. Believable or not, it is well-told and compelling, and remains one of the better movies a gal can lose herself in.
    patrick3201

    Good. Very good.

    A lot has been said about this film, so I won't repeat too much of it. I just thought the following points stood out for me as wonderful:

    -The telephone Holly keeps in a suitcase so she won't hear it. Holly. Ahhhh... Holly. Like some kind of female opposite of James Bond (stick with me here), men all want her, women all want to be her. We need to see *more* eccentric women in leading roles, as opposed to the dull boring stodge of overpaid 'sex symbols' like Julia Roberts or Nicole Kidman who can be pretty or serious but never interesting.

    -George Peppard in his finest role, and brilliant it is too. It's a real shock to my generation that has been more accustomed to seeing him tragically underused on trash like the A-Team. It made me want to see more of his early films, and wonder what happened in the intervening years (alcohol, apparently :-( ). An icon of male sensitivity, and there are few enough of them around too.

    -That chap who sells them the telephone dialler in Tiffany's. A tiny role that achieves its aims perfectly and makes life seem better, which is what you want really.

    Many have said Tiffany's is too saccharine and cheerful, but I think it actually hits the perfect balance of cynicism and sentiment. There are moments of intense depression (which people often forget) as well as hopeful optimism, and these two working together are what make the film so uplifting and memorable.
    6durhamhome

    Memorable scenes, but lacking in other ways

    Often listed as a top 100 film of the 20th Century, Tiffany's features a flighty socialite who I became more frustrated with than anything else. We all have watched clips of Hepburn signing Moon River, but really the story plot is not that deep. The Rooney character, as the annoying Japanese neighbor is cringe worthy in today's standards, but it was made to be comic relief in its time.

    Decent film , but I wouldn't rank it as iconic for the century.
    schappe1

    Still a prize after all these years.

    This film is an amazing achievement for Audrey Hepburn. The part was clearly written for Marilyn Monroe. (To think of Hepburn as a backwoods girl is absurd.) Monroe would have made a meal of this and it would have been her signature role. But she was in the midst of her emotional troubles at this time and the role was given to a very different actress in Hepburn who produced a very different Holly Golightly. And yet she did it so well that it became HER signature role instead. It's not unusual for an actor to make a role his own such that you can't picture someone else in the role even thought there are actually many who could have played it. But to take a role intended specifically for another, one for which one does not appear suited, and make that your own…well, that's a great acting achievement. It certainly is Audrey Hepburn's greatest role, a performance with many more complexities than any other she ever gave.

    It's also a fabulous film. I love beauty emerging form contradiction, like a rhapsody emerging from apparently unrelated themes and musical noises. Here we have something that is at times a wacky comedy, a breezy romance and yet is full of depth and drama. So many things have happened and we have been introduced to so many characters at the end, it's amazing they all fit together. I also like the bravery of doing a story about two people who are basically prostitutes in 1961. It's daring yet there's nothing sleazy about he film because it concentrates on who these people are as people- what they are, not what they do.

    And the film has the most eclectic cast I can imagine. Romantic heroine Audrey Hepburn. Method actor George Peppard. Sleek man-killer Patricia Neal. Actor's actor Martin Balsam. Old reliable Buddy Ebsen, just before he hammed it up as Jed Clampett, playing a subtle and touching version of the same thing. Mickey Rooney provides the only jarring note with his scenery chewing performance as the Japanese landlord, something we could surely have done without. Did you know that Audrey's gangster sugar daddy is played by Alan Reed, the voice of Fred Flintstone? And don't forget John McGiver's delicate turn as the clerk at Tiffany's.

    You can debate the virtues of a film into the night. What really counts in the end is: Does it stay in the memory vividly years later? Would you like to watch it again? And when you watch it again, does it take you back to when you first saw it? Breakfast at Tiffany's certainly does. It will always be the prize in the cracker-jack box.
    7fanaticusanonymous

    A Capote Edwards Cup Cake

    Even now 57 years after its original release, Breakfast At Tiffany's remains a charming love story between two hustlers of sorts. Audrey Hepburn is not the Holy Golightly that Truman Capote intended, she couldn't be but she was Audrey Hepburn in all of her 1961 glory. Amazing how it still works that Audrey Hepbun touch. George Peppard is gorgeous but impenetrable. Mickey Rooney, unforgivable. Henry Mancini, opportune but. strangely enough the character that fascinated me the most in my latest viewing is Patricia Neal. I would love to see a full movie about that woman. She exudes sensuality and smartness. Blake Edwards concocts a lighter fare from Capote's book and as it happens, it's still very much alive and surprisingly relevant.

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Audrey Hepburn's salary for the film was $750,000 (roughly equivalent to $7.3 million as of 2022), making her the highest paid actress per film at the time.
    • Blooper
      When Holly gets out of the cab in the rain at the end, her hair is already soaking wet from previous takes.
    • Citazioni

      Paul Varjak: You know what's wrong with you, Miss Whoever-you-are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a "wild thing," and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself.

      [takes out the ring and throws it in Holly's lap]

      Paul Varjak: Here. I've been carrying this thing around for months. I don't want it anymore.

    • Versioni alternative
      The 45th Anniversary DVD release of the film includes revealing footage of the nightclub stripper that was previously left out of the earlier DVD and video releases. Blake Edwards planned to include the extended striptease sequence in an alternate version of the film for European release.
    • Connessioni
      Edited into Dove Chocolate: Audrey Hepburn (2013)
    • Colonne sonore
      Moon River
      Music by Henry Mancini

      Lyrics by Johnny Mercer

      Performed by Audrey Hepburn

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    • Why doesn't Holly's cat have a name?
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    Dettagli

    Modifica
    • Data di uscita
      • 23 gennaio 1962 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Facebook
    • Lingue
      • Inglese
      • Portoghese
      • Francese
      • Giapponese
    • Celebre anche come
      • Muñequita de lujo
    • Luoghi delle riprese
      • 169 East 71st Street, Manhattan, New York, New York, Stati Uniti(Holly Golightly's New York apartment)
    • Azienda produttrice
      • Jurow-Shepherd
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 2.500.000 USD (previsto)
    • Lordo in tutto il mondo
      • 600.922 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 55 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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