Babes in Toyland

I can remember watching this movie over and over when I was little-- of course, as the years went by I eventually taped over it. Well, when I finally grew out of my "I'm too cool for this movie" phase, I regretted my hasty decision. Luckily, last night it was on in the middle of the night on the Disney Channel and I practically programmed the VCR with lightening speed. I still love it, and I always associate certain scenes with certain memories, and now that I'm older I understand what is going on a little bit better (not to mention some of the jokes that flew right over my head when I was four!)! If you don't watch it for yourself, you're kids'll love it. Believe me, I know!

This is a film that cries out to be seen on the big screen. As a child, I saw this in the theater, and the color just dripped off the screen. With the magnificent soundtrack and wonderful special effects, it was a special event. However, on the small screen it does lose something of its effect, but it's still a good movie. The scene where TomTom has been shrunk, and takes his revenge on Barnaby by losing the wooden soldiers on him still gives me goosebumps.

Probably better for younger children, I still wouldn't miss this film.

Babes in Toyland may not be a "great" film, but it does have a lot of charms, well at least for me it did. The direction is at times lacking in pizazz and comes across as stodgy, making the film drag a bit in the less eventful parts. The story is rather thin, sometimes uneventful which bogs the pace down(but this is not in the entire film), and while Tommy Sands does have moments where he shines like in his gypsy drag scene at other points he's dull. Babes in Toyland looks colourful and the production values are simple and very pretty. Victor Herbert's score is a very pleasant one, it's not one of his greatest scores but it has songs that are both melodious and catchy. The choreography is light-on-its-feet and enough to tap the toes, so there is some liveliness to be had. The story is nothing really special, but there is a wonderful weirdness and wondrous fantasy atmosphere. That can especially be seen in the March of the Wooden Toy Soldiers sequence, which is the prime example of where you can find the film's clever special effects. There are some nice funny moments, and some slapstick(from personal perspective it wasn't that misplaced though it did have a Laurel and Hardy feel) and a lot of heart-warming charm. Don't expect fully developed characters, particularly with Tom and Mary, but they're hardly shallow either, the most colourful of them are Barnaby and the Toymaker. The performances are entertaining. Annette Funicello is a beauty and gives a charming performance, Ann Jillian doesn't have much to do but shows off her beautiful singing voice and child stars Kevin Cocoran and Tommy Kirk pop up too and are similarly appealing. The best of the lot go to Ed Wynn and particularly Ray Bolger. Wynn is both zany and warm-hearted, some of the film's most entertaining moments are with him. With Bolger, when you think of him you don't usually think of him playing a villain, but he does here and is delightfully wicked and seems to be having fun without over-compensating. In conclusion, as far as Disney live-action musicals Babes in Toyland is not as good as Mary Poppins and Bedknobs and Broomsticks and lacks both films' magic, but it is still a nice fun film that shouldn't demand too much. 7/10 Bethany Cox

Disney version of the Victor Herbert operetta about Mother Goose characters, previously filmed in 1934 with Laurel & Hardy. That version is the best of the ones I've seen but this one isn't without some positives. For starters, it's a beautiful-looking film with great sets, props, and costumes. That goose is creepy, though. It's a movie full of bright vivid colors that pop out at you. The cast is good, with Tommy Sands and a stunning Annette Funicello as likable (if dull) leads. Ray Bolger has fun as the villain Barnaby. Gene Sheldon and Henry Calvin, playing Barnaby's henchmen, are obviously impersonating Laurel and Hardy, and having a good time doing so. Ed Wynn is a scene stealer as the Toymaker. Disney legend Tommy Kirk plays his assistant and seems to be having fun. Director Jack Donohue does a respectable job bringing Toyland and its Mother Goose characters to life on the screen. But somehow the whole thing just doesn't click the way it should. You get the feeling from the start that the movie is trying way too hard. There are songs on top of songs and none of them are particularly strong. Most are terribly corny. There are interesting things about the film (particularly the visuals) so it's not a complete dud. It helps to avoid comparisons to the superior 1934 version. If you're a fan of the story or a Disney buff, by all means give it a shot. Also if you're a parent of a young child perhaps they'll like it. Everyone else go in with lowered expectations.

Mother Goose and her puppet goose Sylvester introduces a stage performance of the many children story characters. Tom (Tommy Sands) and Mary (Annette Funicello) are planning to get married. Tom is the son of the Piper and Mary is from "Mary, Mary, Quite Contrary". Barnaby (Ray Bolger) intends to marry Mary and steal her money. He recruits petty criminals Gonzorgo and Roderigo to throw Tom into the sea and steal Mary's sheep. Gonzorgo has the idea to sell Tom to the gypsies to make money twice. Bo Beep (Ann Jillian) brings news that the sheep have gone. Mary is out of options and is forced to marry Barnaby until Tom suddenly returns with the gypsies. Meanwhile, Bo Beep leads the kids to the Forest of No Return to find her sheep. Tom and Mary go to save the children. The talking trees allow them to go to the Toymaker.

This Technicolor fantasy has all the bright colors in the rainbow. It insists on being cheery despite following so much the villains. Tommy Sands and Annette Funicello are not particularly compelling. Funicello is darn cute but has limitations in her acting. The songs are cheery. This has that cutesy Disney charm but it does not really stand the test of time. It has enough wackiness for kids of that era and this should have an appeal due to its nostalgia.