Ada Dallas

When Ada was shown on TCM this past weekend Robert Osborne remarked that Susan Hayward requested to see this film during her final bout with brain cancer. I remembered reading some years ago that she said in an article her three favorite leading men were Clark Gable, John Wayne, and Dean Martin. She must have liked those guys a lot because she sure didn't do her best work with them.

But Ada is vintage Susan Hayward and again the kind of stuff that should have been done as a prime time TV soap opera. That's what these characters are more suited for.

In fact Dean Martin as Bo Gillis and Hayward as Ada are based on a couple of real life southern politicians. Jimmie Davis was a country singer/songwriter whose writing of You Are My Sunshine got him elected Governor of Louisiana. As it turned out when Ada was in theaters, Davis was being re-elected Governor of Louisiana again.

Miriam "Ma" Ferguson pinch hit for her husband James E. Ferguson twice as Governor of Texas. Of course Ma Ferguson didn't quite have the trollop background of Ada.

Susan is working in a high class bordello when gubernatorial candidate Martin comes in for a little entertainment. Wouldn't you know it, they fall in love and marry.

By a wild set of circumstances, Hayward is also made Lieutenant Governor as well as First Lady. I'll bet Bill Clinton is cursing the day he didn't think of that instead of being stuck with that stiff he had for a Vice president.

Fans of Susan Hayward and I'm one of them will love Ada. But it really is a bit much to expect the audience to swallow the incredible plot this film has.

Susan Hayward right after her triumph in I Want To Live had a string of hit movies: Woman Obsessed, Marriage Go Round, Back Street and this film Ada. Ada was filmed at MGM with Hayward's favorite Director Daniel Mann at the helm and was produced by Hayward's Chalmar Production Company. The Hayward-Mann connection was responsible for Susan Hayward's favorite film I'll Cry Tomorrow also at MGM which won the Star the Cannes Film Festival Award and an Oscar nomination. This film lavishly produced by MGM centers around Ms. Hayward playing a tramp who marries the Governor of a Southern State played by Dean Martin, and eventually becomes Governor due to an assignation attempt on the Governor played by Dean Martin. Susan Hayward's skill as an actress and Dean Martin's fine leading Man work mesh well together.

Supporting players include Martin Balsam and Ralph Meeker both ably acquit themselves. I liked the scene where Meeker tries to blackmail La Hayward as the Governor's wife. Susan Hayward-ever in control simply slaps Meeker and moves on. ( In my opinion Meeker should have been a major star) Wlfrid Hyde White plays a very wily Southern politician.

For the record as is part of Susan Hayward legend, Of all Ms Hayward's classic films such as I Want To Live, Smash Up, My Foolish Heart, etc, Ada is the film Susan Hayward requested to see just before Ms Hayward died of brain cancer.

Also note that there are many scenes with bouquets of yellow Roses. said to be Ms Hayward's favorite flower, Susan Hayward carries a big bouquet of yellow roses to Mr. Hyde-White.

Ada is a Susan Hayward movie, if you like Ms. Hayward -and I do!- you will like this film.

The conclusion of the film is intelligent where Susan Hayward and Martin reconcile and walk out of the State Capitol as equals.

Attention Susan Hayward fans: add Ada to your list. She plays the title character, and it's one of the most classic "Susan Hayward roles" she ever played. It's not my all-time favorite of her films, because I'm not a Dean Martin fan, but it's an essential watch for all who love her.

Dean is a fast-rising politician in the South, and as everyone knows, skeletons run rampant in politicians' closets. When the movie starts, Dean doesn't have any scandal, but when he marries a prostitute, there's quite a bit of covering up to do! His campaign manager, Wilfrid Hyde White, and his speechwriter, Martin Balsam, can't stand Susan Hayward from the moment she marries Dean, because of the threat of danger she brings to their campaign. But when she starts becoming an even bigger threat-it's Susan Hayward, do we really think she'll be content acting like a simpering wife?-they really can't stand her!

Susan Hayward is one of my all-time favorite actresses, so I absolutely loved her in this role. Her character is everything you think of when you think of Susan Hayward: strong, charming, cunning, shrewd, tough, smart, sexy, and classy. I also love political movies, and this one shows the fantastic and sickening world of back-door politics. Check it out to further your love of either!

"Ada" has a good premise, but unfortunately does not evolve into a good movie. The soapy melodrama about a "puppet" gubernatorial candidate married to a prostitute does not due justice to the talents of its stars. The fine talents of the three main stars are not fully explored, and their characters are likewise underdeveloped. The ending is hardly probable, and as a resolution, it leaves a lot to be desired.

The cast do the best they can with the material they have. Dean Martin and Susan Hayward are both quite credible in their highly emotional performances. Wilfrid Hyde-White is also good in portraying a grasping and stifling villain, an unusual role for him.

Though entertaining enough, "Ada" does not belong in the top tier of Susan Hayward showcases. She's terrific as always, in a role that suits her, but too much in this stretches credibility and lacks proper transitioning. I blame the script, plus Susan and Dean Martin don't especially click together. The film is set in the South and, even though it says Ada comes from Alabama originally, its never made clear which state the action occurs in. The period is also not spelled out, though at the beginning, as Martin is campaigning, he passes a movie theater showing "Escapade", a 1935 William Powell vehicle. Yet, the clothing and hairstyles are definitely not 30's style. Two fine character actors, Martin Balsam and Ralph Meeker, are not given enough to do in support, while Wilfred Hyde-White never seems quite right as wily power-behind-the-scenes Sylvester Marin, his British accent out of place even with a layer of Southern drawl superimposed over it. All in all, you'll be entertained by this combination of "All the King's Men" and "A Face in the Crowd" with sudsy soap opera, but don't expect greatness.