VALUTAZIONE IMDb
7,7/10
2029
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaSitcom featuring the zany hijinks of New York's finest.Sitcom featuring the zany hijinks of New York's finest.Sitcom featuring the zany hijinks of New York's finest.
- Vincitore di 1 Primetime Emmy
- 2 vittorie e 4 candidature totali
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Recensioni in evidenza
I agree with Gilda, Car 54 is a classic that has not been given the same credit as "I Love Lucy" or "The Honeymooners", also some of my favorites.
The writing on Car 54 was superb. One of my favorite episodes is about the evil landlord "Pocrass." I love it!
The writing on Car 54 was superb. One of my favorite episodes is about the evil landlord "Pocrass." I love it!
I grew up in the Bronx when this was a prime time series in New York. In fact, I lived a block away from the old Biograph studio where the series was filmed; some of the location scenes were filmed in the Tremont section of the Bronx (the 53rd precenct). Watching the old episodes, you will see such actors as Maureen Stapleton, Nipsey Russell, Charlotte Rae, Mel Stewart, and Ossie Davis who were based in the New York area at the time. New York was the television broadcast capital at the time until the mid '60s before productions left for Hollywood. (Other studios like Filmways in Harlem produced shows like "Naked City"). The closing credits of the "53rd precinct" is actually the exterior of the Biograph studio-The show is still funny after all these years due to the writing of Nat Hiken and you can hear the old radio influence in the dialogue and story plots( A good book to read about Hiken: " King of the Half Hour" sold at Barnes & Noble). Thanks for the memories
Boy, I am still waiting for a DVD or two of this classic television show, giving us seasons worth of episodes, not just a couple of episodes on tape. This show was a comedy classic; one of the best ever.
This particular VHS tape I am reviewing features two past shows, one of which is one of my all-time favorites: "The Taming of Lucille." Humor is subject but to me that episode is one of the funniest ever on TV as henpecked "Gunther Toody" (Joe E. Ross) tries to turn the tables on his wife. After he and partner Francis Muldoon (Fred Gwynne) watch a presentation of "The Taming the Shrew" in Central Park, and later Toody sees his cousin Al dominate his wife Rose, he thinks he can do the same....with hilarious results. Beatrice Pons, as "Lucile," is a hoot, too. Ross and Pons played the same roles in the earlier "You'll Never Get Rich" television how featuring Phil Silvers as "Sgt. Bilko."
The other episode is a famous one, too, although not as funny. In this show, Toody winds up on the Jack Paar show, hosted by Hugh Downs. A fellow policeman is "discovered" as a real comic and is invited on the show, only to get stage-fright and be rescued by Toody, who then takes his place as the star comic. He's invited back and....well....deja vu all over again, as Yogi Berra supposedly once said.
These are two shows guaranteed to give you a lot of laughs for 50 minutes (25 minutes per show). I just hope someone the whole series becomes available.
This particular VHS tape I am reviewing features two past shows, one of which is one of my all-time favorites: "The Taming of Lucille." Humor is subject but to me that episode is one of the funniest ever on TV as henpecked "Gunther Toody" (Joe E. Ross) tries to turn the tables on his wife. After he and partner Francis Muldoon (Fred Gwynne) watch a presentation of "The Taming the Shrew" in Central Park, and later Toody sees his cousin Al dominate his wife Rose, he thinks he can do the same....with hilarious results. Beatrice Pons, as "Lucile," is a hoot, too. Ross and Pons played the same roles in the earlier "You'll Never Get Rich" television how featuring Phil Silvers as "Sgt. Bilko."
The other episode is a famous one, too, although not as funny. In this show, Toody winds up on the Jack Paar show, hosted by Hugh Downs. A fellow policeman is "discovered" as a real comic and is invited on the show, only to get stage-fright and be rescued by Toody, who then takes his place as the star comic. He's invited back and....well....deja vu all over again, as Yogi Berra supposedly once said.
These are two shows guaranteed to give you a lot of laughs for 50 minutes (25 minutes per show). I just hope someone the whole series becomes available.
Taking a cue from his previously screened and highly successful SGT. BILKO series(aka YOU'LL NEVER GET RICH 1955-59), creator Nat Hiken went to the extensive pool of existing talent in the comedian /comic/funny man line. It was here that he found names like Jimmy Little, Joe E. Ross and even BILKO Star Phil Silvers had his comedic roots on stage in either Vaudeville or Burlesque.
In the casting of the players, Mr.Hiken and company made use of the available and eager New York stage actors. What could be more natural? After all, CAR 54 would be a Sitcom that was set in New York City about the Policemen of New York. Ergo, it would behoove any creative persons involved to add a certain otherwise unattainable degree of realism by using native born New Yorkers! (Duh!) The use of what must be described as "Obvious Humor" was a regular element of the series. Often the gags could be spotted coming from a ways out, yet the execution of the dialog by the players and the practice of milking a running gag for all its worth before finishing with it.
Hence we had a situation in one episode where Officer Francis Muldoon(Fred Gwynne) laments childhood experience wherein the kids at school referred to him as "Horse Face." Officer Gunther Toody(Joe E. Ross), his partner consoles him by telling him: "Don't worry Francis, kids just repeat what other people say!" And if this wasn't enough, Toody later adds: "After all, Francis, everybody liked Black Beauty!" They would sometimes take it beyond twice, but no matter it would be "resolved" in one way or another. And the charm of it was all was done straight-faced and serious.
The use of Cops as a Comic Foil has been around been with us ever since there has been Authority to deal with. When Mr. Mack Sennett gave us his Keystone Kops(and their immediate ancestor, Sennett's BANGVILLE POLICE)the use of the Cop as an outlet for humorous purposes was already a well established tradition on stage;be it in Vaudeville, English Music Hall, Burlesque, Stage Drama or Broadway Musical.Looking back further, we see in newspaper cartoons (not Comic Strips)be they straight humor or the Editorial type, this in heavy evidence.
There is one other area that CAR 54, WHERE ARE YOU? makes points that may not be apparent to a viewer. Unless you have been a Cop or had close family "on the job" it might completely miss you. (And this is no fault on anyone's.) Most of our TV Cops were characterized as little more than some sort of law enforcing robots. Oh, there were some exceptions, but for the most part series like Jack Webb's ADAM 12, portrayed what could almost pass for training film conversations. The team of Reed & Malloy seemed more interested in discussing street cop secrets and department procedure than sports, movies, where to get your car fixed or broads, even.
Mr. Hiken's crew not only humanized Cops, but took them a step further in showing some human foibles. And that,in the bigger picture of the Cinema & TV, may well be the greatest contribution that Nat Hiken and CAR 54, WHERE ARE YOU? provided.
This Cop Sitcom/Farce is one of the best representative series of its period(The early to mid 1960's). If you are not familiar with it, it's high time you met. If not on an outlet like NICK AT NIGHT, then try VHS or DVD's. Even a purchase would be well worthwhile.
In the casting of the players, Mr.Hiken and company made use of the available and eager New York stage actors. What could be more natural? After all, CAR 54 would be a Sitcom that was set in New York City about the Policemen of New York. Ergo, it would behoove any creative persons involved to add a certain otherwise unattainable degree of realism by using native born New Yorkers! (Duh!) The use of what must be described as "Obvious Humor" was a regular element of the series. Often the gags could be spotted coming from a ways out, yet the execution of the dialog by the players and the practice of milking a running gag for all its worth before finishing with it.
Hence we had a situation in one episode where Officer Francis Muldoon(Fred Gwynne) laments childhood experience wherein the kids at school referred to him as "Horse Face." Officer Gunther Toody(Joe E. Ross), his partner consoles him by telling him: "Don't worry Francis, kids just repeat what other people say!" And if this wasn't enough, Toody later adds: "After all, Francis, everybody liked Black Beauty!" They would sometimes take it beyond twice, but no matter it would be "resolved" in one way or another. And the charm of it was all was done straight-faced and serious.
The use of Cops as a Comic Foil has been around been with us ever since there has been Authority to deal with. When Mr. Mack Sennett gave us his Keystone Kops(and their immediate ancestor, Sennett's BANGVILLE POLICE)the use of the Cop as an outlet for humorous purposes was already a well established tradition on stage;be it in Vaudeville, English Music Hall, Burlesque, Stage Drama or Broadway Musical.Looking back further, we see in newspaper cartoons (not Comic Strips)be they straight humor or the Editorial type, this in heavy evidence.
There is one other area that CAR 54, WHERE ARE YOU? makes points that may not be apparent to a viewer. Unless you have been a Cop or had close family "on the job" it might completely miss you. (And this is no fault on anyone's.) Most of our TV Cops were characterized as little more than some sort of law enforcing robots. Oh, there were some exceptions, but for the most part series like Jack Webb's ADAM 12, portrayed what could almost pass for training film conversations. The team of Reed & Malloy seemed more interested in discussing street cop secrets and department procedure than sports, movies, where to get your car fixed or broads, even.
Mr. Hiken's crew not only humanized Cops, but took them a step further in showing some human foibles. And that,in the bigger picture of the Cinema & TV, may well be the greatest contribution that Nat Hiken and CAR 54, WHERE ARE YOU? provided.
This Cop Sitcom/Farce is one of the best representative series of its period(The early to mid 1960's). If you are not familiar with it, it's high time you met. If not on an outlet like NICK AT NIGHT, then try VHS or DVD's. Even a purchase would be well worthwhile.
Car 54 was the funniest show ever to grace the airwaves. The acting was dead-on perfection and the writing far superior to anything we have on-air today. The funniest episode involved a parrot that Captain Block had for years but was unable to teach it to talk. After one day with our heroes, the parrot ends up saying "I hate Captain Block", repeatedly. This is the funniest show I have ever seen! My husband first showed it to me shortly after I came out of the hospital for surgery. I laughed so hard that I thought my stitches would pop and I had to beg him to shut it off until later! If you have never seen this show you are in for a tremendous treat!! I love this show; when will it come on DVD? I can't wait to show all the episodes to our children.
Lo sapevi?
- QuizThe theme song to the show: "There's a hold-up in the Bronx, Brooklyn's broken out in fights / There's a traffic jam in Harlem that's backed up to Jackson Heights / There's a Scout troop short a child, Khrushchev's due at Idlewild! / Car 54 where are you?"
- BlooperIn some versions of the opening credits, most notably the version in which Toody and Muldoon are playing checkers in the car, the bubble light atop the squad car jumps when the car shakes. It should be bolted in place.
- Citazioni
Officer Gunther Toody: Ooh! Ooh!
- ConnessioniFeatured in Prime Times (1983)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Snow Whites
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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