The Wasp Woman

Like none of his other late 50's/early 60's horror & Sci-Fi tryouts (and there were quite a lot of them), "The Wasp Woman" truly proves that Roger Corman was, and still is, a very creative and versatile filmmaker! The plot of his ultra-low budget quickie is mundane and unbelievably predictable, yet the whole film is stuffed with ingenious little twists and elements that make the premise feel fresh and original nevertheless! There are very few directors out there, apart from Corman, able to achieve this! Susan Cabot, who starred in a handful of contemporary Corman productions, plays a businesswoman leading a prominent cosmetics company. She's unable to accept her own natural ageing process and righteously fears that her looks will bring down the monthly profits. When a scientist announces that he developed a rejuvenation liquid by extracting enzymes of ordinary wasps, Janice Starling immediately wants to commercialize it and test it on herself. The miraculous discovery is highly efficient, but when Janice injects herself with too much doses, she transforms into a murderous wasp overnight. "The Wasp Woman" is no more or no less than fun & undemanding Sci-Fi entertainment! The film has a good pace and there's the occasional suspenseful moment to enjoy. The monster-transformations and special effects are really tacky but what else did you expect considering the money that was involved? This charming little movie may not be very appealing to the younger generation of fans, but I warmly recommend it to admirers of classic science fiction. The rating here on IMDb is WAY too low!

One of Roger Corman's better directorial efforts about reversing the aging process to sell cosmetics in the early 60's! Susan Cabot, the lead, finished her film career with this one before returning to the theatre in New York after many films in the 50's. Unfortunately, she was bludgeoned to death by her dwarf son sometime in the 80's which ended her promising career. She was a serious actress with a terrible final act.

A definite 6 out of 10. Best performance = Susan Cabot. Worst performance = Anthony (Fred) Eisley - the "actor" who always managed to reach the pinnacle of Blandness in every film he made in the 60's. Dr. Zin in his spotted pajamas reminds me of someone's Uncle Luigi. An under-rated low budget flick which hits a nerve (cosmetics, pshaw). This is on DVD. Seek it out!

It frustrates me when people refer to The Wasp Woman as a good B-movie or, even more condescendingly, as a good Roger Corman movie. The Wasp Woman is simply an excellent film - no caveat required. This film is well acted, logical within its premise and most impressively, still disturbing. The special effects may have dated but the psychological horror which underpins the action remains as brutal as ever.

The beauty of The Wasp Woman is its simplicity. Dr Zinthrop discovers an anti-ageing antidote in wasp jelly and brings it to the attention of Janice, the owner of a cosmetics company. Janice, faced with the prospect of falling sales and her own fading beauty, agrees to fund the scientist's work on the condition that Dr Zinthrop use her as a guinea pig. Unfortunately, this has the unwanted side effect of turning her into a homicidal wasp/woman hybrid. As with all good genre films, The Wasp Woman defines its premise early and the narrative never strays from these clearly defined plot constraints. The developments in the film might be outrageous but taken within their context, they make perfect sense.

The Wasp Woman is without a doubt one of Roger Corman's best films. I am a big fan of the wonderful crap that he has produced since retiring as a director but this film is a poignant reminder of what Roger Corman is capable of when he takes his subject matter seriously. The Wasp Woman also underlines Corman's considerable skill as a director. The film is taut, cohesive and brilliantly paced. From the moment the film begins, there is a sense of tension and desperation about these characters that is almost palpable. This is due to both the excellent script and some impressive acting.

Susan Cabot has never struck me as the most gifted actress but her turn as Janice is extraordinary. Janice could have easily come across as a vain, ruthless woman. However, Susan's performance is so well calibrated that it is hard not to feel sympathetic to her plight. The scene where Janice realises that the company is failing due to her no longer being a "glamour girl" is devastating. The supporting cast is equally good. Michael Mark is particularly impressive as Dr Zinthrop. Dr Zinthrop's dedication to his research is creepy from the very outset. Anthony Eisley and Barboura Morris are solid as Lane and Mary, the voices of reason in the face of Janice's increasingly demented mindset.

The Wasp Woman would basically be nothing more than a well executed museum piece if it no longer had the capacity to be taken seriously as a thriller. The first glance of Janice, elegantly dressed and wearing a wasp mask, is jolting. My first reaction was to laugh but that quickly subsided. There is something psychologically unsettling about Janice's fate. Here is a woman used to being in charge, slowly but surely being taken over by something evil that is well and truly out of her control. The campy wasp effects are all the most disturbing because Janice is still so recognisable. Furthermore, there is something plain creepy about a killer wearing pearls and a twin set - even if the killer is half wasp.

The Wasp Woman steadily builds momentum until the impressive and satisfying conclusion. The film is psychologically violent and brutal, yet beautiful in a way that only these low budget black and white movies can be. The Wasp Woman is a fine achievement. Modern horror directors could learn a thing or two by watching this.

THE WASP WOMAN is certainly not a film to be taken very seriously as it details the hideous and unexpected transformation of a woman looking for the fountain of youth into a rather nasty flesh-eating monster instead...an unforeseen side effect of Dr. Zinthrop's wasp enzyme treatments. The common be wary of science theme is certainly in full force here and it does feel comfortable in this low budget environment.

The best thing about this film is it has a great pace as it keeps moving along nicely and is consistently entertaining. The worst is the low budget look of the monster and the awful music.

"The Wasp Woman" is a 1959 film directed by Roger Corman, who is known for being prolific in his production and direction of low-budget shlock such as "Teenage Zombies" and "Attack of the Giant Leeches".

Anyway, "The Wasp Woman" is about a woman who develops a youth formula from jelly taken from queen wasps. She overdoses on the stuff and turns into this half-human, half-wasp thing. Hilarity ensues.

I actually enjoyed this one, despite it being a bit on the slow side, but entertaining nonetheless. The acting is decent for a film such as this, and the sheer campiness that is trademark of Roger Corman films is there also.

Sure, the story is silly, yet somehow believable. A woman ODs on wasp jelly and the result is she turns into a wasp woman. TOTALLY BELIEVABLE! Even though it was really just the woman with a wasp-like mask on with some buzzing noise playing in the background while she killed things, it's all good. It's a shame she couldn't have sprouted wings and flew around town with some buzzing noise playing in the background while she killed things. Seriously, that would have been GOLD and would have catapulted this film to such heights of cheesy goodness that nothing else could compare.

My only nitpick is the scene jumping in some points is a bit sloppy and the overall picture quality isn't so great either. But I'm willing to forgive that since neither really effects the fact that I enjoyed the film. I got it one of those 4-in-1 dollar DVDs from Wal-Mart, so I would say it's a quarter well-spent.