La vendetta di Ercole

After the amazing success of "Goliath and the Barbarians" with Steve Reeves, American International pictures decided to go "Goliath" again and picked up the option on "Goliath and the Dragon".....Reeves was offered the role but due to conflicts with another film, American muscleman Mark Forrest took the role of Goliath. Talk about a goofy film.....Forrest certainly has the muscles for the role, but the cardboard sets, bats and monsters flying in on a wire you can see....and a man in a bear suit fighting Goliath....geez!!! Broderick Crawford dropped his Highway Patrol microphone and played Eurytus, a maniac despot with a penciled in scar on his face who tries to get rid of Goliath anyway he can, including sicking his pet dragon on Goliath. Goliath fights elephants, centaurs, bats, bears and manages to pull down two giant trees with a rope to the ground!! On well, if Steve Reeves could pull a tree out of the ground in "Hercules" I guess Goliath could pull down a couple too...... Absolute silly scene with Forrest as Goliath fighting a rubber dragon with a plastic knife breathing fire.....phoniest dragon up close you have ever seen!! Producers even used the same musical sound track for this film as "Goliath and the Barbarians" to save a few bucks I guess. Forrest went on to star in a number of muscleman flicks that Reeves apparently wasn't interested in making. Forrest appeared as Goliath again in "Goliath and the Sins of Babylon" again for American International pictures......guess they tried to milk the Goliath role for all they could get!!!

In the 1960's as a child I and dozens of theater goers were watching this interesting Movie called " Goliath and the Dragon " when a small fire in the building sent everyone racing out in a panic. Although, I got the price of admission back, (15 cents) I never did get to finish the film. Due to the fact, I was very young, I was most impressed with the parts of the movie I did get to see. It is years later and I finally got to see the entire movie completely. I am surprised to sit through the entire film without yawning. The scenes which intrigued and captivated me as a child, were laughable as an adult. However, I am impressed with the story of how Goliath or Hercules was able to mesmerize young impressible audiences with such a small budget and hokey special effects. Still, as a grown-up I would quickly recommend this film to young members of the audience as they have not lost their imagination or have forgotten what it means to be inspired by flickering images. During the Sword and Sandal era, these movies are the very inspiration we received when it was needed most. How else could Gods, Goddesses, Monsters, Centars and heroic deeds have impressed us so much? Recommended! *****

Broderick Crawford is a slimy politician in a toga and Mark Forest (bodybuilder Lou Degni) is muscleman Goliath in this kitsch epic from Italy, exploited to the max in the U.S. by American International pictures during the drive-in heydays of the late 50's and early 60's. This one's quite a potboiler, with a various assortment of cheesy monster creations (including some very brief stop-motion footage by Jim Danforth), the usual buxom babes with big Roman hairdos and, of course, the solid and stiff muscleman hero performing various feats of strength (like wrestling a bear suit and, rather impressively, genuinely warding off a real elephant!). It's all a lot of nostalgic fun and the new DVD release is a revelation in quality, bringing back the bright color and widescreen TotalScope ratio of the original theatrical presentation. The DVD is also packed with campy tributes to the whole muscleman, sword-and-sandal genre, including a gallery of trailers, shorts and even an entire second strongman feature, the truly ridiculous CONQUERER OF ATLANTIS! Get ready for a great late-night schlockfest with this package!

I had previously watched this in Italian during a pretty disastrous screening at the B-movie retrospective at the 2004 Venice Film Festival where the whole audience howled with laughter; in hindsight, I have to say that watching it on the big screen certainly magnifies its inherent faults tenfold. Actually, now that I've given it another look, it's not worse than most other peplums - though certainly not up to Cottafavi's best work, THE 100 HORSEMEN (1964) but his offbeat framing and vivid sense of color enlivens several sequences to be sure. For the record, Cottafavi also made that which is arguably the best Hercules film of all, HERCULES AND THE CAPTIVE WOMEN (1961), whose shortened US version (alas) has just been released on R1 DVD.

Anyway, the plot kicks into action immediately as Mark Forest (playing the titular he-man, named Hercules in the original Italian-language version) goes to recover a diamond from a monster-infested cave which includes a hilarious large cat creature with bat wings which I clearly recall sending the Venice Film Festival audience in hysterics! The villain of the piece is Broderick Crawford who naturally chews up the scenery and approaches the role as if he were playing a gangster; at one point he even puts down his equally crooked, if actually brighter, henchman by calling him a "moron"...after which Crawford is apparently revitalized and inspired into devising newer and more ingenious traps to spring for Hercules...er...Goliath! The busy plot line, of course, involves several action set-pieces, court intrigues, much invoking of the Greek gods, women threatened with torture...and more laughable monsters (the dragon of the English title is so cheap that only its head ever makes any significant appearance). There is the usual coterie of maidens in these mythological epics who, thankfully, are very easy on the eyes here especially Leonora Ruffo (as Goliath's wife; she went on to repeat the role in Mario Bava's HERCLUES IN THE HAUNTED WORLD [1961]) and Gaby Andre' (as a duplicitous slave who also falls for Goliath).

The version I watched this time around, via Alpha's DVD, was the AIP English-dubbed and rescored one (by the ubiquitous Les Baxter); surprisingly, it was a widescreen print - but the colors were way too much on the red side so that I had to tone down the colors on my TV set to make the whole thing viewable!

P.S. Amusingly, my father and I attended a multi-part course on film appreciation some 10 years ago and when the lecturer mentioned such peplums in a positive light, my father, knowing the man to be a University professor, exclaimed loudly: "Don't tell me you appreciate that stuff?"

I saw the Alpha Video DVD of GOLIATH AND THE DRAGON, which is from a well-preserved widescreen print, and it's dazzling to look at! To be sure, the color balance goes a bit wonky in a few outdoor scenes, but the aquamarine trees and purple skies almost seem intentional, given the strangeness of director Vittorio Cottafavi's vision. If all the old sword and sandal epics were in this good a shape, the genre would attract many more fans.

The movie itself is a delirious muscleman fantasy from start to finish. A bearded Mark Forest shows off the biggest pecs and widest lats of his generation, and melts everyone with his smile (except scar-faced Broderick Crawford as the cranky villain). The costumes are beautiful, the sets are extravagant, the exterior landscapes are a lush paradise, the monsters are huge puppets, and just when you think the story can't become more bizarre...it does! An absurdly majestic music score by Les Baxter strives to match the melodrama of a hero who dares to revolt against the gods themselves.

Cottafavi will try just about anything to dazzle and disorient the viewer. In one scene, as our hero approaches, looms above, and then passes over the camera, the point of view turns completely upside-down; the effect is so audacious I had to laugh out loud! This is fearless (and yes, perhaps sometimes mindless) film-making, and the result is truly dreamlike, if not downright mythic.