I vicini di una famiglia di frontiera si rivoltano contro di loro quando si sospetta che la loro figlia adottiva sia stata rubata dalla tribù locale dei Kiowa.I vicini di una famiglia di frontiera si rivoltano contro di loro quando si sospetta che la loro figlia adottiva sia stata rubata dalla tribù locale dei Kiowa.I vicini di una famiglia di frontiera si rivoltano contro di loro quando si sospetta che la loro figlia adottiva sia stata rubata dalla tribù locale dei Kiowa.
Recensioni in evidenza
These ingredients are augmented by a wonderful sound track by Demitri Tiomkin, including the theme tune 'The Unforgiven' that is both haunting and romantic. I have to try to pick up a copy of this beautiful tune one of these days.
John Huston's "The Unforgiven" is a flawed, but excellent film. It does seem like some positive thesis regarding race relations - explicitly "Injuns" / implicitly others - was being attempted. But, however well-meaning the project started out, the end result is a negative. All was lost, for me, the moment Mr. Lancaster orders young Mr. McClure to make a pivotal killing. That doesn't mean the movie isn't exciting or aesthetically appealing. Hepburn's authenticity should invite no criticism; remember, she is supposed to be fooling even Mr. Murphy's keen sense of "Injun" smell; yet, she sounds too liltingly "finishing school" sophisticated for the role.
As good as he is, Lancaster doesn't really command the film's attention, either. He and Hepburn are saddled (sorry) with a love story subplot dependent upon the characters being aware they are not really brother and sister, and Hepburn being ready for action. This goes nowhere. There are several other great performers in the cast, but the film belongs to the "Zachary" family members. McClure as Lancaster's wide-eyed younger brother is nicely cast. But, the real energy comes from the characters played by Gish and Murphy; both have a couple of great cinematic moments, though, like others involved here, they had off-screen problems during the filming.
******* The Unforgiven (4/6/60) John Huston ~ Burt Lancaster, Audrey Hepburn, Lillian Gish, Audie Murphy
The story is the opposite (inverse), contrary of the searchers (1956) with John Wayne and Nathalie Wood.
In the unforgiven the girl make a different choice for the issue of the story. The story is good because the mystery and a little suspense appear, and it is on the top with the Indians.
One of assets in the unforgiven is the photography. We have beautiful pictures in this film.
And we find a great Audrey Hepburn, who give something magic and mysterious anytime she is on the screen.
A nice western to see.
jelios jelios@hotmail.fr
"The Unforgiven" is a western about the impressive intolerance between Caucasians and Indians in the beginning of the colonization of North America by the whites. The story is very well developed, with the usual outstanding direction of John Huston. Joseph Wiseman has a magnificent performance in the role of a despicable villain, a revengeful man capable of destroying many lives. Burt Lancaster is also great in his leadership, while Lillian Gish is amazing in the role of a protective mother. Audrey Hepburn and John Saxon are convincing as Indians. My vote is eight.
Title (Brazil): "O Passado Não Perdoa" ("The Past Does Not Forgive")
Lo sapevi?
- QuizBefore filming began, director John Huston and star Burt Lancaster took actress Lillian Gish out to the desert to teach her how to shoot, which she would have to do in the film. However, Huston was astounded to discover that Gish could shoot more accurately, and faster, than both he and Lancaster, who thought themselves expert marksmen. It turned out that early in her career Gish was taught how to shoot by notorious western outlaw and gunfighter Al J. Jennings, who had become an actor after his release from a long prison sentence for train robbery and was in the cast of one of her films. She found that she liked shooting and over the years had developed into an expert shot.
- BlooperIn the closeup scenes of Rachel, her false eyelashes are quite obvious.
- Citazioni
Andy Zachary: What did he want, Ben?
Ben Zachary: He wanted to buy a woman.
[looks at Rachel]
Ben Zachary: You.
Rachel Zachary: Well, did you sell me?
Ben Zachary: I held out for more horses.
Rachel Zachary: Why would they want to buy me?
Mattilda Zachary: Because you're a girl, my pretty. Horses and women are all the same to a Kiowa - to be bought or traded.
- ConnessioniFeatured in The 43rd Annual Academy Awards (1971)
- Colonne sonoreDown in the Valley
(uncredited)
Traditional
Sung by June Walker and Kipp Hamilton
[Hagar and Georgia sing the song at the Zachary/Rawlins lunch]
I più visti
Dettagli
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Tempo di esecuzione2 ore 5 minuti
- Colore
- Proporzioni
- 2.35 : 1