VALUTAZIONE IMDb
7,5/10
47.054
LA TUA VALUTAZIONE
La visione di un uomo per una società utopica è disillusa quando un viaggio in avanti nel tempo rivela una società oscura e pericolosa.La visione di un uomo per una società utopica è disillusa quando un viaggio in avanti nel tempo rivela una società oscura e pericolosa.La visione di un uomo per una società utopica è disillusa quando un viaggio in avanti nel tempo rivela una società oscura e pericolosa.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 1 vittoria e 1 candidatura in totale
Bob Barran
- Eloi Man
- (non citato nei titoli originali)
Paul Frees
- Talking Rings
- (voce)
- (non citato nei titoli originali)
Mike Hitlner
- Eloi Man
- (non citato nei titoli originali)
Josephine Powell
- Eloi Girl
- (non citato nei titoli originali)
James Skelly
- Second Eloi Man
- (non citato nei titoli originali)
Recensioni in evidenza
One of my favorite films back when I was a lad was George Pal's production of the H.G. Wells novel, The Time Machine. As I've gotten a lot older since the 13 I was when it came out, I can more appreciate the meticulous care that went into the making of this film.
Considering that we didn't have computer generated images back in the day, the special effects hold up remarkably well. The make up and costumes for the villainous Morlocks still have the power to frighten.
What I look at now though was the United Kingdom of the turn of the last century in which Wells wrote his book. As much as George Pal was able to capture the future, he did as well with the past, the recreation of the Victorian/Edwardian era from which our time traveler Rod Taylor goes to the future and back.
A lot of that has to do with the casting of the four men who are Taylor's friends and looked like they stepped from that era. Tom Helmore, Sebastian Cabot, Whit Bissell, and Alan Young all comport themselves as proper English gentlemen who are concerned and support their friend anyway in his theories and experiments.
Especially Alan Young's performance, it's my favorite in the film. Young plays a dual role as Taylor's friend and as his own son over several generations of the 20th century. He's the kind of true friend we should all in life be fortunate to have.
Also note that the mechanics of the Time Machine itself are never explained, just how the thing works and what powers it. It was probably beyond even the fertile imagination of H.G. Wells to conceive, our own best minds of science now debate whether it is even theoretically possible.
Rod Taylor after playing several good supporting roles in many films since arriving in America from his native Australia, got his first lead and real big break in The Time Machine. He's excellent as the time traveler who essentially saves the future for mankind and rescues it from the world that has developed.
The Time Machine was also ahead of it's time. no pun intended, in its depiction of the peaceful Eloi. During the sixties age of flower power, the gentle Eloi are like a bunch of hippies who seemingly have attained their version of paradise. No one is old and they live in a garden of Eden. Little do they know what the underground Morlocks are using them for.
Yvette Mimieux who as Weena of the Eloi got her break out role her. She's the quintessence of the flower power generation soon to come.
Even though new versions have been done, this version of The Time Machine still stirs the imagination and appeals to the scientifically curious in all of us.
Considering that we didn't have computer generated images back in the day, the special effects hold up remarkably well. The make up and costumes for the villainous Morlocks still have the power to frighten.
What I look at now though was the United Kingdom of the turn of the last century in which Wells wrote his book. As much as George Pal was able to capture the future, he did as well with the past, the recreation of the Victorian/Edwardian era from which our time traveler Rod Taylor goes to the future and back.
A lot of that has to do with the casting of the four men who are Taylor's friends and looked like they stepped from that era. Tom Helmore, Sebastian Cabot, Whit Bissell, and Alan Young all comport themselves as proper English gentlemen who are concerned and support their friend anyway in his theories and experiments.
Especially Alan Young's performance, it's my favorite in the film. Young plays a dual role as Taylor's friend and as his own son over several generations of the 20th century. He's the kind of true friend we should all in life be fortunate to have.
Also note that the mechanics of the Time Machine itself are never explained, just how the thing works and what powers it. It was probably beyond even the fertile imagination of H.G. Wells to conceive, our own best minds of science now debate whether it is even theoretically possible.
Rod Taylor after playing several good supporting roles in many films since arriving in America from his native Australia, got his first lead and real big break in The Time Machine. He's excellent as the time traveler who essentially saves the future for mankind and rescues it from the world that has developed.
The Time Machine was also ahead of it's time. no pun intended, in its depiction of the peaceful Eloi. During the sixties age of flower power, the gentle Eloi are like a bunch of hippies who seemingly have attained their version of paradise. No one is old and they live in a garden of Eden. Little do they know what the underground Morlocks are using them for.
Yvette Mimieux who as Weena of the Eloi got her break out role her. She's the quintessence of the flower power generation soon to come.
Even though new versions have been done, this version of The Time Machine still stirs the imagination and appeals to the scientifically curious in all of us.
OK, so some people are intent on pointing out factual or historical inaccuracies. Some people ridicule the costumes and accents, but what's important is the spirit of the film. I sincerely doubt anyone made the same kind of comments back in 1960. It was a seminal film and must have inspired a generation of film makers. You don't need CGI to make a good film. It's all about the story and the ingenuity of having to make do with the things you've got to hand. This film exemplifies that attitude.
I first saw The Time Machine as a 10 year old in 1970 and was utterly captivated. The stop-motion photography was spell-binding to me; particularly when George kills one of the attacking Morlocks. The gory footage of the body decomposing will abide with me forever. More importantly, and for the first time in my life, I was completely swept away with the concept of time travel. This film was unlike anything I had ever seen before and sowed seeds of profound thought for many years after.
This film may not be for everyone, but it was for a certain 10 year-old boy all those years ago. How I wish I could go back and recapture those moments...
I first saw The Time Machine as a 10 year old in 1970 and was utterly captivated. The stop-motion photography was spell-binding to me; particularly when George kills one of the attacking Morlocks. The gory footage of the body decomposing will abide with me forever. More importantly, and for the first time in my life, I was completely swept away with the concept of time travel. This film was unlike anything I had ever seen before and sowed seeds of profound thought for many years after.
This film may not be for everyone, but it was for a certain 10 year-old boy all those years ago. How I wish I could go back and recapture those moments...
One of those Sci-Fi films that's made just right to be watched over and over again and never gets old. The special effects were ahead of their time but the film is not bogged down with them and the actors are allowed to ply their trade. Rod Taylor puts in a solid performance as George the time traveler. George Pal did a great job with this picture. A remake would probably be flashier with the FX but would be hard to beat this classic.
I recently saw the 2002 film "The Time Machine" and liked it a great deal, so I thought that it was probably in my best interest to see the 1960 version of "The Time Machine". So, I went ahead and rented it and watched it. I knew that this film was made in 1960, so I wasn't expecting anything spectacular, but I still hoped that it would be good. I must say that I was REALLY impressed with the film! I thought it was great!
The story is brilliantly told, smartly done, and quite interesting. I noticed a great deal of similarities (and differences) between this film and the 2002 version. There was virtually nothing I didn't like about the film, as far as story goes. I'm really interested in reading the H.G. Wells story now, so hopefully in the near future I'll bust out my copy and read it.
I thought the actors in the film did a fantastic job as well! Sadly, I'd never even heard of any of the actors in the film. I thought Rod Taylor, Alan Young and Yvette Mimieux all did a great job. The rest of the cast was good, but these three really struck me as great. Also, I have to say that Yvette is one beautiful woman!
The special effects in this film were surprisingly good, especially for a movie made in 1960! I must admit that I was really impressed with the sets and the special effects in the film.
The only thing that I would complain about, if I had to, is some little things. For instance, the classic "monster about to grab the guy, but then doesn't" sort of thing. Little things like that kind of bothered me, but I realize that it was just the style back then, so I can't really complain about it. Also, I wasn't too terribly impressed with the mouth and face of the Morlocks, but again, given that it was made back in 1960, I can let it slide.
Overall, I really enjoyed the film, and would definitely recommend it to anyone that liked the 2002 version of the film or just enjoys films about time-travel or science fiction. I truly hope that you enjoy the film as much as I do. Thank you for reading,
-Chris
The story is brilliantly told, smartly done, and quite interesting. I noticed a great deal of similarities (and differences) between this film and the 2002 version. There was virtually nothing I didn't like about the film, as far as story goes. I'm really interested in reading the H.G. Wells story now, so hopefully in the near future I'll bust out my copy and read it.
I thought the actors in the film did a fantastic job as well! Sadly, I'd never even heard of any of the actors in the film. I thought Rod Taylor, Alan Young and Yvette Mimieux all did a great job. The rest of the cast was good, but these three really struck me as great. Also, I have to say that Yvette is one beautiful woman!
The special effects in this film were surprisingly good, especially for a movie made in 1960! I must admit that I was really impressed with the sets and the special effects in the film.
The only thing that I would complain about, if I had to, is some little things. For instance, the classic "monster about to grab the guy, but then doesn't" sort of thing. Little things like that kind of bothered me, but I realize that it was just the style back then, so I can't really complain about it. Also, I wasn't too terribly impressed with the mouth and face of the Morlocks, but again, given that it was made back in 1960, I can let it slide.
Overall, I really enjoyed the film, and would definitely recommend it to anyone that liked the 2002 version of the film or just enjoys films about time-travel or science fiction. I truly hope that you enjoy the film as much as I do. Thank you for reading,
-Chris
This movie is truly a gem. There are problems with it when compared to H.G. Wells's original story, but many of the additions and changes actually are improvements, in my opinion. If there is one thing I WOULDN'T have changed, it was the part where the Time Traveler finally figures it all out: the Eloi are merely fatted cattle and the Morlocks are their "cowboys." In the book it comes through that the Eloi are not particularly good and the Morlocks aren't really evil- both groups are merely evolutionary products. Of course, theater audiences in 1960 wouldn't have accepted this.
Back to the film: the story is touching and I liked the sets and model-work. I have the DVD and I have watched it multiple times. And THAT is an endorsement.
Back to the film: the story is touching and I liked the sets and model-work. I have the DVD and I have watched it multiple times. And THAT is an endorsement.
Lo sapevi?
- QuizYvette Mimieux was actually underage when shooting began (she turned 18 during the shoot) and was not legally supposed to work a full shooting schedule, but did. She was inexperienced, but as she worked on this film she kept getting better and better, so that by the end of the shoot the producers went back and re-shot some of her earliest scenes.
- BlooperIn the great hall whenever George is inside, parallel and perpendicular white lines are seen painted on the floor. The table arrangements do not conform to any arrangement that fits these lines. This is because the set was constructed over a studio parking lot and they did not put down a floor covering. The revealing parking lines are simply ignored. This info came from a special effects veteran who was on the set during the filming of these scenes.
- ConnessioniEdited into Organizzazione U.N.C.L.E.: The Project Deephole Affair (1966)
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Dettagli
Botteghino
- Budget
- 750.000 USD (previsto)
- Lordo in tutto il mondo
- 5902 USD
- Tempo di esecuzione1 ora 43 minuti
- Proporzioni
- 1.85 : 1
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