In punta di piedi

I was surprised to see that the play on which this is based is from 1959 and not 1939; it has so much of the flavor of 30s college flicks. Just imagine it with a cast from a quarter-century earlier and it makes for a more comfortable fit. Who would you cast in the principal roles? The contemporary young 30s actors to play Tall Naive Guys could be say, Henry Fonda, Jimmy Stewart, even musical comedy hoofers such as Ray Bolger or Buddy Ebsen for a different flavor. For the go-getter girl June (who needn't be tall) the possibilities are broader. Ginger Rogers? Early Betty Grable or Lucille Ball? Toby Wing? One could amass quite a list of potential Junes...

Let me confess that I didn't get to see this all the way through, but from what I saw I found it rather weird to find all these young people existing in a 1960 world devoid of young peoples' music, i.e. rock 'n' roll, doo-wop etc. When the couples are out spooning under the moon they're even singing "Cuddle Up A Little Closer, Lovey Mine", published in 1908 (the same year the director, Joshua Logan, was born). Granted this song had been revived to considerable success in the 40s during wartime and was still popular in the 50s, but it just didn't seem credible to me.

However, once one accepts that "Tall Story" is set in a time and place all its own it's a perfectly enjoyable trifle. Perkins is likably boyish, callow and gawky, and a trifle awkward to be convincing as an athlete, but one can swallow that with the rest of it-- remember, Willing Suspension of Disbelief. So we can buy Fonda's character being so besotted with the guy and pulling every string to land him. She of course is a thorough charmer, which is fun to watch from the perspective of the present day, looking back on her life and career.

This is a quite watchable piece of filmmaking, and a definite curiosity. Just put your brain in neutral and let it roll by.

Shot in B&W and released in 1960, "Tall Story" was directed by Joshua Logan and starred Jane Fonda (in her screen debut) and Antony Perkins. The story is set at a the small campus of Custer College, a liberal arts school where the basketball team rules. Jane Fonda plays June Ryder, a student who transfers to Custer just to meet the star of the basketball team, Ray Blent (Perkins). Purpose: matrimony. The film is a comedy and while "Tall Story" laughs at the premise, it does so with a wink, knowing that the primary reason many coeds went to college was to find a husband.

The story is infused with an innocent air. Later in the film, we find that the big dilemma of the film is Ray flunking an exam, prohibiting him from playing in the big game. In 1960, there were Beach Blanket films and fluffy Rock Hudson/Doris Day films. In a few years, America's male students would still play basketball, but college attendance would mean an educational deferment from the military draft. In the early 60s, things would change quickly.

"Tall Story" is beautifully filmed. And the background music is excellent. The story is, of course, somewhat silly. But the cast makes it well worth watching.

Jane Fonda is fresh-faced, enthusiastic, and undeniably sexy. It would be five more years before what I consider her big break, "Cat Ballou", but the screen loves her from the first seconds she appears on film, when her character brashly advises two professors that they must compete for her enrollment in their classes. Fonda is about age 22 and working with the director (Logan) who convinced her to enter acting. She is wonderful in this role.

Tony Perkins is about age 27 during the filming, but he easily portrays the star collegiate athlete who the fans hoist on their shoulders. Is he convincing as an athlete? Probably not. But June is not interested in him for his athletic abilities; she thinks he's a dreamboat. 1960 is also the year that Hitchcock's "Psycho" would hit the big screen, transforming Tony Perkins' career.

In this film, professors are oddball academics, but lovable. The two professors are played by Ray Walston and Marc Connelly. As usual, Walston is delightful. Connelly stays right with him in this film, as does Anne Jackson who plays Walston's wife. Three years after this film, Walston would make an impact in the TV comedy "My Favorite Martian". Much later in his career, he would again play a teacher, the iconic Mr. Hand in "Fast Times at Ridgemont High".

"Tall Story" is dated, but deliciously so. The big game is going to be against the "Sputniks", the touring Soviet national team. Can Custer's men of the hardcourt withstand the Soviet machine? Of course, because Ray has a secret weapon--his "scientific" theory for shooting a basketball. The discerning viewer will note that his theory is nonsense and actually rooted in mysticism, evidenced by the way June, like a disturbance in the force, disrupts his abilities by standing too close to him.

The longest scene in the film is a flirting scene between Ray and June. Ray is no smooth Casanova. Perkins plays him as a gulping, romantic incompetent. But June manages to turn his head and redirect some of his ambitions.

In one scene they visit a trailer court for married couples. It is a picture of marital bliss (and young passions). June's friends live in a trailer dubbed "Lovesville, USA"--cozy (cramped) quarters decorated with hearts. The couple is played by Tom Laughlin (who would become Billy Jack in 1971) and Barbara Darrow, an actress I am unfamiliar with, but who I think dominates the screen when she is in it.

This film is adapted from the stage, something Joshua Logan had done successfully many times. Here he directs an extremely enjoyable cast, resulting in a comedy that is entertaining and fun to watch as a period piece.

Perhaps most notable as Jane Fonda's screen debut, "Tall Story" is also remarkable for what it didn't do for Anthony Perkins: define his acting career. Released the same year as Hitchcock's classic thriller "Psycho," "Tall Story" shows the charming, naive and humorous side of Perkins. He stars as Ray Blent, Custer's star basketball player and star student who finds himself caught in an ethical nightmare just before the biggest game of his life against the Russian Sputniks. Fonda is adorable as a cunning co-ed whose one aim in college is to snare the unwitting Ray. Unfortunately, we didn't see more Perkins characters like this one because the actor was typecast as a psychotic madman following his admittedly excellent portrayal of Norman Bates in "Psycho." This movie shows the virtuosity of a great actor who regretfully didn't get the chance to demonstrate his full range of acting skills more often.

I noted that in this comedy about a college basketball star lanky Anthony Perkins sure looks the part. But if you watch closely there are no real shots of him actually playing basketball. I suspect that Perkins in real life was no athlete though the story focuses on him potentially missing a big game.

A big game it is indeed with no less than a team of Soviet All-stars touring the USA and playing many colleges. Perkins missing the game would certainly affect the odds.

So when money is dumped on him from a mysterious source to throw the game this throws Perkins in an ethical quandary. And because he's got Ray Walston his professor who is his ethics professor the whole thing becomes a mess as Perkins deliberately flunks Walston's class to miss the big game.

Although Perkins and a young Jane Fonda as the coed looking to snare Tony for a husband, the real star of this show is Walston. When he flunks Perkins and then refuses to give him a makeup exam to make him eligible he's got everyone hating him including his wife Anne Jackson and next door neighbor and colleague Marc Connelly.

In 1959 Tall Story ran on Broadway for 108 performances. Authored by the legendary team of Howard Lindsay and Russell Crouse, only Connelly and Robert Wright as the college president repeat their Broadway roles in the film.

Some mention has to be given to Murray Hamilton as the frantic basketball coach who has the idea that the university exists to give his basketball team a home. What could possibly give him that idea in the America of 1960 let alone today?

The stars do well and the supporting cast is fine. But this film is a must for fans of Ray Walston.

Tony Perkins wasn't type-cast after "Psycho." Not at first. For the next six years, he went on to act in seven or eight other movies, most of which were shot in Europe by some of the world's best directors including Orson Welles, Claude Chabrol, Jules Dassin and Anatol Litvak and none of the roles were similar to Norman Bates. In fact, Perkins went on to be a bigger star in Europe than he ever had been in America after starring in "Goodbye Again" in 1961, for which he won he Best Actor Award at the Cannes Film Festival. "Pretty Poison," released in 1968, was the first movie in which he played a similar character to Norman Bates, and only after that film did the "type-casting" begin. But it was really all of the "Pyscho" sequels that did him in, so to speak. Perkins had a wider range as an actor than producers, directors (and casting directors) had given him credit. Too bad he did not have a more "creative" agent for the second half of his career. (Ironically, he was represented by CMA also known as "Creative Management Associates.")