Seddok, l'erede di Satana

When the opening credits end on ATOM AGE VAMPIRE, there is a sloppy jump cut to the opening scene (A bathrobe clad showgirl returning to her dressing room) This tells us the film has been heavily censored. This is an Italian film, being released here in the states. When somebody opens their mouth, horrific dubbing, best suited for a bad porno film, takes over the scene. The showgirl (the strangely beautiful Susanne Loret. She has this hard look to her face. With her blonde peek-a-boo hairdo, she resembles a crazed Veronica Lake) survives an auto accident that scars her face. In a last ditch effort, she goes to a mad doctor, who makes good on his promise on restoring her face. You can probably figure out what happens in this somewhat predictable sci-fi offering. The one thing that shines thru the censoring and dubbing is this movie moves at a rapid pace. It should be re-made with the same haunting and disturbing qualities.

"An exotic dancer has a terrible automobile accident and, as a result, is horribly scarred, on her face. Hoping for a miracle treatment, the dancer visits a scientist who has had marvelous results in restoring patient's (sic) appearances, and is cured of her scars. Unfortunately, there are some terrible side-effects from the procedure … the scientist must use unethical methods to try and make the cure permanent. With suspicions (growing, and) the dancer's boyfriend and the authorities closing in…" according to the DVD sleeve's synopsis.

Inappropriately re-produced as "Atom Age Vampire"; this is actually an adaptation of "The Strange Case of Dr. Jekyll and Mr. Hyde", with some other horrific clichés, quite neatly layered into the mix. Mad scientist Alberto Lupo (as Alberto Levin), unappreciated Franca Parisi (as Monique), and lackey Roberto Bertea (as Sacha) are an intriguing set-up. Horribly dubbed (although, the voices are good), and painfully predictable; it very obviously wouldn't be a completely awful film, in its unaltered Italian version.

**** Atom Age Vampire (1960) Anton Giulio Majano ~ Alberto Lupo, Susanne Loret, Sergio Fantoni

A brilliant but overly obsessive scientist has to kill young woman in order to constantly supply his own beloved female patient with fresh facial cell structures, since hers was incurably damaged in a nearly fatal car crash. Nothing really new or innovating here, as this was quite a popular premise the in late 50's/early 60's European exploitation-cinema industry. The downright brilliant French milestone "Les Yeux Sans Visage" launched the trend and also Jess Franco's "The Awful Dr. Orloff" and Ferroni's "Mill of the Stone Women" revolve on a similar theme. This dark and mean-spirited Italian production comes out as very weak compared to any of the previous titles, mainly because of its cheapness and lack of credibility. The other titles had convincing and naturally evil-looking mad doctors in the lead roles, while Albert Lupo in "Atom Age Vampire" more looks like an amateurish clown, completely incapable of developing breakthrough medical treatments. The fact that he spontaneously transforms into a hideous monster himself doesn't really help, neither…In fact, that was rather awkward… Still, there are some redeeming elements that Euro-horror fans might enjoy: the atmosphere is sinister, there's some nice camera-work here and there AND quite a lot of gore and icky make-up art to admire (especially considering the time it was made and the non-existent budget!). Too bad these positive aspects can't nearly make up for the slow pacing and the total lack of tension. The dialogs are sometimes hilarious although I'm quite sure they weren't intended to be. For example, can you imagine a doctor saying encouraging words to his desperate patient like: "Oh my God, your case is worse than leprosy!!" Overall, I wouldn't recommend this film unless you're well trained in seeing trashy exploitation junk.

I love Italian horror, but this one just didn't have the punch that I am used to with Fulci or Bava. The premise was good, but it didn't deliver completely.

It was interesting anyway as a girl (Susanne Loret) gets disfigured in an auto accident and a mad scientist doctor (Alberto Lupo) promises to make her beautiful again.

The Doctor and his assistant work on the girl, but the results are only temporary and they are out of serum. That's when the Doctor's secret is revealed and he goes into action attacking young girls to keep his treasured beauty alive. The first to go is his assistant.

He has a way of transforming himself into a Mr. Hyde and back to Dr. Jeckyl. The girls old boyfriend and the police are hot on his tail.

Interesting tale, but Fulci would have done it better.

A crazed Professor Levin goes to rather bizarre and extreme lengths to ensure his formerly disfigured young girlfriend remains beautiful, desirable and under his control.

This Italian Science Fiction/Horror epic is really quite silly thanks in large part due to the English dubbing and likely editing. But the film does work somewhat on a soap opera level and has some better than average transformation sequences. Actually it's quite entertaining but not always for good reasons. Still it was better than I was expecting.