La scuola dei dritti

I cannot remember how many times I have watched this film now - it takes me back to a time of charming English etiquette which, being too young, I never witnessed. The range of social situations through which we are taken in the apprenticeship of 'Lifemanship' are hilarious, and in a gentle and exquisitely-understated way. Ian Carmichael is, of course excellent, but my all-time hero, Terry-Thomas, is on the toppest of forms delivering the "Look's like a Polish stomach pump" and "Oh I say, smashing cricket stroke" lines with his unshakeable aplomb. A nostalgic treasure of a film.

This fabulous film is available on DVD at last, twinned with another Alaister Sim classic, THE GREEN MAN. But, the star of this film is the dapper TERRY-THOMAS. Every scene he is in is superb. From the suave cad in the first half of the film to the flustered toff in the second, this is one of his finest performances and stands up to repeat viewings due to his expressive faces and masterful comic timing.

I hear there is going to be a Hollywood remake of this film, which will be a huge mistake as there has been no one like T-T since. I recommend anyone who is a fan of British comedy to see this classic or you will forever be crying 'hard cheese'!

When Henry Palfrey meets the lovely young April Smith he thinks he has things good. However a meeting with them and Raymond Delauney sees Palfrey made to look a fool by the caddish Delauney. To counter his wishy washy ways, Palfrey joins the `Lifemanship' school of Mr Potter. Here he learns all the ploys of a cad. Upon completion of the course he sets his sight on Delauney – but can he avoid becoming that which he hates?

Terry Thomas is famous for his lecherous wretch and here he not only plays it to perfection, but also gets out played at his own game. The plot here is in three acts. Firstly the caddish Delauney outplays Palfrey. Second act Palfrey attends the school and finally Palfrey returns to his life a changed man. All three acts play out very well for different reasons, only the end of act 3 drags a little bit but ends well. The gentle comedy of the time runs through it – it is a very English film in its own way. I enjoyed the vast majority of it.

Ian Carmichael appears a weak choice for the lead but his transformation from coward to cad is well played and he was actually very good. Thomas is well cast although this is what he is famous for I suppose. Sim is pretty good but given too little to do and there are some nice little cameos from Hattie Jacques and (even better) John Le Mesurier.

Overall this is very slight but it is also very enjoyable. It isn't hilarious but it is a very enjoyable film with a good sense of wicked humour running through the film.

A classic, (and very, very funny) British comedy that seems to have slipped through the net, (despite having been picked up and remade last year with Billy Bob Thornton). Aficianados, of course, love the film with a passion and for good reason since it represents a high point in the careers of Ian Carmichael, Terry-Thomas and director Robert Hamer, (sadly this was the last thing Hamer did).

It's based on the Oneupmanship books of Stephen Potter, in themselves classics of British humour, and here Potter is played by the great and inimitable Alastair Sim, though Sim takes a back seat in this one. Surprisingly, the writers Hal E Chester and Paricia Moyes, who adapted Potter's books, have managed to pull together something of a coherent plot rather than just a series of sketches as initially nerdy Carmichael starts putting Sim's Dark Arts into practice as he goes head-to-head with the dastardly Thomas for the virtue of Janette Scott. Anyone who has ever wondered what the point of Terry-Thomas was need look no further than here. He's a comic fireball and he ignites every scene he's in. Seek this one out.

Stephen Potter's biography tells that, before this happy film version was made, Cary Grant was keen, with American producer Carl Foreman, to make a film about Potter's brilliant (now sadly out-of-print)Oneupmanship books. The problem that confronted Grand and Foreman was that they couldn't find anyway to make the humour "American". In the end they dropped it and this rather Ealing-esque film was made instead. This film is just great fun and a reminder of what British cinema at its best can offer. Thank goodness Grant and Foreman didn't give it the "American" treatment. Thank heavens also for a sterling case, in which Terry-Thomas particularly stands out. Tennis, anyone?