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Rocco e i suoi fratelli

  • 1960
  • VM16
  • 2h 59min
VALUTAZIONE IMDb
8,2/10
24.499
LA TUA VALUTAZIONE
Alain Delon, Annie Girardot, and Renato Salvatori in Rocco e i suoi fratelli (1960)
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Dopo essere emigrati da poco tempo a Milano, Rocco e i suoi quattro fratelli cercano ciascuno un nuovo modo di vivere quando una prostituta si intromette tra Rocco e suo fratello Simone.Dopo essere emigrati da poco tempo a Milano, Rocco e i suoi quattro fratelli cercano ciascuno un nuovo modo di vivere quando una prostituta si intromette tra Rocco e suo fratello Simone.Dopo essere emigrati da poco tempo a Milano, Rocco e i suoi quattro fratelli cercano ciascuno un nuovo modo di vivere quando una prostituta si intromette tra Rocco e suo fratello Simone.

  • Regia
    • Luchino Visconti
  • Sceneggiatura
    • Luchino Visconti
    • Suso Cecchi D'Amico
    • Vasco Pratolini
  • Star
    • Alain Delon
    • Renato Salvatori
    • Annie Girardot
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    24.499
    LA TUA VALUTAZIONE
    • Regia
      • Luchino Visconti
    • Sceneggiatura
      • Luchino Visconti
      • Suso Cecchi D'Amico
      • Vasco Pratolini
    • Star
      • Alain Delon
      • Renato Salvatori
      • Annie Girardot
    • 71Recensioni degli utenti
    • 92Recensioni della critica
    • 84Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 2 BAFTA Award
      • 12 vittorie e 10 candidature totali

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    Trailer 1:10
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    Interpreti principali32

    Modifica
    Alain Delon
    Alain Delon
    • Rocco Parondi
    Renato Salvatori
    Renato Salvatori
    • Simone Parondi
    Annie Girardot
    Annie Girardot
    • Nadia
    Claudia Cardinale
    Claudia Cardinale
    • Ginetta Giannelli
    Katina Paxinou
    Katina Paxinou
    • Rosaria Parondi
    Alessandra Panaro
    Alessandra Panaro
    • Franca - la fidanzata di Ciro
    Spyros Fokas
    Spyros Fokas
    • Vincenzo Parondi
    • (as Spiros Focas)
    Max Cartier
    • Ciro Parondi
    Corrado Pani
    Corrado Pani
    • Ivo
    Rocco Vidolazzi
    • Luca Parondi
    Claudia Mori
    Claudia Mori
    • Ida - Una Lavandaia
    Adriana Asti
    Adriana Asti
    • Un'altra lavandaia
    Enzo Fiermonte
    Enzo Fiermonte
    • L'allenatore di pugilato
    Nino Castelnuovo
    Nino Castelnuovo
    • Nino Rossi
    Rosario Borelli
    • Il Biscazziere
    Renato Terra
    Renato Terra
    • Alfredo - il fratello di Ginetta
    Roger Hanin
    Roger Hanin
    • Duilio Morini
    Paolo Stoppa
    Paolo Stoppa
    • Cerri
    • Regia
      • Luchino Visconti
    • Sceneggiatura
      • Luchino Visconti
      • Suso Cecchi D'Amico
      • Vasco Pratolini
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti71

    8,224.4K
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    Recensioni in evidenza

    9marcin_kukuczka

    What a humanity of living! What a complexity of humans!

    It is quite widespread to evaluate a movie after forty or more years in terms of time test. In many cases, we may claim that some movies are like wine: the older they are, the better they occur to be. Yet, not many movies are great in the intensity of being captivating on multiple levels. This can be said about ROCCO E I SUOI FRATELLI by Count Visconti, a film considered not only by its director to be his best one but still appreciated by lots of viewers worldwide. Let me consider some of its strongest points that I noticed while seeing the film.

    The most important thing that drew my attention in ROCCO E I SUOI FRATELLI was the wide range of life situations, themes and feelings which one can enumerate endlessly. The viewer is truly given an insight into profound development of charming affection, bitter humiliation, outrageous mockery, sweet desire, wretched rivalry, Utopian idealism, cruel vengeance, sad disappointment, intense sorrow, indefatigable disillusion, upsetting despair directing themselves towards final hope. By analyzing the content and trying to identify with the characters (note that it is not "observing" the characters but "identifying" with them like in classic Greek tragedies), the viewers dive into life situations which, at the same time, can be present in their own experiences: family ties, unemployment, social status, honor, social pressure, plotting, crimes...are they not all up to date now as they were in 1960? But this aspect cannot be separated from the characters.

    CHARACTER ANALYSIS. Rocco (Alain Delon) is an idealist, a very good person but too noble to succeed in this world. He appears to be a sort of biblical king David whose pardoning and love lead him to omit the teaching example and forget those who really care for him. His brother Ciro (Max Cartier), however, is a good realist who knows what the family means, how it matters; yet, who does not ignore the purifying punishment for wickedness. He seems to be as good hearted as Rocco; however; his mind is indeed more "earthly." He heads for goodness filled with honest intentions but keeping both feet firmly on the ground. Vincenzo is most individual and, thanks to getting married, most separated from the family. The "villain" brother is Simone (Renato Salvatori) who becomes a successful boxer but gradually turns to declining psychological strength poisoned by desire, jealousy and vengeance. In between comes a poor mother Rosaria Parondi (Katina Paxinou) who copes with true psychological suffering of lost hope and humiliation. An interesting character is a "fallen woman" Nadia (Annie Girardot) who is as changeable and as romantic as a classical tragic female in her dreams but down to earth and desperate in her acts. When it seems possible for her to fulfill the dreams of a better life, it is too late...

    There is so much profoundity and complexity in the movie that one could dwell in the themes for long. However, let me focus on the ARTISTIC FEATURES of the movie, too.

    Visconti's movie is a very valuable cinematic work with truly stunning cinematography, perfect direction, excellent script, wonderful moments. Anyone who decides to see this film should not ignore three moments that appear to be the milestone of film's harmony. The first one is Rocco and Nadia on the top of Milanese cathedral where she opens her psyche to him and, at the same time, his reaction is like a great blow of individual reality affecting the mutual one: "We'll never meet again" The second moment is the scene when all the family except for Simone celebrate Rocco's championship in boxing. The two bells that ring: the first one being a mysterious visit, the second one being Simone's entrance leave critical thoughts and conclusions. The third is the final moment when Ciro talks to their youngest brother Luca about life, future, and errors that should never be made again. However, that is not all. There is something more that makes Visconti's film an artistic pearl, PERFORMANCES.

    All cast do excellent jobs portraying their characters in a genuine way with a necessary invitation for viewers to identify. Alain Delon is unforgettable as Rocco: gentle, kind hearted, sometimes weak, sometimes very straightforward in personal decisions. The opposite counterpart appears to be Renato Salvatori who perfectly portrays Simone - so wild, so tremendously unstable, so easily led to fear, addiction and tragic despair. Another performance that deserves appreciation is Katina Paxinou's in the role of mother Rosaria: religious with a bit of superstition, so dominant over her sons, and generally so good hearted. A mention should be made of a minor role of Claudia Cardinale who plays Ginetta, Vincenzo's wife.

    ROCCO E I SUOI FRATELLI is a must see, a movie that everyone should watch profoundly addressing three levels of attention: first, a sole interest in Visconti being one of Neorealist directors aside DeSica, Rossellini and others; second, the artistic side including cinematography, direction, charm, performances; third, insight into both content and characters, their realistic complexity, humanity of life. Then, these three hours of watching will not occur in vain.
    Vincentiu

    special

    I am a fan of Visconti movies. for the Barroco nuances and poetry of small things. for beauty of details and courage to present slices of a neorealism in which is mixed nostalgic crumbs of a world fall and need of new society definition. Rocco was first movie by him who I saw it. a film - bitter story. picture of a family, map of searches, touching drawing of a victory of city and the love as delicate web. and, sure, one of wonderful roles of Alain Delon. in fact, a gate, or only a window to a time who becomes ours. because story is universal. and the figure of poor mother - letter of a never ending poem , is remarkable. end of an age. seed of a new form of self definition for Italian cinema. but, very important, testimony, not about a period. but a state of soul. must see it !
    10YouRebelScum

    An astonishing work of almost religious intensity

    I was lucky enough to catch this extraordinary film late last night on a cable channel. It's about a widow from southern Italy who moves to Milan with her five sons. Gradually they become embroiled in the big city, some becoming corrupted by its ways, others profiting. Rocco, played by Alain Delon, is an innocent, looking at his brothers and life in general with saintly patience. When his beneficent attitude comes under pressure, he doesn't give in to self-interest, choosing to sacrifice his own happiness, and that of the woman he loves, for his family. Family is really what 'Rocco and his Brothers' is all about. I've never got into Visconti, but seeing this film has made me want to see more of his work. Also, this move has one of the most powerful images I've ever seen, as the maddened Simone advances towards the doomed prostitute Nadia. It's an image so remarkable I actually shouted aloud when I saw it. I urge you to see this film. It's a remarkable, passionate, beautifully photographed drama that will stay with you for a long time.
    9blanche-2

    Visconti's masterwork

    This is perhaps Visconti's most powerful work, though today it may seem a little overwrought and dated.

    "Rocco e sui fratelli" from 1960 is about a rural family (Katina Paxinou as Rosaria, Alain Delon as Rocco, Renato Salvatori as Simone, Spiros Focás as Vincenzo, Max Cartier as Ciro and Rocco Vidolazzi as Luca) who move from southern Italy to Milano, hoping to make a better life for themselves.

    The brothers are all different, and therein lies the story, with the focus particularly on Rocco (Delon), a gentle soul who cares about his family and his family's honor, and Simone (Salvatori), a man with an addictive personality who only cares about himself.

    Both Rocco and Simone fall for the same woman, a hooker (Anne Girardot) and come to blows - physically, since both Simone and Rocco train as boxers.

    This isn't always an easy film to watch as it contains violence, rape, and murder. It also is extremely melodramatic by today's standards, with Paxinou's strong performance as the mother perhaps being viewed today as over the top. Acting styles have changed.

    It's also a rather misogynistic film - well, it is Italy, it is another time period, and I'm not one who believes in cancel culture. It is also overly long - I saw the cut version, I believe, 168 minutes. I think certain scenes were cut due to censorship.

    Though the film is in black and white, the look of Italy is amazing and expansive, as is the acting, particularly from Delon and Salvatori as they come up against one another in a biblical story. Claudia Cardinale pre-nosejob has a small role.

    Delon, of course, is gorgeous. Hard to believe he'll be 85 this year.
    10olddiscs

    A GREAT FILM from ITALY (1960)

    This is a great Italian film directed by Visconti, which somehow escaped me until tonite 2/22/02.. I had heard about it and the praise it received at that time, (1960) but just never got to see it. I was seeing Foreign films at that time, I remember seeing La Dolce Vita, The Virgin Spring, and Hiroshima Mon Amour at our local foreign movie theatre in Essex County , The Ormont in East Orange.. long gone.. but missed this. Well, thanks to TCM, Ive had another sleepless night & have just seen a truly great Italian movie/ or great movie, period!!..What a saga ! what passion, what emotion !! The story of a southern Italian peasant family's journey and relocation to the big city... is just superb film making..The deterioration of the brothers relationship is almost pure GreeK Tragedy (there is a glimmer of hope with the youngest brother)...superbly acted especially by Renato Salvatori, as Simon, the most troubled of all the fratelli, and young, beautiful, Alain Delon as the younger brother Rocco who desperately tries to save his brother from destruction; and Annie Giradot, as Nadia the prostitute who adds to this families woes is just sensational in a role that should have won her all kinds of trophies. It was no mistake that Visconti used Greek Oscar winning actress, Katina Paxinou, in the role of an Italian mother( instead of say, Anna Magnani ?), her performance brings to mind all the heroines of Sophocles & Aesculus... yes tragedy and emotion of epic proportions..played to the nth degree... beautiful cast excellently directed... by Viscont1... thanks to TCM Im catching up on his great movies "SENSO" a few months back and now "Rocco" this is a treat.. also in cast a very young beautiful Claudia Cardinale as Ginetta.. This is film making at its best..dont miss it.. to be seen again and again..

    Alain Delon's Top 10 Films, Ranked

    Alain Delon's Top 10 Films, Ranked

    To celebrate the life and career of Alain Delon, the actor often credited with starring in some of the greatest European films of the 1960s and '70s, we rounded up his top 10 movies, ranked by IMDb fan ratings.
    See the list
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Francis Ford Coppola was such a big fan of this film that he hired its composer, Nino Rota, to score his 1972 masterwork, Il padrino (1972).
    • Citazioni

      Ciro Parondi: Brothers or not, we're seeds taken from the same sack meant to bear fruit. A seed gone bad must be weeded out. Just like when we cleaned lentils.

    • Versioni alternative
      Originally released at 180 minutes in Italy. Local censorship forced director Visconti to cut a few sequences (including scenes from Nadia's rape); the film was subsequently shortened even more for foreign distribution. Director of photography Giuseppe Rotunno has prepared a restored full version, which has been re-released in 1991.
    • Connessioni
      Featured in Sunday Night: Man of Three Worlds: Luchino Visconti (1966)
    • Colonne sonore
      E vero
      Written by and Umberto Bindi

      Performed by Umberto Bindi

      Courtesy Ricordi

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    Dettagli

    Modifica
    • Data di uscita
      • 10 marzo 1961 (Francia)
    • Paesi di origine
      • Italia
      • Francia
    • Lingua
      • Italiano
    • Celebre anche come
      • Rocco and His Brothers
    • Luoghi delle riprese
      • Stazione Centrale, Milan, Lombardia, Italia
    • Aziende produttrici
      • Titanus
      • Les Films Marceau
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo in tutto il mondo
      • 22.013 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 59 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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