Pugni, pupe e pepite

John Wayne plays Sam McCord, who teams up with George Pratt, played by Stewart Granger, striking it rich with a gold mine around the turn of the century in Alaska. Fabian plays George's younger brother, Billy. George sends Sam back to Seattle to bring back his bride to be; instead, Sam brings back a chorus girl played by Capucine.

Henry Hathaway directs this fist swinging comedy. Of course, Mr. Wayne is in charge of the fist fights and Fabian is the butt of and source of most of the comedy. Comic Ernie Kovacs plays a snide claim jumper. Fast paced frolic of a picture. An enjoyable lighter side of 'Duke' Wayne.

Stewart Granger in his memoirs said he was very glad to receive the role of George Pratt when he did and was always grateful to John Wayne who got him cast in the part. He had just left MGM and offers were not piling up. Granger's career was in a transitional stage and he would soon take off for Europe and all kinds of spaghetti westerns. Right at that point he needed a paycheck.

Granger and Fabian play the brothers Pratt, George and Billy and John Wayne is their partner Sam McCord in a gold claim that's just hit it big. He's got to buy mining equipment in Seattle and Pratt's fiancé Jennie is there too. Wayne's to bring back both the equipment and Jennie.

But Jennie has off and got herself married. So Wayne in a moment of alcoholic brilliance spots another girl with a French accent in a pleasure palace called the Birdcage and decided to take her back to Alaska for Granger. She's played by Capucine. But things don't quite work out.

Of course there's another kind of claim jumping going on led by no-good cynical gambler Ernie Kovacs. All kinds of problems for the McCord-Pratt partnership.

If you like your comedy broad and unsophisticated North to Alaska is your kind of film. The Duke has some of his funniest screen moments in this film. There's a whole routine with Granger and Capucine trying to make Wayne jealous and with Fabian serving as a straight man to Wayne, it's a pretty funny bit of business. Wayne's facial expressions are alone worth seeing the movie.

John Wayne was always shrewd in marketing his films and he sought to woo a younger audience by having current teenage idols in his films around that time. He had Ricky Nelson in Rio Bravo and Frankie Avalon in The Alamo and now Fabian in North to Alaska.

I saw an interview with Fabian some years ago where he said Wayne was a formidable presence on the set of his film. He was great when you got to know him and he accepted you. But you did things his way or it was the highway, no questions asked.

Fabian has some moments too as a 17 year old whose hormones get going at the sight of Capucine. He sings a song in the film, If You Only Knew. But the real song hit is the title tune sung by Johnny Horton over the title. It was a big hit for Horton in his short and tragic career. Frankie Laine also sold a few platters with this song.

If your taste is sophisticated drawing room comedy, this ain't your film. But fans of the eternal Duke will love it.

A recent issue of Vanity Fair magazine contained a lengthy article (riddled with some annoying errors, by the way) about the exploits of legendary Hollywood agent (and producer, on occasion), Charles K. Feldman. For John Wayne he at one time obtained a three-picture deal at 20th-Century Fox that included this one, as well as "The Comancheros" and "The Barbarian and the Geisha." This comedy, set in Gold Rush Alaska, is the best of that trio, thanks to Henry Hathaway's hand at the helm, and some extremely astute casting. Stewart Granger, presumably a free agent after fulfilling his MGM contract, is credible as Wayne's partner; Ernie Kovacs, in one of his few film roles, before his untimely death, makes a thoroughly convincing cad; and Fabian, shoehorned in to lure the teenage females, is refreshingly funny in probably his best film performance. Capucine, one of Feldman's conquests, according to that same Vanity Fair article, was given the role of Michelle/'Angel' and she gave a preview of her ability to play a glamour role with an emphasis on comedy that came to full flower in 1964's "The Pink Panther," in which she skillfully matched pratfalls with Peter Sellers in his first incarnation as the immortal Inspector Clouseau.

With the great Kathleen Freeman, the always funny Mickey Shaugnessy, and Karl Swenson rounding out a cast giving full play to the script's comic aspects; Leon Shamroy lensing the proceedings with his usual professionalism; and Lionel Newman contributing an apposite score; this one, with a title song that managed a place on the Hit Parade back then, is lots of not-too-taxing fun. It's soon to be available on DVD, I notice, so its CinemaScope ratio will no doubt be restored, the only way to revisit a film made when widescreens were really wide.

The story is rather minimal, also there is little substance to the characters. However, I can overlook these in a way, but this was entertaining and was never meant to be complex and all that. It has beautiful cinematography and scenery. It has great music and a truly terrific title song. It has a sparkling script. It has skilled direction. It goes along at a decent pace. It has two fun performances from John Wayne and underrated Stewart Granger. And North to Alaska has one of the wildest and wackiest bar-room brawls I have seen in any movie. Overall, I liked North to Alaska, it was entertaining. 8/10 Bethany Cox

Out of 20th Century Fox, North to Alaska is directed by Henry Hathaway (& uncredited input from John Wayne) and stars John Wayne, Stewart Granger, Ernie Kovacs, Fabian & Capucine. The film script is based on the play Birthday Gift by Ladislas Fodor, and it's a CinemaScope/Deluxe Color production with Leon Shamroy's cinematography mainly on location at Point Mugu in California. Lionel Newman scores the music and the film also features a hit song of the same name song by Johnny Horton.

The plot sees George Pratt (Granger) & Sam McCord (Wayne) strike gold in Alaska. Nicely set up, George sends Sam to Seattle to bring back his fiancée. However, upon finding the girl, Sam learns that she has married another man and Sam makes the decision to bring back a pretty working girl called Angel (Capucine) as a substitute. Trouble is, is that Angel misunderstands and thinks Sam wants her for himself and begins to fall in love with him. Things are further complicated back in Nome when con man Frankie Canon (Ernie Kovacs) tries to steal their claim. Not only that but Angel has to contend with George's mood swings and the puppy dog like attentions of George's younger brother, Billy (Fabian).

It often gets forgotten just what a good comedy actor John Wayne was. His icon status, and the genre he's most famous for, tends to keep his comedy pieces from being discovered by the casual movie fan. Which is a shame because with films like Donovan's Reef, McLintock! and this here Hathaway treasure, there's enough fun and adventure to blow away the blues. The story in truth is nothing to write home about, it's a standard love triangle piece surrounded by gold rush conning and conniving. While teenage singer Fabian is out of his depth as his hyperactive hormone act quickly loses impetus. Also problematic is that Capucine, though regally pretty, gives a one note and lacklustre performance that needs Wayne & Granger to offset it in the scenes they share with her. And yet the film still works incredibly well as a romantic comedy adventure.

There's as many fists thrown here as there is in a championship boxing bout, with three hilariously staged free for all punch ups within the movie. The chemistry between Wayne & Granger is spot on as they do macho in a comedy stylie, and Kovacs revels in being the moustache twirling con man. Hathaway (stepping in when Richard Fleischer bailed out of the project) was a dab hand at action scenes, with a rolling wagon cart-come-shoot out-punch up sequence as rip roaring as it is funny. Hell! even the animals get in on the act, be it a shaggy loyal dog or head butting goats, they too are filling out the comedy.

There's also a lot of beauty on offer as Shamroy (Cleopatra/Leave Her to Heaven/The Black Swan) turns parts of California into Nome, Alaska. The scenes set around the twin cabin site of Sam & George are filmed at Hot Creek near Mammoth Mountain are simply gorgeous, while Mt. Morrison, a magnificent piece of nature, is featured in the background of many shots. Dorothy Spencer's editing is tight and on the money and Newman's score is brisk and bouncy. This is a far from flawless picture for sure, but what flaws are here are easily forgiven if the viewer is in the right spirit to take the film as it should and was meant to be taken. 8/10